The seventh in his visionary series of thirteen tone poems for orchestra, Liszt's "Festkl nge" was composed in 1853 and was given its premiere in Weimar on 9 September 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fourth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

At least one of the two works inspired by Nikolaus Lenau's poem on the familiar Faust legend may have been originally composed for piano and later orchestrated . The first, "Der n chliche Zug" is a march-like work not often performed while the second, entitled "Der Tanz in der Dorfschenke" is better known as the "Mephisto Waltz No. 1." This popular work was first heard for orchestra on March 3, 1861 with the composer conducting the Weimar Hofkapelle. The score reproduced here was originally issued by Breitkopf & H rtel of Leipzig in 1913 as part of the tenth volume of "Franz Liszt: Musikalische Werke," edited principally by Berthold Kellermann. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

The eleventh in Liszt's series of thirteen tone poems for orchestra, "Hunnenschlacht" or 'Battle of the Huns' - composed from 1855-57 - was inspired by a painting of the same title by Wilhelm von Kaulbach which portrayed the legendary Battle of the Catalaunian Plains between the Huns under Attila and a coalition of Romans, Visigoths and others fought around June 20, 451, where the fighting was supposedly so bitter that the spirits of the fallen warriors continued the battle in the skies above the field. Liszt conducted the premiere himself in Weimar on 29 December 1857. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the sixth volume of the Liszt-Stiftung edition, published in 1910. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

The last work in the revolutionary series of thirteen tone poems Liszt composed for orchestra, "Von der Wiege bis zum Grabe" (From the Cradle to the Grave) was composed in 1881-82 - late in the composer's life. The three movement work, dedicated to Count G za Zichy, was only given its premiere posthumously in 1927. This new study score is a digitally-restored reissue of the score edited by Berthold Kellermann in the tenth volume of the Liszt-Stiftung edition, published in 1913. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

The ninth in his ground breaking series of thirteen tone poems for orchestra, Liszt's "Hungaria" or 'Heroic Elegy' was composed in 1854 and given a tremendously successful premiere in Budapest's National Theatre on 8 September 1856 under the composer's direction. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fifth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

The first of a ground-breaking series of thirteen works for orchestra, Liszt's "Ce qu'on entend sur la montagne" (What One Hears in the Mountains) drew its inspiration from a poem by Victor Hugo. Composed from 1848-54, it was given its premiere in Weimar in January of 1857 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the first volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

The sixth of the revolutionary series of thirteen tone poems for orchestra, Liszt's "Mazeppa" was inspired by the French version of Lord Byron's famous poem by Victor Hugo. Composed from 1851-54, it was given its premiere in Weimar on 16 April 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the third volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Number 8 in his series of thirteen tone poems for orchestra, Liszt's "H ro de fun bre" or 'Heroic Elegy' was composed from 1849-56 and given its premiere in Breslau on 10 November 1857 with the composer conducting. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fourth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

"Hamlet," inspired by the well-known Shakespeare tragedy, is number ten in Liszt's series of thirteen tone poems for orchestra. It was composed in 1858 but did not receive its premiere for 18 years - on 2 July 1876 in Sonderhausen. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fifth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.