'Maybe she just doesn't wanna be found, maybe that last day she felt freedom was when she ran, and she just didn't stop, maybe that was it.' When her best friend Jay goes missing, Dee withdraws into a twilight world of fragmented memories and conversations, shattered by her grief. Where should she look for Jay? What did she miss? What did Jay say? And what couldn't she say? Somalia Seaton's Red is an unflinching and bold exploration of the internal lives of young women. It is part of Platform, an initiative from Tonic Theatre in partnership with Nick Hern Books, aimed at addressing gender imbalance in theatre. Platform comprises big-cast plays with predominantly or all-female casts, written specifically for performance by young actors.

Crowning Glory brings together the stories of seven women to explore the meaning of identity and beauty in today's world. This thought-provoking story is sure to make you laugh and cry, and will undoubtedly get you talking after the show.

Two explosive plays about the need to be seen. Somalia Seaton's House is a play about family, culture clash, memory and truth. When Pat returns to her childhood home after a five-year absence, she's ready to forgive her mother for the neglect she suffered at her hands, but Mama isn't ready to let the demons back into her home. In Chino Odimba's Amongst the Reeds, two friends scratch out a living on the margins of society. Oni and Gillian have made their home in a disused office block, finding ever more precarious ways to stay hidden from the authorities. But now Gillian is heavily pregnant, and visibility might be the only way to give her baby a chance. Commissioned by Clean Break and produced in association with the Yard Theatre, London, House + Amongst the Reeds premiered at the Edinburgh Festival Fringe in 2016, before transferring to The Yard. Acclaimed theatre company Clean Break produces ground-breaking plays with women writers and actors at the heart of its work. Founded in 1979 by two women prisoners who needed urgently to tell their stories through theatre, the company today has an independent education programme delivering theatre opportunities to women offenders and women at risk, in custodial and community settings.

Fall of the Kingdom, Rise of the Foot Soldier by Somalia Seaton - a racially-motivated attack on a student forces her teacher to confront the uncomfortable truth lurking beneath the community. Fraser Grace's Always Orange, set in the aftermath of the London terrorist attacks, looking at how to be human in a world always on the edge. The Making Mischief Festival features work from some of today's most exciting playwrights who are challenging and questioning our society. The Festival runs from 27 July to 27 August from The Other Place Studio Theatre, Stratford-upon-Avon.