Mapping Paradigms in Modern and Contemporary Art defines a new cartographic aesthetic, or what Simonetta Moro calls carto-aesthetics, as a key to interpreting specific phenomena in modern and contemporary art, through the concept of poetic cartography. The problem of mapping, although indebted to the "spatial turn" of poststructuralist philosophy, is reconstructed as hermeneutics, while exposing the nexus between topology, space-time, and memory. The book posits that the emergence of "mapping" as a ubiquitous theme in contemporary art can be attributed to the power of the cartographic model to constitute multiple worldviews that can be seen as paradigmatic of the post-modern and contemporary condition. This book will be of particular interest to scholars in art history, art theory, aesthetics, and cartography.

The Vattimo Dictionary presents an essential introduction in English to the philosophical thought of Gianni Vattimo, considered the most important Italian philosopher of the last fifty years and one of Europe's foremost contemporary thinkers. The Vattimo Dictionary consists of 101 entries arranged in alphabetical order and written by 53 contributors from around the world - the highest number of collaborators ever featured in this series. The entries vary in length based on their relevance and the extent to which they are examined in Vattimo's work. They include specific philosophical concepts and philosophers who have influenced his thinking, as well as terms of biographical interest. Key criticisms of Vattimo's work are included by prominent authors in the field, from Eduardo Mendieta, Franca D'Agostini, Santiago Zabala, Silvia Mazzini, Carmelo Dotolo, Federico Vercellone to Robert Valgenti.

The Vattimo Dictionary presents an essential introduction in English to the philosophical thought of Gianni Vattimo, considered the most important Italian philosopher of the last fifty years and one of Europe's foremost contemporary thinkers. The Vattimo Dictionary consists of 101 entries arranged in alphabetical order and written by 53 contributors from around the world - the highest number of collaborators ever featured in this series. The entries vary in length based on their relevance and the extent to which they are examined in Vattimo's work. They include specific philosophical concepts and philosophers who have influenced his thinking, as well as terms of biographical interest. Key criticisms of Vattimo's work are included by prominent authors in the field, from Eduardo Mendieta, Franca D'Agostini, Santiago Zabala, Silvia Mazzini, Carmelo Dotolo, Federico Vercellone to Robert Valgenti.

Mapping Paradigms in Modern and Contemporary Art defines a new cartographic aesthetic, or what Simonetta Moro calls carto-aesthetics, as a key to interpreting specific phenomena in modern and contemporary art, through the concept of poetic cartography. The problem of mapping, although indebted to the "spatial turn" of poststructuralist philosophy, is reconstructed as hermeneutics, while exposing the nexus between topology, space-time, and memory. The book posits that the emergence of "mapping" as a ubiquitous theme in contemporary art can be attributed to the power of the cartographic model to constitute multiple worldviews that can be seen as paradigmatic of the post-modern and contemporary condition. This book will be of particular interest to scholars in art history, art theory, aesthetics, and cartography.