"Well we've got three floors right. Plenty of room... Room for a children's bedroom. Room for two." London, the present day. A woman is driven to the unthinkable by her desperate desire to have a child. Written and directed by Simon Stone, this radical new version of Lorca's tragedy of yearning and loss won universal critical acclaim when it premiered at the Young Vic in July 2016. Yerma triumphed at the 2017 Olivier Awards, with the production winning Best Revival, and Piper winning Best Actress. She also won the Evening Standard Natasha Richardson Award for Best Actress. Maureen Beattie, Brendan Cowell, John MacMillan and Charlotte Randle received unanimous praise for their performances.

There is increasing interest in young people's participation in the design and delivery of health services. But young people's views are not consistently sought or acknowledged, and they are still often marginalised in healthcare encounters. Drawing on original research and a diverse range of practice examples, Brady explores the potential for inclusive and diverse approaches to young people's participation in health services from the perspectives of young people, health professionals and other practitioners. She presents a practical new framework, embedded in children's rights, that shows how young people's participation can be integrated into services in ways that are meaningful, effective and sustainable.

In the west the ancient empire of Prast crumbles, an old man too sick to climb out of his deathbed. In the east an upstart nation of sun worshipers spread their heathen ways, swallowing up city-states and small kingdoms as they tread ever closer to Prast's borders. War is inevitable. A war greater and more bloodthirsty than any seen since the old gods left the world. And yet, war is as nothing compared to the greatest danger. The Shadowland. A vast swathe of corrupted jungles, deserts and mountains, saturated in malevolence. Ever since the time of myth it has separated east from west, a mark on the world to remind all men of the anger of their gods. Now it has begun to spread, spewing out its deadly creatures on the nations, threatening to corrupt and consume everything. Only one man carries the key to stopping the Shadowland, a man battered and scarred from his years alone in its deadly grasp. To stop it he must first make a friend of his greatest enemy... ...and then he must enter the Shadowland again...

It is the most infamous of all the ancients - the story of the deposed king whose sons were slaughtered and served to him by his brother in a feast. The action of the show, much like our lives, takes place in the banalities and ordinarinesses between atrocities. Featuring three extraordinary performances, the result is truly groundbreaking - gentle, disturbing, funny, beautiful and chilling.