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This edited volume considers the many ways in which landscape (seen
and unseen) is fundamental to placemaking, colonial settlement, and
identity formation. Collectively, the book's authors map a
constellation of interlocking photographic histories and survey
practices, decentering Europe as the origin of camera-based
surveillance. The volume charts a conversation across continents -
connecting Europe, Africa, the Arab World, Asia, and the Americas.
It does not segregate places, histories, and traditions but rather
puts them in dialogue with one another, establishing solidarity
across ever-shifting national, linguistic, racial, religious, and
ethnic. Refusing the neat organization of survey photographs into
national or imperial narratives, these essays celebrate the messy,
cross-cultural reverberations of landscape over the past 170 years.
Considering the visual, social, and historical networks in which
these images circulate, this anthology connects the many entangled
and political histories of photography in order to reframe survey
practices and the multidimensionality of landscape as an
international phenomenon. This book will be of interest to scholars
in art history, history of photography, and landscape history.
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Intertitles - An anthology at the intersection of writing & visual art (Paperback)
Jess Chandler, Aimee Selby, Hana Noorali & Lynton Talbot; Foreword by Isabel Waidner; Contributions by Fatema Abdoolcarim, Victoria Adukwei Bulley, Bebe Ashley, Anna Barham, Paul Becker, Adam Christensen, Sophie Collins, CAConrad, Rory Cook, Jesse Darling, Anais Duplan, Inua Ellams, Olamiju Fajemisin, Caspar Heinemann, Johanna Hedva, Sophie Jung, Sharon Kivland, Tarek Lakhrissi, Ghislaine Leung, Quinn Latimer, Jordan Lord, Dasha Loyko, Charlotte Prodger, Laure Prouvost; Afterword by Vahni Capildeo; Designed by Traven T. Croves; Contributions by …
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R392
Discovery Miles 3 920
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Ships in 12 - 17 working days
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Claudio Gobbi (*1971 in Ancona) has been working since 2007 on the
systematic recording of Armenian religious architecture from the
Middle Ages to the present. Besides the photographer's own
photographs, the series, with the title Armenie Ville, also
comprises found images from archives, pictures from the Internet
and from commissioned artists. Spanning more than twenty-five
countries from Western Europe to the Caucasus, the Berlin-based
Italian artist traces the specific features of sacral Armenian
architecture and the captivating simplicity of its forms, which
have remained unchanged for more than 1500 years. Investigating the
concepts of authorship, serialization, and representation, Claudio
Gobbi carries on his quest for key images of various cultures and
in the process addresses the subjects of time, memory, migration,
and the cultural legacy of a people.
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