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This ground-breaking collection reveals the networks of
interrelation between Early Modern England and the Dutch Republic.
As people, ideas and goods moved back and forth across the North
Sea - or spread further afield in the vanguard of globalisation and
empire - Anglo-Dutch relations shaped all aspects of life, with
profound implications still relevant today. A diverse range of
expert scholars share new research in their discipline, ranging
across technology, trade, politics, religion and the arts.
Different aspects of this history of competition, alliance,
migration and conflict are taken up by each chapter, providing the
reader with detailed case studies as well as the broader background
and its historical roots. Anglo-Dutch Connections in the Early
Modern World aims to be both accessible and innovative. It will be
essential to students and researchers interested in European
politics, intellectual history, and shared Anglo-Dutch society,
while showcasing current research in multiple facets of the Early
Modern World.
This richly illustrated book tells the story of cultural exchange
between the people of the Low Countries and England in the Middle
Ages and the Early Modern period, and reveals how Anglo-Dutch
connections changed the literary landscape on both sides of the
North Sea. Ranging from the Norman Conquest of 1066 to the
'Glorious Revolution' of 1688, it examines how Dutch-speaking
immigrants transformed English culture, and it uncovers the lasting
impact of contacts and collaborations between Dutch and English
speakers on historical writing, map-making, manuscript production
and early printing. The literary heritage of Anglo-Dutch relations
is explored and lavishly illustrated through the unique collection
of manuscripts, early prints, maps and other treasures from the
Bodleian Library in Oxford. The book sheds new light on the
literature and art of a pivotal period in European history.
First collection devoted to the Poly-Olbion, bringing out in
particular its concerns with nature and the environment.
Poly-Olbion (1612-1622), the collaborative work of the poet Michael
Drayton, the legal scholar John Selden, and the engraver William
Hole, ranks among the most remarkable literary productions of early
modern England, and arguably among the most important. An ambitious
and idiosyncratic survey of the history, topography, and ecology of
England and Wales - ranging in its preoccupations from the
supernatural conception of Merlin to the curious habits of beavers,
and from celebrations of martial glory to laments over the
diminishment of woodlands - the book seems determined to pack all
of national and natural history between its covers. In the course
of thirty songs, Drayton's Muse traverses a varying landscape in
which personified rivers, hills, and forests sing of past glories
and disasters, pursuing local and regional rivalries whilst
propounding a heterogeneous vision of Britain. However, perhaps
because of its very uniqueness, it has received relatively little
critical attention. This is the first ever volume of essays on
Poly-Olbion, and a reflection of the work's increasing prominence
in scholarship on the literature and culture of early modern
England: the poem has long been central to critical studies of
early modern nationhood and nationalism, but in the last decade it
has also assumed a central place in discussions of pre-modern
approaches to ecological sustainability and environmental
degradation. The contributors here address questions about the form
and purpose of Poly-Olbion, as well as engaging with these dominant
critical debates, reflecting the extent to which the preoccupations
of Drayton and his collaborators have become our own.
The earliest chronicle of England in Dutch is found in a series of
chronicles published in 1480 by Jan Veldener, who had been William
Caxton's business partner in the Low Countries. The chronicle was
written independently and made to fit in with the larger series.
While being the first known standalone chronicle of England in
Dutch, it shows a remarkable sophistication and adeptness in
negotiating English and Dutch sources, as well as Dutch and English
interests, and presents a determinedly Lancastrian view of English
history to its Dutch audience. As such, the Middle Dutch Brut is a
fifteenth-century product of what for the middle of the
seventeenth-century has been identified as 'the Anglo-Dutch public
sphere', and an indication that the reciprocal channels of
discourse between Dutch and English speakers of the early modern
period found their origins in the Middle Ages. This book provides
an edition, together with a facing-page modern English translation,
accompanied by a contextualizing introduction and explanatory
notes. It is the first study, the first modern edition, and the
first English translation of the Middle Dutch Brut. The chronicle
has received very little scholarly attention, and has never been
subject of study in the context of the Brut tradition. This edition
will therefore provide a very significant further international
dimension to the study of medieval English literature.
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