The migrant letter, whether written by family members, lovers, friends, or others, is a document that continues to attract the attention of scholars and general readers alike. What is it about migrant letters that fascinates us? Is it nostalgia for a distant, yet desired past? Is it the consequence of the eclipse of letter-writing in an age of digital communication technologies? Or is it about the parallels between transnational experiences in previous mass migrations and in the current globalized world, and the centrality of interpersonal relations, mobility, and communication, then and now? Influenced by methodologies from diverse disciplines, the study of migrant letters has developed in myriad directions. Scholars have examined migrant letters through such lenses as identity and self-making, family relations, gender, and emotions. This volume contributes to this discussion by exploring the connection between the practice of letter writing and the emotional, economic, familial, and gendered experiences of men and women separated by migration. It combines theoretical and empirical discussions which illuminate a variety of historical experiences of migrants who built transnational lives as they moved across Europe, Africa, Latin America, and the United States. This volume was originally published as a special issue of The History of Family.

Love and its attendant emotions not only spur migration—they forge our response to the people who leave their homes in search of new lives. Emotional Landscapes looks at the power of love, and the words we use to express it, to explore the immigration experience. The authors focus on intimate emotional language and how languages of love shape the ways human beings migrate but also create meaning for migrants, their families, and their societies. Looking at sources ranging from letters of Portuguese immigrants in the 1880s to tweets passed among immigrant families in today's Italy, the essays explore the sentimental, sexual, and political meanings of love. The authors also look at how immigrants and those around them use love to justify separation and loss, and how love influences us to privilege certain immigrants—wives, children, lovers, refugees—over others.   Affecting and perceptive, Emotional Landscapes moves from war and transnational families to gender and citizenship to explore the crossroads of migration and the history of emotion.   Contributors: María Bjerg, Marcelo J. Borges, Sonia Cancian, Tyler Carrington, Margarita Dounia, Alexander Freund, Donna R. Gabaccia, A. James Hammerton, Mirjam Milhar�i� Hladnik, Emily Pope-Obeda, Linda Reeder, Roberta Ricucci, Suzanne M. Sinke, and Elizabeth Zanoni

The migrant letter, whether written by family members, lovers, friends, or others, is a document that continues to attract the attention of scholars and general readers alike. What is it about migrant letters that fascinates us? Is it nostalgia for a distant, yet desired past? Is it the consequence of the eclipse of letter-writing in an age of digital communication technologies? Or is it about the parallels between transnational experiences in previous mass migrations and in the current globalized world, and the centrality of interpersonal relations, mobility, and communication, then and now? Influenced by methodologies from diverse disciplines, the study of migrant letters has developed in myriad directions. Scholars have examined migrant letters through such lenses as identity and self-making, family relations, gender, and emotions. This volume contributes to this discussion by exploring the connection between the practice of letter writing and the emotional, economic, familial, and gendered experiences of men and women separated by migration. It combines theoretical and empirical discussions which illuminate a variety of historical experiences of migrants who built transnational lives as they moved across Europe, Africa, Latin America, and the United States. This volume was originally published as a special issue of The History of Family.

Love and its attendant emotions not only spur migration—they forge our response to the people who leave their homes in search of new lives. Emotional Landscapes looks at the power of love, and the words we use to express it, to explore the immigration experience. The authors focus on intimate emotional language and how languages of love shape the ways human beings migrate but also create meaning for migrants, their families, and their societies. Looking at sources ranging from letters of Portuguese immigrants in the 1880s to tweets passed among immigrant families in today's Italy, the essays explore the sentimental, sexual, and political meanings of love. The authors also look at how immigrants and those around them use love to justify separation and loss, and how love influences us to privilege certain immigrants—wives, children, lovers, refugees—over others.   Affecting and perceptive, Emotional Landscapes moves from war and transnational families to gender and citizenship to explore the crossroads of migration and the history of emotion.   Contributors: María Bjerg, Marcelo J. Borges, Sonia Cancian, Tyler Carrington, Margarita Dounia, Alexander Freund, Donna R. Gabaccia, A. James Hammerton, Mirjam Milhar�i� Hladnik, Emily Pope-Obeda, Linda Reeder, Roberta Ricucci, Suzanne M. Sinke, and Elizabeth Zanoni

Following Antonietta and Loris's first kiss in the shadows of the Italian Alps barely a year after the end of the Second World War, the couple was divided by a distance far greater than could ever have been imagined. With Antonietta's family moving to Montreal, migration entered the couple's intimate worlds, stretching the distance between them from the two hundred kilometres separating Ampezzo and Venice to the ocean between Montreal and Venice. Throughout their transatlantic separation, the young lovers fervidly wrote each other until they were reunited in Canada in 1949. With Your Words in My Hands tells a story about love and migration as written and read, idealized and imagined, through daily correspondence. Sonia Cancian recovers a rare complete epistolary record of an immigrant experience defined by love and sustained in writing, translating the letters with deftness and an ear for the immediacy of emotion and longing they embody. Cancian gives context to these exchanges dating from the beginning of the largest migration movement from Italy to Canada, showing how love, frustration, fear, sadness, and empathy were palpable elements that inflected the quotidian - bureaucratic processes, employment, family life - and defined immigrant experience. For the countless couples whose love is fragmented by separation but woven together with envelopes and stamps, or onscreen in today's instant messaging, these letters remind us how the experience of distance and proximity, absence and presence, can be reconfigured within the world of intimate correspondence.