By foregrounding the voices and experiences of scholars from the Global South who have migrated to institutions in the Global North, this volume theorizes the "third space" as a unique, rich, and generative position in the Western academy. Global South Scholars in the Western Academy engages a range of critical methodologies to explore the challenges that Global South scholars have faced in establishing themselves in academic settings in the Global North. The text identifies the unique position that scholars have come to adopt "in-between" North and South and theorizes this positionality as a "third space", which is carved out by academics negotiating personal, professional, and cultural belonging. This liminal subject position, enriched by experiences of migration, racialization, poverty, and difference, is shown to drive knowledge-production and justice-orientated approaches in the academy. This book provides a new and overdue perspective on the experiences and contributions of Global South scholars in the academy. It will be of interest to academics, researchers, and scholars with an interest in critical theory, indigenous and multicultural education, the sociology of education, and higher education.

Lars von Trier's bold, brilliant and controversial film finally arrives in its fully fleshed-out form – the only version personally approved by the director - with over 80 minutes of unseen footage.

Charlotte Gainsbourg and Stacy Martin play Joe, a self-diagnosed nymphomaniac who one night is found beaten up in an alley by a gentle old bachelor. After taking her to his flat he cares for her wounds and asks how she got herself into such a situation; thus Joe begins recounting the dark, lusty and labyrinthine story of her life.

Audiences can now experience the definitive and completely uncensored cut of this profoundly moving and viscerally shocking landmark film in two parts.

PLEASE BE AWARE: This is a mainstream movie, but with an artistic element, and the scenes depicted are of an extremely graphic nature.