"Carrying ahead the project of cultural criminology, Phillips and Strobl dare to take seriously that which amuses and entertains us--and to find in it the most significant of themes. Audiences, images, ideologies of justice and injustice--all populate the pages of Comic Book Crime. The result is an analysis as colorful as a good comic, and as sharp as the point on a superhero's sword."--Jeff Ferrell, author of Empire of Scrounge Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes' calculations of "deathworthiness," or who should be killed in meting out justice, and how these judgments have as much to do with the hero's character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way.Nickie D. Phillipsis Associate Professor in the Sociology and Criminal Justice Department at St. Francis College in Brooklyn, NY.Staci Stroblis Associate Professor in the Department of Law, Police Science and Criminal Justice Administration at John Jay College of Criminal Justice.In theAlternative Criminologyseries

Sectarian Order in Bahrain connects the rise of colonial criminal justice in Bahrain and sectarianism, making detailed use of an archival cache of colonial criminal court cases in the British Library, and offering a critical analysis. Using primary and secondary historical documents, including ethnographic and anthropological accounts, the book links major themes in critical and cultural criminology, southern criminology, historical sociology, post-colonialism, and Gulf studies which have not been adequately examined together. It drills down on an important group of surviving criminal court case files, and shows how they can describe the problem of and inform solutions to sectarian discrimination in Bahrain. There are two major shifts in notions of the social order and order maintenance that characterize the 20th century, highlighting a sectarianism modus operandi within the colonial criminal justice system. The shifts are the criminalization of inter-tribal competition and honor-based modes of behavior in order to prevent intra-Sunni contestation and to unite Sunnis under Al-Khalifah and colonial authority; and the invention of indigenous Shi'a and Persian Bahrainis as a criminal class as an extension of the sectarianism long practiced by the Al Khalifah (and other Sunni tribes). Together these two shifts birth a modern criminal justice system that institutionalizes Sunni chauvinism and Shi'a discrimination, problems evident in the Bahraini criminal justice system today.

Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that embody values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, providing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is delivered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Staci Strobl explore these representations and show that comic books, as a historically important American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes' calculations of "deathworthiness," or who should be killed in meting out justice, and how these judgments have as much to do with the hero's character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engaging, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way.

Women Policing Across the Globe provides a cross-cultural comparison of the integration of women in policing across the globe, paying special attention to the unique contributions that women make to the field, along with the shared challenges and resistance they face. Individual chapters within the book provide students with a snapshot of the status of women police in the countries of the United States, Kuwait, China, the United Kingdom, Australia, the United Arab Emirates and Taiwan. However, policing in many more countries are discussed throughout the entire book. The book closes with collective issues and successes faced by women police worldwide. Throughout, Cara Rabe-Hemp and Venessa Garcia provide a comparative snapshot of women’s status in modern police agencies, as well as shared issues and successes of women police worldwide. The book allows students to explore the different origins of entry, specialized roles, their experiences of resistance, and effects of historical events that have shaped the experiences of modern women police from across the world. The book discusses the new gains women are making, despite the obstacles they face, and ways they are transforming how policing is done every day.