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The seventh in his visionary series of thirteen tone poems for
orchestra, Liszt's "Festkl nge" was composed in 1853 and was given
its premiere in Weimar on 9 September 1854 with the composer
conducting the Weimar Hofkapelle. This new study score is a
digitally-restored reissue of the score edited by Otto Taubmann in
the fourth volume of the Liszt-Stiftung edition, published in 1909.
As with all PLP scores a percentage of each sale is donated to the
amazing online archive of free music scores and recordings, IMSLP -
Petrucci Music Library.
At least one of the two works inspired by Nikolaus Lenau's poem on
the familiar Faust legend may have been originally composed for
piano and later orchestrated . The first, "Der n chliche Zug" is a
march-like work not often performed while the second, entitled "Der
Tanz in der Dorfschenke" is better known as the "Mephisto Waltz No.
1." This popular work was first heard for orchestra on March 3,
1861 with the composer conducting the Weimar Hofkapelle. The score
reproduced here was originally issued by Breitkopf & H rtel of
Leipzig in 1913 as part of the tenth volume of "Franz Liszt:
Musikalische Werke," edited principally by Berthold Kellermann. As
with all PLP scores a percentage of each sale is donated to the
amazing online archive of free music scores and recordings, IMSLP -
Petrucci Music Library.
The eleventh in Liszt's series of thirteen tone poems for
orchestra, "Hunnenschlacht" or 'Battle of the Huns' - composed from
1855-57 - was inspired by a painting of the same title by Wilhelm
von Kaulbach which portrayed the legendary Battle of the
Catalaunian Plains between the Huns under Attila and a coalition of
Romans, Visigoths and others fought around June 20, 451, where the
fighting was supposedly so bitter that the spirits of the fallen
warriors continued the battle in the skies above the field. Liszt
conducted the premiere himself in Weimar on 29 December 1857. This
new study score is a digitally-restored reissue of the score edited
by Otto Taubmann in the sixth volume of the Liszt-Stiftung edition,
published in 1910. As with all PLP scores a percentage of each sale
is donated to the amazing online archive of free music scores and
recordings, IMSLP - Petrucci Music Library.
The last work in the revolutionary series of thirteen tone poems
Liszt composed for orchestra, "Von der Wiege bis zum Grabe" (From
the Cradle to the Grave) was composed in 1881-82 - late in the
composer's life. The three movement work, dedicated to Count G za
Zichy, was only given its premiere posthumously in 1927. This new
study score is a digitally-restored reissue of the score edited by
Berthold Kellermann in the tenth volume of the Liszt-Stiftung
edition, published in 1913. As with all PLP scores a percentage of
each sale is donated to the amazing online archive of free music
scores and recordings, IMSLP - Petrucci Music Library.
The ninth in his ground breaking series of thirteen tone poems for
orchestra, Liszt's "Hungaria" or 'Heroic Elegy' was composed in
1854 and given a tremendously successful premiere in Budapest's
National Theatre on 8 September 1856 under the composer's
direction. This new study score is a digitally-restored reissue of
the score edited by Otto Taubmann in the fifth volume of the
Liszt-Stiftung edition, published in 1909. As with all PLP scores a
percentage of each sale is donated to the amazing online archive of
free music scores and recordings, IMSLP - Petrucci Music Library.
The first of a ground-breaking series of thirteen works for
orchestra, Liszt's "Ce qu'on entend sur la montagne" (What One
Hears in the Mountains) drew its inspiration from a poem by Victor
Hugo. Composed from 1848-54, it was given its premiere in Weimar in
January of 1857 with the composer conducting the Weimar Hofkapelle.
This new study score is a digitally-restored reissue of the score
edited by Otto Taubmann in the first volume of the Liszt-Stiftung
edition, published in 1908. As with all PLP scores a percentage of
each sale is donated to the amazing online archive of free music
scores and recordings, IMSLP - Petrucci Music Library.
The sixth of the revolutionary series of thirteen tone poems for
orchestra, Liszt's "Mazeppa" was inspired by the French version of
Lord Byron's famous poem by Victor Hugo. Composed from 1851-54, it
was given its premiere in Weimar on 16 April 1854 with the composer
conducting the Weimar Hofkapelle. This new study score is a
digitally-restored reissue of the score edited by Otto Taubmann in
the third volume of the Liszt-Stiftung edition, published in 1909.
As with all PLP scores a percentage of each sale is donated to the
amazing online archive of free music scores and recordings, IMSLP -
Petrucci Music Library.
Number 8 in his series of thirteen tone poems for orchestra,
Liszt's "H ro de fun bre" or 'Heroic Elegy' was composed from
1849-56 and given its premiere in Breslau on 10 November 1857 with
the composer conducting. This new study score is a
digitally-restored reissue of the score edited by Otto Taubmann in
the fourth volume of the Liszt-Stiftung edition, published in 1909.
As with all PLP scores a percentage of each sale is donated to the
amazing online archive of free music scores and recordings, IMSLP -
Petrucci Music Library.
"Hamlet," inspired by the well-known Shakespeare tragedy, is number
ten in Liszt's series of thirteen tone poems for orchestra. It was
composed in 1858 but did not receive its premiere for 18 years - on
2 July 1876 in Sonderhausen. This new study score is a
digitally-restored reissue of the score edited by Otto Taubmann in
the fifth volume of the Liszt-Stiftung edition, published in 1909.
As with all PLP scores a percentage of each sale is donated to the
amazing online archive of free music scores and recordings, IMSLP -
Petrucci Music Library.
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