Three classic films starring comedy duo Stan Laurel and Oliver Hardy. In 'The Dancing Masters' (1943), Stan (Laurel) and Ollie (Hardy) are owners of a dance school, but are evicted for non-payment of rent. To raise money, Ollie tries an insurance scam which involves inflicting injuries on Stan, but the inept pair soon find themselves mixed up with local gangsters. Watch out for appearances by long-running Marx Brothers' foil Margaret Dumont and a youthful Robert Mitchum. In 'A-haunting We Will Go' (1942), Laurel and Hardy unknowingly offer to help a bunch of crooks smuggle a wanted man past the police in a coffin. Unfortunately, the casket gets mixed up with one used by a stage musician, leading to a comic chase. Finally, in 'The Bullfighters' (1945), Stan and Ollie are two detectives looking for a female criminal in Mexico. Stan gets mistaken for a famous matador and is forced to show his prowess in the bullring.

Double bill of futuristic horror films. In 'The Purge' (2013), Ethan Hawke stars as the head of a family forced to fight for their lives. With crime in America spiralling out of control and prison populations soaring, the government of the day implements a drastic new initiative to address the problem. For a 12-hour period once a year, all crime, including murder, is legal, as the police and other emergency services stand down for the night, allowing the population to regulate itself. 'The Purge' is deemed a success due to plummeting crime levels and record low unemployment figures. But after placing their upmarket home under its yearly lockdown, James and Mary Sandin (Hawke and Lena Headey) and their family find themselves under siege from a crazed group of masked killers when their teenage son (Max Burkholder) offers shelter to the mob's terrified prey. In 'The Purge: Anarchy' (2014), following on from events in the previous film, a year has passed and the time for society to purge itself of all murderous and violent urges has come back around. Desperate to get home to their children before 'The Purge' commences, a young couple (Zach Gilford and Kiele Sanchez) find themselves stranded when their car breaks down, leaving them at the mercy of a mob of masked attackers. Meanwhile, a man (Frank Grillo) looking to avenge the murder of his son becomes the reluctant protector of a mother and daughter (Carmen Ejogo and Zoe Soul) on the run. Can they all survive the night?

Little Mexico was Dallas's earliest Mexican barrio. "Mexicanos" had lived in Dallas since the mid-19th century. The social displacement created by the Mexican Revolution of 1910, however, caused the emergence of a distinct and vibrant neighborhood on the edge of the city's downtown. This neighborhood consisted of modest homes, small businesses, churches, and schools, and further immigration from Mexico in the 1920s caused its population to boom. By the 1930s, Little Mexico's population had grown to over 15,000 people. The expanding city's construction projects, urban renewal plans, and land speculation by developers gradually began to dismantle Little Mexico. By the end of the 20th century, Little Mexico had all but disappeared, giving way to upscale high-rise residences and hotels, office towers of steel and glass, and the city's newest entertainment district. This book looks at Little Mexico's growth, zenith, demise, and its remarkable renaissance as a neighborhood.

In Moerstaāl word oorsprong in oënskyn geneem: perspektiewe word gebied op geskiedenis en erfenis en hoe dit met taal saamhang. ’n Skryfwyse wat deur Khoekhoegowab geïnspireer is, veral wat die gebruik van die makron op klinkers betref, word ingespan tesame met Sols se kenmerkende Ghoema-Afrikaans. ’n Respek vir byna uitgestorwe kennis word oorgedra en in dié opsig is die gedigte ’n kreet van verlies en ’n bewuste poging tot ’n daad van bestendiging.

Die lewe-gewende moederfiguur tree hier na vore – die vrou wat verguising en ontkenning moes deurleef en wie se bydrae en plek, soos ook dié van die taal, in en deur die bundel herstel, of ten minste openbaar gemaak, wil word.

Die musikaliteit van Sōls se vorige twee bundels is weer hier teenwoordig. Só ook sy vlymskerp kommentaar en ironie, en sy digterlike gebruik van spreektaal. Sols se terugkeer na geskrewe poësie – die eerste bundel in sestien jaar – is beslis ’n groot aanwins vir die Afrikaanse letterkunde.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A friendly, fascinating book about how to work in the crime-fighting industry, written by Detective Constable Alexandra Beever. Do you have what it takes to become a detective, a crime scene investigator or a forensic scientist? Find out all about the incredible crime-fighting jobs you could do, from training to become a crime laboratory analyst or a lawyer to working as a helicopter pilot or even becoming an expert in fingerprints. This fully illustrated book will inspire any child with an interest in helping people and fighting crime. Other titles in the series include: How to Be an Astronaut and Other Space Jobs (shortlisted for a 2020 Blue Peter Book Award); How to Be a Footballer and Other Sports Jobs; How to Be a Vet and Other Animal Jobs; How to Be a Doctor and Other Life-Saving Jobs.

Native Life in South Africa is one of South Africa’s great political books. First published in 1916, it was first and foremost a response to the Native’s Land Act of 1913 and was written by one of the most gifted and influential writers and journalists of his generation. Native Life in South Africa provides an account of the origins of this crucially important piece of legislation and a devastating description of its immediate effects. Plaatje spent many weeks traveling in the countryside and the most moving chapters in the book tell us what he saw. His book explores the wider political and historical context that produced policies of the kind embodied in the Land Act, and documents meticulously steps taken by South Africa’s rulers to exclude black South Africans from the exercise of political power.

‘I mention Sol Plaatje as an example of the ability to weave between the different languages and cultures, and to contribute through writing, literature and journalism, to the betterment of the lives of South Africans.’ – Professor Kader Asmal

Mhudi is a historical romance of epic scale that tells the story of a courageous and beautiful Barolong woman who risks her life to save her husband. The story is set in the 1830s, during the time of Matabele Chief, Mzilikazi’s attempt at exterminating the Barolong people.

Considered to be a very important contribution to early South African literature, Mhudi is believed to be the first English novel written by a black South African.