This edited volume considers the many ways in which landscape (seen and unseen) is fundamental to placemaking, colonial settlement, and identity formation. Collectively, the book's authors map a constellation of interlocking photographic histories and survey practices, decentering Europe as the origin of camera-based surveillance. The volume charts a conversation across continents - connecting Europe, Africa, the Arab World, Asia, and the Americas. It does not segregate places, histories, and traditions but rather puts them in dialogue with one another, establishing solidarity across ever-shifting national, linguistic, racial, religious, and ethnic. Refusing the neat organization of survey photographs into national or imperial narratives, these essays celebrate the messy, cross-cultural reverberations of landscape over the past 170 years. Considering the visual, social, and historical networks in which these images circulate, this anthology connects the many entangled and political histories of photography in order to reframe survey practices and the multidimensionality of landscape as an international phenomenon. This book will be of interest to scholars in art history, history of photography, and landscape history.

In addition to being a medical, political, and social crisis, the AIDS epidemic in the United States also led to a crisis of artistic representation. This book reveals the important political and moral role of American photographers in the social discourse on AIDS based on the 1989 New York exhibition, "Witnesses: Against Our Vanishing" curated by photographer Nan Goldin.

Claudio Gobbi (*1971 in Ancona) has been working since 2007 on the systematic recording of Armenian religious architecture from the Middle Ages to the present. Besides the photographer's own photographs, the series, with the title Armenie Ville, also comprises found images from archives, pictures from the Internet and from commissioned artists. Spanning more than twenty-five countries from Western Europe to the Caucasus, the Berlin-based Italian artist traces the specific features of sacral Armenian architecture and the captivating simplicity of its forms, which have remained unchanged for more than 1500 years. Investigating the concepts of authorship, serialization, and representation, Claudio Gobbi carries on his quest for key images of various cultures and in the process addresses the subjects of time, memory, migration, and the cultural legacy of a people.