This book focuses on alternative types of slave narratives, especially courtroom testimony, and interrogates how such narratives were produced, the societies (both those that were majority slave societies and those in which slaves were a distinct minority of the population) in which testimony was permitted, and the meanings that can be attached to such narratives. The chapters in this book provide valuable information about the everyday lives-including the inner and spiritual lives-of enslaved African American and Native American individuals in the British and French Atlantic World, from Canada to the Caribbean. It explores slave testimony as a form of autobiographical narrative, and in ways that allow us to foreground enslaved persons' lived experience as expressed in their own words.

This book focuses on alternative types of slave narratives, especially courtroom testimony, and interrogates how such narratives were produced, the societies (both those that were majority slave societies and those in which slaves were a distinct minority of the population) in which testimony was permitted, and the meanings that can be attached to such narratives. The chapters in this book provide valuable information about the everyday lives-including the inner and spiritual lives-of enslaved African American and Native American individuals in the British and French Atlantic World, from Canada to the Caribbean. It explores slave testimony as a form of autobiographical narrative, and in ways that allow us to foreground enslaved persons' lived experience as expressed in their own words.

"It's extraordinary. Painful, powerful, visceral and spiritual. A remarkable book.' - Marian Keyes Nora Ephron meets Bram Stoker in Sophie White's vivid and ambitious literary non-fiction collection. White asks uncomfortable questions about the lived reality of womanhood in the 21st century, and the fear that must be internalised in order to find your path through it. White balances vivid storytelling with sharp-witted observations about the horrors of grief, mental illness, and the casual and sometimes hilarious cruelty of life.

'I loved this so much ... a modern, witty, razor-sharp page-turner' Emer McLysaght, co-author Once, Twice, Three Times an Aisling 'So sweet, so funny -- I loved it' Marian Keyes 'Ali is one of the best flawed heroines in Irish commercial fiction since Rachel Walsh in Marian Keyes' ground-breaking Rachel's Holiday...' Sunday Times 'Hyper current ... hugely relevant' Irish Independent Ali Jones is hell-bent on achieving her #lifegoals: 10,000+ Instagram followers and a win at the upcoming Glossie Awards. So when she inadvertently leads people to believe she's pregnant and immediately gains thousands of followers, she realises that riding the 'Mummy Influencer' wave could be her ticket to Insta-success. But then Tinder Sam, Ali's one-night-stand, resurfaces, determined to take his new role as baby daddy seriously. Elsewhere on Insta, Ireland's biggest influencer (and Ali's idol) Shelly Devine has it all -- at least on screen. But beneath the immaculately curated feed, Shelly harbours a secret from her followers -- and her husband --- but who will be the first to discover what she's been hiding? As Ali's lies spiral out of control, and Shelly starts to take a hard look at her life choices, what will it take for them to realise what's truly important before they lose what matters most? 'Written with heart and humour, Filter This peels back the social media mask so many wear as a disguise and reveals the real people beneath' Cecelia Ahern

'EXTREMELY funny and refreshingly honest about the unacknowledged complexity of female friendship' Marian Keyes 'Her best yet. It's astute, relatable, hilarious, insightful, and utterly impossible to put down' Louise O'Neill Lexi is on top of the world The podcast she co-hosts with her ride-or-die bestie is going stratospheric. But will all this fame and success cost them their friendship? Joanne's just had a baby But her pals keep forgetting that she's no longer available for tequila-fuelled nights out. She loves her son and her boyfriend but the loneliness is killing her. Claire is feeling left out The Whatsapp chat with her old school friends is ominously quiet these days, which can only mean one thing: a side group without her. Can she convince them to give her another chance, or is it time to move on and seek out new BFFs? Fate brings Claire, Joanne and Lexi together as they navigate the knotty, joyful and occasionally toxic swamp that is female friendship. But how will they each decide which friendships to fight for, and which to let go forever? Sharp, funny ... with characters you'll fall in love with' BETH O'LEARY 'Astutely observed, whip-smart and very, very funny' SARAH BREEN 'A modern, witty, razor-sharp page-turner' EMER MCLYSAGHT

In eighteenth-century New Orleans, the legal testimony of some 150 enslaved women and men--like the testimony of free colonists--was meticulously recorded and preserved. Questioned in criminal trials as defendants, victims, and witnesses about attacks, murders, robberies, and escapes, they answered with stories about themselves, stories that rebutted the premise on which slavery was founded. Focusing on four especially dramatic court cases, Voices of the Enslaved draws us into Louisiana's courtrooms, prisons, courtyards, plantations, bayous, and convents to understand how the enslaved viewed and experienced their worlds. As they testified, these individuals charted their movement between West African, indigenous, and colonial cultures; they pronounced their moral and religious values; and they registered their responses to labor, to violence, and, above all, to the intimate romantic and familial bonds they sought to create and protect. Their words--punctuated by the cadences of Creole and rich with metaphor--produced riveting autobiographical narratives as they veered from the questions posed by interrogators. Carefully assessing what we can discover, what we might guess, and what has been lost forever, Sophie White offers both a richly textured account of slavery in French Louisiana and a powerful meditation on the limits and possibilities of the archive.

'I loved it!' Marian Keyes 'Laugh-out-loud funny, sharp as a tack and compulsively readable ... I loved it.' Louise O'Neill 'I loved The Snag List. It's a sharp, funny story of female friendship at its best, with characters you'll fall in love with.' Beth O'Leary 'Astutely observed, whip-smart and very, very funny.' Sarah Breen 'Laugh-out-loud hilarious ... White's pages fizz with earthy wit and [Marian] Keyes fans will definitely find plenty to enjoy here' Sunday Independent If you could go back and follow the road not taken ... would you? For thirty-somethings Lindy, Ailbhe and Roe, the move to new, hyper-polished, luxury housing development Monteray Valley feels like slow death by Netflix, neighbourhood Whatsapp groups and Saturday nights in. The potential for exciting new possibilities seems to be withering faster than you can say 'postnatal dryness' as the women's lives are consumed by other halves and domestic obligations. Lindy's realising that her ambitions have been hijacked by her son's career. He's eleven. Meanwhile, despite years of self-sabotage, Ailbhe 'has it all': a successful business, a husband, a baby. If only having it all didn't also include having a fairly colossal secret. Then there's Roe who is busy trying for a baby -- a risky business when you're not sure you want one. Compiling a snag list to send to their builder sees the new friends contemplating their own personal snag lists -- their regrets and unfulfilled dreams - and inspires a business idea that's about to see life in Monteray Valley get a lot more interesting. Getting a second chance to carpe diem is irresistible, but can do-overs ever really work? And will revisiting past regrets threaten the lives they've made now?

Based on a sweeping range of archival, visual, and material evidence, Wild Frenchmen and Frenchified Indians examines perceptions of Indians in French colonial Louisiana and demonstrates that material culture-especially dress-was central to the elaboration of discourses about race. At the heart of France's seventeenth-century plans for colonizing New France was a formal policy-Frenchification. Intended to turn Indians into Catholic subjects of the king, it also carried with it the belief that Indians could become French through religion, language, and culture. This fluid and mutable conception of identity carried a risk: while Indians had the potential to become French, the French could themselves be transformed into Indians. French officials had effectively admitted defeat of their policy by the time Louisiana became a province of New France in 1682. But it was here, in Upper Louisiana, that proponents of French-Indian intermarriage finally claimed some success with Frenchification. For supporters, proof of the policy's success lay in the appearance and material possessions of Indian wives and daughters of Frenchmen. Through a sophisticated interdisciplinary approach to the material sources, Wild Frenchmen and Frenchified Indians offers a distinctive and original reading of the contours and chronology of racialization in early America. While focused on Louisiana, the methodological model offered in this innovative book shows that dress can take center stage in the investigation of colonial societies-for the process of colonization was built on encounters mediated by appearance.

'My mother. At night, my mother creaks. The house creaks along with her ...' Aoileann has never left the island. Her silent, bed-bound mother is the survivor of a private disaster no one will speak about. Aoileann desperately wants a family, and when artist Rachel and her baby move to the island, Aoileann finds a focus for her relentless love.

The Democratic Unionist Party (DUP) has moved from a religion-dominated protest party to a pragmatic party of government in Northern Ireland, the most popular in the region, with more votes, Assembly seats, and MPs than any of its rivals. This book draws upon the first-ever survey of the party's members, funded by the Leverhulme Trust, along with over one hundred interviews, to analyse their views on the transformation undergone by the DUP. The book analyses what categories of individual make up the DUP, ranging from religious fundamentalists or moderates, detailing the religious composition of the party. How Free Presbyterian or Orange is the modern DUP and how is its membership changing? What identity do those members hold? The book then assesses the attitudes of members to the contemporary power-sharing arrangements in a divided society. How comfortable is the DUP to sharing political spoils with the republican 'enemy'? How supportive are members of the Executive and Assembly in Northern Ireland and what progress do they think has been made? The book also dissects the modern fears of DUP members, ranging from the dilution of religious fervour to continuing fears over security and opposition to policing reforms. Attitudes to unity with other Unionist groups are explored, as are the prospects of capturing support from Catholic supporters of Northern Ireland's place in the United Kingdom. Drawing upon unprecedented access to a party traditionally suspicious of outsiders, this book offers a unique insight into how an opposition party grounded in religious principles has accommodated change and broadened its appeal, whilst retaining most of its traditional hardcore membership.

'I loved it!' Marian Keyes 'Laugh-out-loud funny, sharp as a tack and compulsively readable ... I loved it.' Louise O'Neill 'I loved The Snag List. It's a sharp, funny story of female friendship at its best, with characters you'll fall in love with.' Beth O'Leary 'Astutely observed, whip-smart and very, very funny.' Sarah Breen 'Laugh-out-loud hilarious ... White's pages fizz with earthy wit and [Marian] Keyes fans will definitely find plenty to enjoy here' Sunday Independent If you could go back and follow the road not taken ... would you? For thirty-somethings Lindy, Ailbhe and Roe, the move to new, hyper-polished, luxury housing development Monteray Valley feels like slow death by Netflix, neighbourhood Whatsapp groups and Saturday nights in. The potential for exciting new possibilities seems to be withering faster than you can say 'postnatal dryness' as the women's lives are consumed by other halves and domestic obligations. Lindy's realising that her ambitions have been hijacked by her son's career. He's eleven. Meanwhile, despite years of self-sabotage, Ailbhe 'has it all': a successful business, a husband, a baby. If only having it all didn't also include having a fairly colossal secret. Then there's Roe who is busy trying for a baby -- a risky business when you're not sure you want one. Compiling a snag list to send to their builder sees the new friends contemplating their own personal snag lists -- their regrets and unfulfilled dreams - and inspires a business idea that's about to see life in Monteray Valley get a lot more interesting. Getting a second chance to carpe diem is irresistible, but can do-overs ever really work? And will revisiting past regrets threaten the lives they've made now?

'Ali is one of the best flawed heroines in Irish commercial fiction since Rachel Walsh in Marian Keyes' ground-breaking Rachel's Holiday...' Sunday Times 'Hyper current ... hugely relevant' Irish Independent 'Modern and witty' Emer McLysaght, co-author of the Aisling books 'So sweet, so funny -- I loved it' Marian Keyes The Glossie Influencer Awards are fast approaching and Ali Jones is hell-bent on a win and breaking through 10,000 followers on Instagram. But when Ali inadvertantly leads people to believe she's pregnant, she quickly realises that playing the 'Mummy-Influencer' card could be her ticket to Insta-success. And she's not going to let a small detail like a fake pregnancy get in her way. Even if the reappearance of Tinder Sam, who seems determined to take his role of 'baby' daddy seriously, makes things a little more complicated ... Elsewhere on Insta, Shelly Devine, Ireland's biggest influencer (and Ali's idol) is also guarding secrets from her followers, and her husband ... Both Ali and Shelly have decisions to make but as the night of the Glossies draws near, will they realise what's important before they lose what matters most? 'Fresh, current and thoroughly enjoyable' Eithne Shortall 'Written with heart and humour, Filter This peels back the social media mask so many wear as a disguise and reveals the real people beneath' Cecelia Ahern

'White's sharp-eyed take on modern life couldn't be more on target and fans of the equally readable Aisling series by Sarah Breen and Emer McLysaght will doubtless lap up White's mad world.' Irish Independent Ali and Shelly are back. But behind the filters, things are more chaotic than ever. Ali Jones is dealing with a lot. The fallout from her ill-conceived plan to fake a pregnancy to gain new social media followers, an inbox filled with horrible messages, her ex is still ignoring her ... Oh, and she actually is pregnant. For real this time. But as Ali debates trying to salvage her online career as a desperate step to support her baby, Queen of the Influencers Shelly Devine discovers that her mysterious stalker seems to know a shocking amount about the life not shown in her glossy aspirational content - a life Shelly wants to keep hidden. As Ali and Shelly try to figure out how to live their lives online, they start to realise that the lines between fact and fiction are still blurry, even for them. And might they be in danger of losing the people that matter most?

'White's sharp-eyed take on modern life couldn't be more on target and fans of the equally readable Aisling series by Sarah Breen and Emer McLysaght will doubtless lap up White's mad world.' Irish Independent Ali and Shelly are back. But behind the filters, things are more chaotic than ever. After faking a pregnancy to gain more Instagram followers, Ali Jones figured she'd be an internet pariah. But while her mentions are a mess, it turns out that her following is bigger than ever. And now that she's pregnant for real, Ali quickly realises that she might have to wade once more into the Insta-world to fund the new baby bump. With Sam, her ex, still ignoring her and her mother having a mild grief-induced psychotic breakdown, what else has Ali to cling to but #sponcons and #ootds? Enter Amy Donoghue, social media manager extraordinaire, with a plan to rehabilitate Ali's image. Meanwhile, Queen of the Influencers, Shelly, is still being hounded by her mysterious Insta-stalker. And with @HolisticHazel busy creating W Y N D festival (her answer to the Goop Summit) and @PollysFewBits being as non-descript as ever, Shelly has to deal with this latest drama without the help of her Mumfluencer friends - before it gets out of control. The free swag may be good but will Ali and Shelly realise the Insta Life's not worth losing the people that matter most?