Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Reintroducing London's newest and greatest detective: Enola Holmes in this second exciting mystery - from the series that inspired the film starring Millie Bobby Brown.

'A story of a young girl who is empowered, capable, and smart . . . the Enola Holmes book series convey an impactful message to kids and teenagers all over the world that you can do anything if you set your mind to it, and it does so in an exciting and adventurous way.' Millie Bobby Brown

Enola Holmes is on the run from the world's most famous detective - her brother Sherlock Holmes.

As she roams the dark and dangerous streets of London disguised as a doctor's secretary called Miss Ivy Meshle, Enola is reminded more and more that her name backwards spells 'alone'.

But when she finds a concealed cache of dazzling charcoal drawings, she feels drawn to the girl who drew them. Only, that girl, young Lady Cecily, has mysteriously vanished.

It's up to Enola to find her, but false appearances can only last so long... Enola's adventures continue in this thrilling second instalment.

Follow London's newest detective, Enola Holmes, in her action-packed seventh adventure - from the series that inspired the films, starring Millie Bobby Brown. Read them all before the next film lands! When Miss Letitia Glover arrives at Sherlock Holmes's door, desperate to uncover the truth about her twin sister, Flossie, it is Enola who steps up to solve the case. Letitia is convinced Flossie's husband is lying about her death. And indeed, Enola discovers that this is not the first time a wife of the Earl has met an untimely end. Could Flossie's fate be tied to a mysterious black barouche that arrived at the Earl's home in the dead of night? Enola is determined to unravel the secrets within Dunhench Hall . . . 'A story of a young girl who is empowered, capable, and smart ... the Enola Holmes book series conveys an impactful message to kids and teenagers all over the world that you can do anything if you set your mind to it, and it does so in an exciting and adventurous way.' - MILLIE BOBBY BROWN

The moving recollections of Rebecca Ruter Springer serve as emotional support to Christians who are bereaved and grieving, or contemplating the nature of the heavenly afterlife. Arranged in chapters as a loose narrative, Intra Muros comprises of a series of dreamlike episodes and reflections upon the essence of life, death and what comes next after we perish. Steeped in the Christian tradition, the author's narration traverses the spiritual planes that follow death, and her descriptions of heaven are evocative and reassuring. The appearance of the heavenly realms, the blessings of the angelic spirits, and the journey the believer's souls makes the author's words profound and vivid to read. The imagery that the writer presents is enormous in scope, yet the emotional comfort she seeks to provide remains constant - sight of the book's practical purpose, of comforting Christians who are bereaved through the harrowing experience of loss, is never lost.