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Parallax, or the change in the position of an object viewed along two different lines of sight and more precisely, the assumption that this adjustment is not only due to a change of focus, but a change in that object's ontological status has been a key philosophical concept throughout history. Building upon Slavoj Zizek's The Parallax View, this volume shows how parallax is used as a figure of thought that proves how the incompatibility between the physical and the theoretical touches not only upon the ontological, but also politics and aesthetics. With articles written by internationally renowned philosophers such as Frank Ruda, Graham Harman, Paul Livingston and Zizek himself, this book shows how modes of parallax remain in numerous modern theoretical disciplines, such as the Marxian parallax in the critique of political economy and politics; and the Hegelian parallax in the concept of the work of art, while also being important to debates surrounding speculative realism and dialectical materialism. Spanning philosophy, parallax is then a rich and fruitful concept that can illuminate the studies of those working in epistemology, ontology, German Idealism, political philosophy and critical theory.
Film theory is in crisis. The dominant psychoanalytical paradigm is
contested by cognitive models and post-theory. In the background is
a wider crisis in cultural studies, particularly as regards the
public role of the politically engaged intellectual.
'The only thing of which one can be guilty is of having given ground relative to one's desire' Jacques Lacan. Is psychoanalysis dead or are we to read frequent attacks on its theoretical 'mistakes' and clinical 'frauds' as a proof of its vitality? Slavoj Zizek's passionate defence of Lacan reasserts the ethical urgency of psychoanalysis. Traditionally, psychoanalysis was expected to allow the patient to overcome the obstacles which prevented access to 'normal' sexual enjoyment. Today, however, we are bombarded from all sides by different versions of the injunction 'Enjoy!' Lacan reminds us that psychoanalysis is the only discourse in which you are allowed not to enjoy. Since for Lacan psychoanalysis itself is a procedure of reading, each chapter uses a passage from Lacan as a tool to interpret another text from philosophy, art or popular ideology, applying his ideas to Hegel and Hitchcock, Shakespeare and Dostoevsky.
Zizek argues that the physical violence we see is often generated by the systemic violence that sustains our political and economic systems. With the help of eminent philosophers like Marx, Engel and Lacan, as well as frequent references to popular culture, he examines the real causes of violent outbreaks like those seen in Israel and Palestine and in terrorist acts around the world. Ultimately, he warns, doing nothing is often the most violent course of action we can take.
Contemporary life is defined by excess. There must always be more, there is never enough. We need a surplus to what we need to be able to truly enjoy what we have. Slavoj Zizek's guide to surplus (and why it's enjoyable) begins by arguing that what is surplus to our needs is by its very nature unsubstantial and unnecessary. But, perversely, without this surplus, we wouldn't be able to enjoy, what is substantial and necessary. Indeed, without the surplus we wouldn't be able to identify what was the perfect amount. Is there any escape from the vicious cycle of surplus enjoyment or are we forever doomed to simply want more? Engaging with everything from The Joker film to pop songs and Thomas Aquinas to the history of pandemics, Zizek argues that recognising the society of enjoyment we live in for what it is can provide an explanation for the political impasses in which we find ourselves today. And if we begin, even a little bit, to recognise that the nuggets of 'enjoyment' we find in excess are as flimsy and futile, might we find a way out?
Slavoj Zizek's critical engagement with Christian theology goes much further than his seminal The Fragile Absolute (2000), or his The Puppet and the Dwarf (2003), or even his discussion with noted theologian John Milbank in The Monstrosity of Christ (2009). His reading of Christianity, utilising his signature elements of Lacanian psychoanalysis and Hegelian philosophy with modern philosophical currents, can be seen as a genuinely original contribution to the philosophy of religion. This book focuses on these aspects of Zizek's thought with either philosophy and cultural theory, or Christian theology, serving as starting points of enquiry. Written by a panel of international contributors, each chapter teases out various strands of Zizek's thought concerning Christianity and religion and brings them into a wider conversation about the nature of faith. These essays show that far from being an outright rejection of Christian thought and intellectual heritage, Zizek's work could be seen as a perverse affirmation thereof. Thus, what he has to say should be of direct interest to Christian theology itself. Touching on thinkers such as Badiou, Lacan, Chesterton and Schelling, this collection is a dynamic reading and re-reading of Zizek's relationship to Christianity. As such, scholars of theology, the philosophy of religion and Zizek more generally will all find this book to be of great interest.
As we emerge (though perhaps only temporarily) from the pandemic, other crises move center stage: outrageous inequality, climate disaster, desperate refugees, mounting tensions of a new cold war. The abiding motif of our time is relentless chaos. Acknowledging the possibilities for new beginnings at such moments, Mao Zedong famously proclaimed "There is great disorder under heaven; the situation is excellent." The contemporary relevance of Mao's observation depends on whether today's catastrophes can be a catalyst for progress or have passed over into something terrible and irretrievable. Perhaps the disorder is no longer under, but in heaven itself. Characteristically rich in paradoxes and reversals that entertain as well as illuminate, Slavoj Zizek's new book treats with equal analytical depth the lessons of Rammstein and Corbyn, Morales and Orwell, Lenin and Christ. It excavates universal truths from local political sites across Palestine and Chile, France and Kurdistan, and beyond. Heaven In Disorder looks with fervid dispassion at the fracturing of the Left, the empty promises of liberal democracy, and the tepid compromises offered by the powerful. From the ashes of these failures, Zizek asserts the need for international solidarity, economic transformation, and-above all-an urgent, "wartime" communism.
With a new introduction by the author In this deliciously polemical work, a giant of cultural theory immerses himself in the ideas of a giant of French thought. In his inimical style, Zizek links Deleuze's work with both Oedipus and Hegel, figures from whom the French philosopher distanced himself. Zizek turns some Deleuzian concepts around in order to explore the 'organs without bodies' in such films as Fight Club and the works of Hitchcock. Finally, he attacks what he sees as the 'radical chic' Deleuzians, arguing that such projects turn Deleuze into an ideologist of today's 'digital capitalism'. With his brilliant energy and fearless argumentation, Zizek sets out to restore a truer, more radical Deleuze than the one we thought we knew.
In the most rigorous articulation of his philosophical system to date, Slavoj Zizek provides nothing short of a new definition of dialectical materialism. In forging this new materialism, Zizek critiques and challenges not only the work of Alain Badiou, Robert Brandom, Joan Copjec, Quentin Meillassoux, and Julia Kristeva (to name but a few), but everything from popular science and quantum mechanics to sexual difference and analytic philosophy. Alongside striking images of the Moebius strip, the cross-cap, and the Klein bottle, Zizek brings alive the Hegelian triad of being-essence-notion. Radical new readings of Hegel, and Kant, sit side by side with characteristically lively commentaries on film, politics, and culture. Here is Zizek at his interrogative best.
Slavoj Zizek gives us a reading of a philosophical giant that changes our way of thinking about the new posthuman era. No ordinary study of Hegel, this work investigates what he might have had to say about the idea of the 'wired brain' - what happens when a direct link between our mental processes and a digital machine emerges. Zizek explores the phenomenon of a wired brain effect, and what might happen when we can share our thoughts directly with others. He hones in on the key question of how it shapes our experience and status as 'free' individuals and asks what it means to be human when a machine can read our minds. With characteristic verve and enjoyment of the unexpected, Zizek connects Hegel to the world we live in now, shows why he is much more fun than anyone gives him credit for, and why the 21st century might just be Hegelian.
Hoe kunnen we nog geloven en regels hebben in dit postmoderne tijdperk waarin naar verluidt niets is om in te geloven en geen regels zijn. De beroemde filosoof en onstuitbaar cultuurcriticus Slavoj Zizek daagt iedereen uit in dit overtuigende en adembenemende nieuwe boek.In Geloof, dat van 'cyberspace-denken' tot de paradox van het 'westerse boeddhisme' gaat, legt Zizek de vooronderstellingen bloot achter de manier waarop we gewoonlijk over geloof denken, met name in juda e en christendom. Door de zogenaamde authenticiteit van het religieuze geloof tegen een kritisch licht te houden en te putten uit psychoanalyse, film en filosofie, laat hij op schokkende wijze zien dat de basis van onze fundamenteelste overtuigingen minder rotsvast is dan wij denken.
Slavoj Zizek, dubbed by the Village Voice "the giant of Ljubljana," is back with a new edition of his seriously entertaining book on film, psychoanalysis (and life). His inimitable blend of philosophical and social theory, Lacanian analysis, and outrageous humor are made to show how Hollywood movies can explain psychoanalysis-and vice versa using films such as Marnie and The Man Who Knew TooMuch.
The title is just the first of many startling asides, observations and insights that fill this guide to Hollywood on the Lacanian psychoanalyst's couch. Zizek introduces the ideas of Jacques Lacan through the medium of American film, taking his examples from over 100 years of cinema, from Charlie Chaplin to The Matrix and referencing along the way such figures as Lenin and Hegel, Michel Foucault and Jesus Christ. Enjoy Your Symptom! is a thrilling guide to cinema and psychoanalysis from a thinker who is perhaps the last standing giant of cultural theory in the twenty-first century.
Slavoj Žižek, the maverick philosopher, author of over 30 books,
acclaimed as the "Elvis of cultural theory," and today's most
controversial public intellectual. His work traverses the fields of
philosophy, psychoanalysis, theology, history and political theory,
taking in film, popular culture, literature and jokes--all to
provide acute analyses of the complexities of contemporary ideology
as well as a serious and sophisticated philosophy. His recent films
"The Pervert's Guide to the Cinema" and "Žižek " reveal a theorist
at the peak of his powers and a skilled communicator. Now Verso is
making his classic titles, each of which stand as a core of his
ever-expanding life's work, available as new editions. Each is
beautifully re-packaged, including new introductions from Žižek
himself. Simply put, they are the essential texts for understanding
Žižek's thought and thus cornerstones of contemporary philosophy.
Slavoj Zizek's prolific comments on anti-Semitism, Islamophobia, scapegoating, popular nationalism, the refugee crisis, Eurocentrism, the War on Terror, neocolonialism, global justice, and rioting comprise a dizzying array of thinking. But what can we pull out of his various writings and commentaries on race in the contemporary world? Is there anything approaching a Zizekian philosophy of race? Zahi Zalloua argues here that there is and that the often polemical style of Zizek's pronouncements shouldn't undermine the importance and urgency of his work in this area. Zalloua not only examines Zizek's philosophy of race but addresses the misconceptions that have arisen and some of the perceived shortcomings in his work to date. Zizek on Race also puts Zizek in dialogue with critical race and anti-colonial studies, dwelling on the sparks struck up by this dialogue and the differences, gaps, and absences it points up. Engaging Zizek's singular contribution to the analysis of race and racism, Zizek on Race both patiently interrogates and critically extends his direct comments on the topic, developing more fully the potential of his thought. In a response to the book, Zizek boldly reaffirms his theoretical stance, clarifying further his often difficult-to-work-out positions on some of his more controversial pronouncements.
Hoe kunnen we nog geloven en regels hebben in dit postmoderne tijdperk waarin naar verluidt niets is om in te geloven en geen regels zijn. De beroemde filosoof en onstuitbaar cultuurcriticus Slavoj Zizek daagt iedereen uit in dit overtuigende en adembenemende nieuwe boek. In Geloof, dat van 'cyberspace-denken' tot de paradox van het 'westerse boeddhisme' gaat, legt Zizek de vooronderstellingen bloot achter de manier waarop we gewoonlijk over geloof denken, met name in judaisme en christendom. Door de zogenaamde authenticiteit van het religieuze geloof tegen een kritisch licht te houden en te putten uit psychoanalyse, film en filosofie, laat hij op schokkende wijze zien dat de basis van onze fundamenteelste overtuigingen minder rotsvast is dan wij denken. |
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