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The first edition of this book in 2002 was the first UK text to
examine digital copyright together with related areas such as
performers' rights, moral rights, database rights and competition
law as a subject in its own right. Now in its fifth edition, the
book has been substantially updated and revised to take account of
legal and policy developments in copyright law and related areas,
the new UK copyright exceptions, recent CJEU cases, the regulation
of Collective Management Organisations, orphan works, and
developments in EU copyright legislation and the EU's Digital
Single Market Strategy. It also contains new sections on big data
and data mining, the impact of artificial intelligence and
blockchain on copyright, and the future for UK copyright after
Brexit. The book helps put digital copyright law and policy into
perspective and provides practical guidance for those creating or
exploiting digital content or technology, whether in academia, the
software, information, publishing and creative industries, or other
areas of the economy. The focus of Digital Copyright is on the
specifics of the law in this area together with practical aspects.
Both academics and practitioners will find the book an invaluable
guide to this ever-expanding field of law. Review of Previous
Edition: 'Overall, Digital Copyright is well worth the relatively
modest price for a book that will be stimulating for anyone who has
to think about copyright in the digital realm.' Francis Davey,
Journal of Intellectual Property Law and Practice
First published in 2001, Art and Copyright has established itself
as a leading text in the field. Revised and updated, this third
edition includes additional coverage of the following topics: - The
relationship between designs law and artistic works; - EU and
Brexit developments; - AI-created works; - graffiti and other
non-conventional works; - blockchain and rights management; -
orphan works; - new exceptions to copyright; and - digital
copyright, art databases and online platforms. This book remains an
invaluable work for all those involved in art law and for
intellectual property lawyers involved with the exploitation and/or
sale of artistic works, as well as for intellectual property
academics, researchers, law students, curators, publishers,
artists, gallery owners, auction houses, and those developing and
running online art platforms, databases and technology to transact
in art.
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