"20 Sussex Churches" provides a concise and accessible introduction to the parish churches of Sussex reflecting the region's rich cultural history. Simon Watney has selected 20 buildings which represent the country's changing fortunes from Anglo-Saxon times to the 20th century. Ranging from grand urban buildings to remote and often humble country churches, as much attention is paid to the remarkable monuments and furnishings they contain, including murals and stained glass, as to their architecture. The question of why churches matter in the modern world, and the many kinds of pleasure they can provide to Christians and non-Christians alike, is also explored.

Among the chief themes of this book are the representation of AIDS in the mass media and in the arts, and the encouragement of a wider understanding of the personal impact of AIDS and its social experience, particularly among those social groups living with the highest levels of illness, death and mourning.

The writing of Craig Owens explored the relations among contemporary art, sexuality, race and power. During the fifteen years (1975-1990) that he lived in New York and wrote criticism for "Art in America", "October" and other publications, Owens covered a wide range of cultural practices: dance, architecture, art, literature, film, performance and theatre. Owens was trained as an art historian, but he is better described as a cultural critic and theorist, whose writings called into question established boundaries between disciplines, especially the separation of theory from practice. A major voice in postmodern culture and politics, Owens is equally well known and regarded for his contribution to debates around poststructuralism, sexual difference and gay politics.