Longlisted for the 2023 PEN/Jean Stein Book Award Longlisted for the 2022 Brooklyn Public Library Book Prize A New Yorker Essential Read of 2022 A Publishers Weekly Best Book of 2022 An NPR Best Book of 2022 A Literary Hub Best Reviewed Poetry Collection of 2022 _______________ ‘Witty and incisive… [Sharif] masterfully traverses the landscape of exile and all its complicated grief’ New York Times _______________ The devastating second collection by Solmaz Sharif, author of Look, a National Book Award finalist With Customs, Solmaz Sharif offers a series of poetic refusals, weighing nuanced questions about what it means to belong to a place. In the face of hard borders these poems seek a reckoning with the structures, in society, in language itself, by which these limits act on us. Sharif examines what it means to exist in the nowhere of the arrivals terminal; to navigate a continual series of checkpoints, officers, searches, and questionings that can become a relentless challenge; a mutating shibboleth. Through the poet's adept balancing of tonal and formal elements, these poems interrogate the ‘customs’ of the nation-state, of the English language, of the paces these systems put us through. But this work is not enjoined to a hopeless quest. Instead, the propulsive force that informs each line, each white space, and punctuation mark, is a powerfully galvanizing and healing force. Customs reminds us of the generative possibilities of restlessness, of seeking in each poem to refresh what it is a poem can be and do.

In this astounding debut, Solmaz Sharif assembles her family's and her own fragmented narratives in the aftermath of warfare. These poems point to the ways violence is conducted against our language. Throughout this book are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; their seamless inclusion exposes the euphemisms deployed to sterilize and control language. But Sharif refuses to accept this as given, and turns it on its perpetrators: 'Let it matter what we call a thing,' she writes.

In an age of national divisiveness, artists are creating moments of political resistance while also trying to forge paths towards reconciliation. This exciting and provocative collection shows how fifteen US-based multi-disciplinary artists are addressing the complexity of the 21st century. Jeffrey Gibson weaves together European and Native American cultures; Performance artist Cassils constructs images of resistance in the Trans community; Hayv Kahraman examines diasporic culture and the effect of being a refugee in America. Together these artists create a national collective portrait of a country at odds. This book examines the human condition from all sides and strives to show how acting together against suffering can lead to a new version of realness.