Censored in France in 1954, Therese and Isabelle was published for the first time in its full original version in 2000. Leduc's novella follows the story of a passionate love affair between two schoolgirls, aiming to describe 'as exactly, as minutely as possible the sensations of physical love'.

Sidi Bou Said, Tunisia: on the night after the terrorist attack killing thirty-eight tourists on the nearby beach of Sousse, a woman sits facing the sea, and attempts to take stock. Personal tragedies soon resurface, the unexpected deaths of a dear friend - a fellow writer who died just weeks ago at sea, having forsaken the work that had given his life meaning - and of her father, a quiet man who had left all that he held dear in Tunisia to emigrate to France in his later years. Through childhood memories and the prism of modern French classics, the story of Tunisia's Jewish community is pieced together. Shifting from Tunisia to Paris to a Flaubertian village in Normandy, Colette Fellous embarks on a Proustian lyrical journey, in which she gives voice to loved ones silenced by death and to those often unheard in life. Her love letter and adieu to her native country becomes an archive - or refuge - for stories of human resilience.

A French woman haunted by her encounter with an American-German pianist-composer who is obsessed with Arnold Schoenberg's portrait, flies home with her lively sister and a volume of Adorno's letters to Thomas Mann. While the impossible heroine unpicks her social failures the pianist reaches towards a musical self-portrait with all the resonance of Schoenberg's passionate, chilling blue. A novel of angst and high farce, Blue Self-Portrait unfolds among Berlin's cultural institutions but is more truly located in the mid-air flux between contrary impulses to remember and to ignore. Noemi Lefebvre shows how music continues to work on and through us, addressing past trauma while reaching for possible futures.

I was trying not to think about looking for work, which is immoral, I wasn't hoping to earn a living, which is pretty unusual, I couldn't have cared less about the cash, which is reckless in these times of very grave threats, but I was scraping a living already, which was repugnant, on the miniscule royalties from a thickwit novel, which is scandalous, which I'd created from the stories of a brilliant and brittle grand dame of theatre, survivor of a romance full of stereotypes, which makes you think though I don't know what about.' Sparring with the spectre of an over-bearing father, torn between the push to find a job and the pull to write, the narrator wanders into a larger debate, one in which the troubling lights of Kafka, Kraus, and Klemperer shine bright. Set against the backdrop of police brutality and rising nationalism that marked the state of emergency following the 2015 terrorist attacks in Paris, Poetics of Work takes a jab at the values of late capitalism. Hence these ten 'lessons to today's young poets' - a blistering treatise of survival skills for the wilfully idle

'Striking.' ELLE France 'Brave.' iNews 'Powerful.' TLS 'Urgent.' Evening Standard 'Original.' Cosmopolitan In these essays, Leila Slimani gives voice to young Moroccan women who are grappling with a conservative Arab culture that at once condemns and commodifies sex. In a country where the law punishes and outlaws all forms of sex outside marriage, as well as homosexuality and prostitution, women have only two options for their sexual identities: virgin or wife. Sex and Lies is an essential confrontation with Morocco's intimate demons and a vibrant appeal for the universal freedom to be, to love and to desire. 'Leila Slimani has a knack for breaking taboos. . . Sex and Lies is well executed: the novelist paints vivid portraits of her interviewees.' The Times 'Slimani trusts in her outrage, in the force of her own voice, and the voices of the women she listens to.' Guardian

Experiences of Health Workers in the COVID-19 Pandemic shares the stories of frontline health workers-told in their own words-during the second wave of COVID-19 in Australia. The book records the complex emotions healthcare workers experienced as the pandemic unfolded, and the challenges they faced in caring for themselves, their families, and their patients. The book shares their insights on what we can learn from the pandemic to strengthen our health system and prepare for future crises. The book draws on over 9,000 responses to a survey examining the psychological, occupational, and social impact of the COVID-19 pandemic on frontline health workers. Survey participants came from all areas of the health sector, from intensive care doctors to hospital cleaners to aged care nurses, and from large metropolitan hospitals to rural primary care practices. The authors organise these free-text responses thematically, creating a shared narrative of health workers experiences. Each chapter is prefaced by a brief commentary that provides context and introduces the the themes that emerged from the survey. This book offers a unique historical record of the experiences of thousands of healthcare workers at the height of the second wave of the pandemic and will be of great interest to anyone interested in the experiences of healthcare workers, and the psychological, organisational, healthcare policy, and social challenges of the COVID-19 pandemic.

Experiences of Health Workers in the COVID-19 Pandemic shares the stories of frontline health workers-told in their own words-during the second wave of COVID-19 in Australia. The book records the complex emotions healthcare workers experienced as the pandemic unfolded, and the challenges they faced in caring for themselves, their families, and their patients. The book shares their insights on what we can learn from the pandemic to strengthen our health system and prepare for future crises. The book draws on over 9,000 responses to a survey examining the psychological, occupational, and social impact of the COVID-19 pandemic on frontline health workers. Survey participants came from all areas of the health sector, from intensive care doctors to hospital cleaners to aged care nurses, and from large metropolitan hospitals to rural primary care practices. The authors organise these free-text responses thematically, creating a shared narrative of health workers experiences. Each chapter is prefaced by a brief commentary that provides context and introduces the the themes that emerged from the survey. This book offers a unique historical record of the experiences of thousands of healthcare workers at the height of the second wave of the pandemic and will be of great interest to anyone interested in the experiences of healthcare workers, and the psychological, organisational, healthcare policy, and social challenges of the COVID-19 pandemic.

From best-selling Brazilian novelist Patrícia Melo comes a genre-defying tale of women in the Amazon and their reckoning with brutal oppression―by turns poetic, humorous, dark, and inspiring.

The Simple Art of Killing a Woman vividly conjures the epidemic of femicide in Brazil, the power women can hold in the face of overwhelming male violence, the resilience of community despite state-sponsored degradation, and the potential of the jungle to save us all.

To escape her newly aggressive lover, a young lawyer accepts an assignment in the Amazonian border town of Cruzeiro do Sul. There, she meets Carla, a local prosecutor, and Marcos, the son of an indigenous woman, and learns about the rampant attacks on the region’s women, which have grown so commonplace that the cases quickly fill her large notebook. What she finds in the jungle is not only persistent racism, patriarchy, and deforestation, but a deep longing for answers to her enigmatic past. Through the ritual use of ayahuasca, she meets a chorus of Icamiabas, warrior women bent on vengeance―and gradually, she recovers the details of her own mother’s early death.

The Simple Art of Killing a Woman resists categorization: it is a series of prose poems lamenting the real-life women murdered by so many men in Brazil; a personal search for history, truth, and belonging; and a modern, exacting, and sometimes fantastical take on very old problems that, despite our better selves, dog us the world over.

To Leave with the Reindeer is the account of a woman who has been trained for a life she cannot live. She readies herself for freedom, and questions its limits, by exploring how humans relate to animals. Rosenthal weaves an intricate pattern, combining the central narrative with many other voices - vets, farmers, breeders, trainers, a butcher - to produce a polyphonic composition full of fascinating and disconcerting insights.Wise, precise, generous, To Leave with the Reindeer takes a clear-eyed look at the dilemmas of domestication, both human and animal, and the price we might pay to break free.

Communism, capitalism, work, crisis, and the market, described in simple storybook terms and illustrated by drawings of adorable little revolutionaries. Once upon a time, people yearned to be free of the misery of capitalism. How could their dreams come true? This little book proposes a different kind of communism, one that is true to its ideals and free from authoritarianism. Offering relief for many who have been numbed by Marxist exegesis and given headaches by the earnest pompousness of socialist politics, it presents political theory in the simple terms of a children's story, accompanied by illustrations of lovable little revolutionaries experiencing their political awakening. It all unfolds like a story, with jealous princesses, fancy swords, displaced peasants, mean bosses, and tired workers-not to mention a Ouija board, a talking chair, and a big pot called "the state." Before they know it, readers are learning about the economic history of feudalism, class struggles in capitalism, different ideas of communism, and more. Finally, competition between two factories leads to a crisis that the workers attempt to solve in six different ways (most of them borrowed from historic models of communist or socialist change). Each attempt fails, since true communism is not so easy after all. But it's also not that hard. At last, the people take everything into their own hands and decide for themselves how to continue. Happy ending? Only the future will tell. With an epilogue that goes deeper into the theoretical issues behind the story, this book is perfect for all ages and all who desire a better world.