The streets run red when you touch what’s his―and She. Is. His.

Payton
I’ve been surviving since I was seventeen― a decade of scraping by, staying hidden, doing whatever it takes to keep my head down and my name forgotten. I’ve built a life out of nothing. Quiet. Controlled. Safe. Until a stranger walks straight through my unlocked patio door like he owns the place. Like he owns me. I should’ve screamed. Should’ve run. But I didn’t. Because something in his eyes calls to the broken pieces in mine. Now I’m wondering if surrendering to him might be the first real choice I’ve ever made.

Nero
The day I took my first life, I accepted what I was―cold, ruthless, and never meant for peace. I built The Alliance from blood and shadow, carved my place in a world that doesn’t forgive weakness. And I’ve never looked back. Until her. One open door. One stolen moment. And suddenly, walking away isn’t an option. Payton doesn’t know it yet, but she’s mine. And when danger comes knocking, it’ll learn the hard way―I don’t just protect what’s mine. I destroy for it.

This book is a companion text to Active Control of Sound by P.A. Nelson and S.J. Elliott, also published by Academic Press.
It summarizes the principles underlying active vibration control and its practical applications by combining material from vibrations, mechanics, signal processing, acoustics, and control theory. The emphasis of the book is on the active control of waves in structures, the active isolation of vibrations, the use of distributed strain actuators and sensors, and the active control of structurally radiated sound. The feedforward control of deterministic disturbances, the active control of structural waves and the active isolation of vibrations are covered in detail, as well as the more conventional work on modal feedback. The principles of the transducers used as actuateors and sensors for such control strategies are also given an in-depth description.
The reader will find particularly interesting the two chapters on the active control of sound radiation from structures: active structural acoustic control. The reason for controlling high frequency vibration is often to prevent sound radiation, and the principles and practical application of such techniques are presented here for both plates and cylinders. The volume is written in textbook style and is aimed at students, practicing engineers, and researchers.
* Combines material from vibrations, signal processing, mechanics, and controls
* Summarizes new research in the field

The key to avoidance of fatigue, which is the main cause of service failures, is good design. In the case of welded joints, which are particularly susceptible to fatigue, design rules are available. However, their effective use requires a good understanding of fatigue and an appreciation of problems concerned with their practical application. Fatigue strength of welded structures has incorporates up-to-date design rules with high academic standards whilst still achieving a practical approach to the subject. The book presents design recommendations which are based largely on those contained in recent British standards and explains how they are applied in practice. Attention is also focused on the relevant aspects of fatigue in welded joints which are not yet incorporated in codes thus providing a comprehensive aid for engineers concerned with the design or assessment of welded components or structures. Background information is given on the fatigue lives of welded joints which will enable the engineer or student to appreciate why there is such a contrast between welded and unwelded parts, why some welded joints perform better than others and how joints can be selected to optimise fatigue performance.

This book is a comprehensive reference manual which will teach students and practitioners how to interpret contracts in four easy steps.

It illustrates how studying the contract from a sound rational and scientific base enables one to confidently interpret contracts, taking the guesswork out of deciding which factual and legal elements should be considered.

Enchantment and Creed in the Hymns of Ambrose of Milan offers the first critical overview of the hymns of Ambrose of Milan in the context of fourth-century doctrinal song and Ambrose's own catechetical preaching. Brian P. Dunkle, SJ, argues that these settings inform the interpretation of Ambrose's hymnodic project. The hymns employ sophisticated poetic techniques to foster a pro-Nicene sensitivity in the bishop's embattled congregation. After a summary presentation of early Christian hymnody, with special attention to Ambrose's Latin predecessors, Dunkle describes the mystagogical function of fourth-century songs. He examines Ambrose's sermons, especially his catechetical and mystagogical works, for preached parallels to this hymnodic effort. Close reading of Ambrose's hymnodic corpus constitutes the bulk of the study. Dunkle corroborates his findings through a treatment of early Ambrosian imitations, especially the poetry of Prudentius. These early readers amplify the hymnodic features that Dunkle identifies as "enchanting," that is, enlightening the "eyes of faith."

Daniel is a journalist, moving between London and Cape Town, until his elderly father passes away.

There is an unusual clause in the old man’s will: Daniel will only inherit his half of the estate once he has paid his estranged cousin a visit on the family farm in the Free State. It is a visit that will result in Daniel, his cousin and a sick young boy making a hopeful trip to Tokyo – a journey that will change all of their lives.

An exquisite, tender novel by the award-winning writer SJ Naudé.

VAL:
When I was nine, I went to my first funeral. Along with accepting my father’s death, I had to accept new and awful truths I wasn’t prepared for. When I was nineteen, I went to my mother’s funeral. We weren’t close, but with her gone, I became more alone than ever before. Sure, I have a halfbrother who runs The Alliance. And yeah, he’s given me his protection ― in the form of a bodyguard and chauffeur. But I don’t have anyone that really knows me. No one to really love me. Until I meet him. The man in the airport. And when one chance meeting turns into something hotter, something more serious, I let myself believe that maybe he’s the one. Maybe this man is the one who will finally save me from my loneliness. The one to give me the family I’ve always craved.

DOM
The Mafia is in my blood. It’s what I do. So when that blood is spilled and one funeral turns into three, drastic measures need to be taken. And when this battle turns into a war, I’m going to need more men. More power. I’m going to need The Alliance. And I’ll become a member. By any means necessary.

Note to self: always vet your dates...

Turns out the guy I brought to my friend’s dinner party has a wife. Awkward! Even more awkward? His wife happens to be at the same party. Cue yelling. Spilled food. Pure chaos.

Sitting next to the furious wife is a man named King. Tall, silent, dangerous. Apparently, her brother. And definitely someone I should not be making eye contact with...or thinking inappropriate thoughts about. But hey, it’s not like I’ll ever see any of them again. At least, that was the idea. Until I stop at the cheater’s apartment to grab my car keys. Quick in, quick out. What I didn’t plan on?

Witnessing a murder. Being taken hostage. And waking up next to a crime lord calling me wife.

Seriously―what the hell kind of bingo card is this?

Daniël voer ’n trekvoëlbestaan tussen Londen en Kaapstad.

Wanneer sy bejaarde pa sterf, bevat dié se testament ’n ongewone klousule: Daniël sal slegs sy deel van die boedel erf indien hy besoek aflê by sy neef Theon, op die ou familieplaas in die Vrystaat. Dié besoek lei tot ’n ander reis – hy en sy neef neem ’n siek seuntjie na Tokio, met die hoop dat ’n nuwe soort behandeling die kind sal genees.

’n Aangrypende roman deur die bekroonde skrywer SJ Naudé.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.