Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Kathasaritsagara is a combination of simultaneously innocent and sophisticated folk stories bringing forth both common sense and highly sophisticated Sanskrit writing. It paints a vivid picture of a most particular part of India at one moment in history, and yet it tells stories that are the Indian variants – often the Indian sources – of stories told around the world. Arisha Sattar’s translations bring these stories to life in a modern way, while retaining their ancient meanings.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This play was one of the first examples of Indian literature to be seen in Europe; it attracted considerable attention (among others, from Goethe), and indeed pained surprise that such a sophisticated art-form could have developed without the rest of the world noticing. A good deal of that surprise will be revived by the hitherto untranslated Kashmirian recension.

Kali-dasa's The Recognition of Shakuntala is a play that scarcely needs introduction. Among the first works of Sanskrit literature translated into European languages, its skilful plot of thwarted love and eventual redemption has long charmed audiences around the world. Shak&#250ntala's story is a leitmotiv that recurs in many works of Indian literature and culminates in the master Kali-dasa's drama for the stage.

Co-published by New York University Press and the JJC Foundation

For more on this title and other titles in the Clay Sanskrit series, please visit http: //www.claysanskritlibrary.org