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The #1 Irish Times bestsellerA special reissue from Head of Zeus's bestselling anthology collection of the very best Irish short stories, selected by Sinead Gleeson, author of Constellations, winner of the Irish Book Award Non Fiction Book of the Year 2019. There have been many anthologies of the short story as it developed in Ireland, but never a collection like this. The Art of the Glimpse is a radical revision of the canon of the Irish story, uniting classic works with neglected writers and marginalised voices - women, LGBT writers, Traveller folk-tales, neglected 19th-century authors and the first wave of 'new Irish' writers from all over the world now making a life in Ireland. Sinead Gleeson brings together stories that range from the most sublime realism to the downright bizarre and transgressive, some from established literary figures and some that have not yet been published in book form. The collection draws on a tremendous spectrum of experience: the story of a prank come good by Bram Stoker; Sally Rooney on the love languages of the new generation; Donal Ryan on the pains of ageing; Edna O'Brien on the things we betray for love; James Joyce on a young woman torn between the familiar burdens and oppression of her home and the dangerous lure of romance and escape; and the internal monologue of a woman in a coma by Marian Keyes. Here too are vivid and less familiar stories by Chiamaka Enyi-Amadi, Oein De Bharduin, Blindboy Boatclub and Melatu Uche Okorie. Sinead Gleeson's anthology is a marvellous representation of a rich literary tradition renewing itself in the 21st century.
An anthology of the very best Irish short stories, selected by Sinead Gleeson, author of Constellations. There have been many anthologies of the short story as it developed in Ireland, but never a collection like this. The Art of the Glimpse is a radical revision of the canon of the Irish story, uniting classic works with neglected writers and marginalised voices - women, LGBT writers, Traveller folk-tales, lost 19th-century voices and the first wave of 'new Irish' writers from elsewhere now making a life in Ireland. Sinead Gleeson brings together stories ranging from the sublime to the downright bizarre, from classics to the new generation of writers, and from well known names to previously unpublished talent. The collection paints a tremendous spectrum of experience: the story of a prank come good by Bram Stoker; Sally Rooney on the love languages of the new generation; Donal Ryan on the pains of ageing; Edna O'Brien on political entanglements; James Joyce on losing a loved one; and the internal monologue of a coma sufferer by Marian Keyes. List of contributing authors: Samuel Beckett, Sally Rooney, Melatu Uche Okirie, William Trevor, Marian Keyes, Kevin Barry, Edna O'Brien, Claire-Louise Bennett, Sheridan Le Fanu, Danielle McLaughlin, Mairtin O Cathain, Frances Molloy, Blindboy Boatclub, Elizabeth Bowen, Frank O'Connor, Chiamaka Emyi-Amadi, John McGahern, Anne Enright, Mike McCormack, Maeve Brennan, Oein de Bhairduin, Eimear McBride, Sean O Faolain, Cathy Sweeney.
*Shortlisted for the Rathbones Folio Prize 2020* *Winner of non-fiction book of the year at the Irish Book Awards* 'Utterly magnificent. Raw, thought-provoking and galvanising; this is a book every woman should read.' –Eimear McBride, author of A Girl Is a Half-formed Thing. I have come to think of all the metal in my body as artificial stars, glistening beneath the skin, a constellation of old and new metal. A map, a tracing of connections and a guide to looking at things from different angles. How do you tell the story of a life in a body, as it goes through sickness, health, motherhood? How do you tell that story when you are not just a woman but a woman in Ireland? In the powerful and daring essays in Constellations Sinéad Gleeson does that very thing. All of life is within these pages, from birth to first love, pregnancy to motherhood, terrifying sickness, old age and loss to death itself. Throughout this wide-ranging collection she also turns her restless eye outwards delving into work, art and our very ways of seeing. In the tradition of some of our finest life writers, and yet still in her own spirited, generous voice, Sinéad takes us on a journey that is both uniquely personal and yet universal in its resonance. Here is the fierce joy and pain of being alive.
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