In Wrapped in the Flag of Israel, Smadar Lavie analyzes the racial and gender justice protest movements in the State of Israel from the 2003 Single Mothers' March to the 2014 New Black Panthers and explores the relationships between these movements, violence in Gaza, and the possibility of an Israeli attack on Iran. Lavie equates bureaucratic entanglements with pain-and, arguably, torture-in examining a state that engenders love and loyalty among its non-European Jewish women citizens while simultaneously inflicting pain on them. Weaving together memoir, auto-ethnography, political analysis, and cultural critique, Wrapped in the Flag of Israel presents a model of bureaucracy as divine cosmology that is both lyrical and provocative. Lavie's focus on the often-minimized Mizrahi population juxtaposed with the state's monolithic culture suggests that Israeli bureaucracy is based on a theological notion that inserts the categories of religion, gender, and race into the foundation of citizenship. In this revised and updated edition Lavie connects intra-Jewish racial and gendered dynamics to the 2014 Gaza War, providing an extensive afterword that focuses on the developments in Mizrahi feminist politics and culture between 2014 and 2016 and its relation to Palestinians.

Displacement, Diaspora, and Geographies of Identity challenges conventional understandings of identity based on notions of nation and culture as bounded or discrete. Through careful examinations of various transnational, hybrid, border, and diasporic forces and practices, these essays push at the edge of cultural studies, postmodernism, and postcolonial theory and raise crucial questions about ethnographic methodology. This volume exemplifies a cross-disciplinary cultural studies and a concept of culture rooted in lived experience as well as textual readings. Anthropologists and scholars from related fields deploy a range of methodologies and styles of writing to blur and complicate conventional dualisms between authors and subjects of research, home and away, center and periphery, and first and third world. Essays discuss topics such as Rai, a North African pop music viewed as westernized in Algeria and as Arab music in France; the place of Sephardic and Palestinian writers within Israel's Ashkenazic-dominated arts community; and the use and misuse of the concept "postcolonial" as it is applied in various regional contexts. In exploring histories of displacement and geographies of identity, these essays call for the reconceptualization of theoretical binarisms such as modern and postmodern, colonial and postcolonial. It will be of interest to a broad spectrum of scholars and students concerned with postmodern and postcolonial theory, ethnography, anthropology, and cultural studies. Contributors. Norma Alarcon, Edward M. Bruner, Nahum D. Chandler, Ruth Frankenberg, Joan Gross, Dorinne Kondo, Kristin Koptiuch, Smadar Lavie, Lata Mani, David McMurray, Kirin Narayan, Greg Sarris, Ted Swedenburg

Creativity and play erupt in the most solemn of everyday worlds as individuals reshape traditional forms in the light of changing historical circumstances. In this lively volume, fourteen distinguished anthropologists explore the life of creativity in social life across the globe and within the study of ethnography itself. Contributors include Barbara A. Babcock, Edward M. Bruner, James W. Fernandez, Don Handelman, Smadar Lavie, Jose E. Limon, Barbara Myerhoff, Kirin Narayan, Renato Rosaldo, Richard Schechner, Edward L. Schieffelin, Marjorie Shostak, Anna Lowenhaupt Tsing, and Edith Turner.

"Smadar Lavie, in creating this beautiful book, has accomplished something wonderful. An Iraeli Jew, she sojourned among the Mzeina Bedouin with an open heart and comprehending spirit . . . [and] deeply engaged their way of life and their oral literature."--Maxime Rodinson, Directeur d'Etudes, Ecole Pratique des Hautes Etudes

"Speaking about a region where conflict, for all involved, has deepened divisions, separating 'us' from 'them, ' Smadar Lavie courageously seeks out the paradoxes and ambiguities in everyday life."--Renato Rosaldo, Stanford University

The romantic, nineteenth-century image of the Bedouin as fierce, independent nomads on camelback racing across an endless desert persists in the West. Yet since the era of Ottoman rule, the Mzeina Bedouin of the South Sinai desert have lived under foreign occupation. For the last forty years Bedouin land has been a political football, tossed back and forth between Israel and Egypt at least five times.