The much-anticipated definitive account of China's Great Famine

An estimated thirty-six million Chinese men, women, and children starved to death during China's Great Leap Forward in the late 1950s and early '60s. One of the greatest tragedies of the twentieth century, the famine is poorly understood, and in China is still euphemistically referred to as "the three years of natural disaster."

As a journalist with privileged access to official and unofficial sources, Yang Jisheng spent twenty years piecing together the events that led to mass nationwide starvation, including the death of his own father. Finding no natural causes, Yang attributes responsibility for the deaths to China's totalitarian system and the refusal of officials at every level to value human life over ideology and self-interest.

"Tombstone" is a testament to inhumanity and occasional heroism that pits collective memory against the historical amnesia imposed by those in power. Stunning in scale and arresting in its detailed account of the staggering human cost of this tragedy, "Tombstone" is written both as a memorial to the lives lost--an enduring tombstone in memory of the dead--and in hopeful anticipation of the final demise of the totalitarian system. Ian Johnson, writing in "The New York Review of Books," called the Chinese edition of "Tombstone ""groundbreaking . . . One of the most important books to come out of China in recent years."

A thousand-year history of how China's obsession with silver influenced the country's financial well-being, global standing, and political stability "A wonderful book for understanding one thousand years of Chinese monetary history."--Debin Ma, Hitotsubashi University This revelatory account of the ways in which silver shaped Chinese history shows how an obsession with "white metal" held China back from financial modernization. First used as currency during the Song dynasty in around 900 CE, silver gradually became central to China's economic framework and was officially monetized in the middle of the Ming dynasty during the sixteenth century. However, due to the early adoption of paper money in China, silver was not formed into coins but became a cumbersome "weighing currency," for which ingots had to be constantly examined for weight and purity-an unwieldy practice that lasted for centuries. Jin Xu argues that even as China's interest in silver spurred new avenues of trade and helped increase the country's global economic footprint, in the long run silver played a key role in the struggles and entanglements that led to the decline of the Chinese empire.

Taiwan has been depicted as an island facing the incessant threat of forcible unification with the People's Republic of China. Why, then, has Taiwan spent more than three decades pouring capital and talent into China? In award-winning Rival Partners, Wu Jieh-min follows the development of Taiwanese enterprises in China over twenty-five years and provides fresh insights. The geopolitical shift in Asia beginning in the 1970s and the global restructuring of value chains since the 1980s created strong incentives for Taiwanese entrepreneurs to rush into China despite high political risks and insecure property rights. Taiwanese investment, in conjunction with Hong Kong capital, laid the foundation for the world's factory to flourish in the southern province of Guangdong, but official Chinese narratives play down Taiwan's vital contribution. It is hard to imagine the Guangdong model without Taiwanese investment, and, without the Guangdong model, China's rise could not have occurred. Going beyond the received wisdom of the "China miracle" and "Taiwan factor," Wu delineates how Taiwanese businesspeople, with the cooperation of local officials, ushered global capitalism into China. By partnering with its political archrival, Taiwan has benefited enormously, while helping to cultivate an economic superpower that increasingly exerts its influence around the world.

Yang Jisheng's The World Turned Upside Down is the definitive history of the Cultural Revolution, in withering and heartbreaking detail. As a major political event and a crucial turning point in the history of the People's Republic of China, the Great Proletarian Cultural Revolution (1966-1976) marked the zenith as well as the nadir of Mao Zedong's ultra-leftist politics. Reacting in part to the Soviet Union's "revisionism" that he regarded as a threat to the future of socialism, Mao mobilized the masses in a battle against what he called "bourgeois" forces within the Chinese Communist Party (CCP). This ten-year-long class struggle on a massive scale devastated traditional Chinese culture as well as the nation's economy. Following his groundbreaking and award-winning history of the Great Famine, Tombstone, Yang Jisheng here presents the only history of the Cultural Revolution by an independent scholar based in mainland China, and makes a crucial contribution to understanding those years' lasting influence today. The World Turned Upside Down puts every political incident, major and minor, of those ten years under extraordinary and withering scrutiny, and arrives in English at a moment when contemporary Chinese governance is leaning once more toward a highly centralized power structure and Mao-style cult of personality.

Yang Jisheng's Tombstone is the book that broke the silence on of one of history's most terrible crimes More people died in Mao's Great Famine than in the entire First World War, yet this story has remained largely untold, until now. Still banned in China, Tombstone draws on the author's privileged access to official and unofficial sources to uncover the full human cost of the tragedy, and create an unprecedented work of historical reckoning. 'A book of great importance' Jung Chang, author of Wild Swans 'The first proper history of China's great famine ... So thorough is his documentation that some are already calling Yang "China's Solzhenitsyn"' Anne Applebaum, author of Gulag: A History

Yang Jisheng's The World Turned Upside Down is the definitive history of the Cultural Revolution, in withering and heartbreaking detail. As a major political event and a crucial turning point in the history of the People's Republic of China, the Great Proletarian Cultural Revolution (1966-1976) marked the zenith as well as the nadir of Mao Zedong's ultra-leftist politics. Reacting in part to the Soviet Union's "revisionism" that he regarded as a threat to the future of socialism, Mao mobilized the masses in a battle against what he called "bourgeois" forces within the Chinese Communist Party (CCP). This ten-year-long class struggle on a massive scale devastated traditional Chinese culture as well as the nation's economy. Following his groundbreaking and award-winning history of the Great Famine, Tombstone, Yang Jisheng here presents the only history of the Cultural Revolution by an independent scholar based in mainland China, and makes a crucial contribution to understanding those years' lasting influence today. The World Turned Upside Down puts every political incident, major and minor, of those ten years under extraordinary and withering scrutiny, and arrives in English at a moment when contemporary Chinese governance is leaning once more toward a highly centralized power structure and Mao-style cult of personality.

A spasm of extreme radicalism that rocked China to its foundations in the mid- to late 1960s, the Cultural Revolution has generated a vast literature. Much of it, however, is at a birds-eye level, and we have very few detailed accounts of how it worked on the ground. Long after the event, Tan Hecheng, now a retired Chinese writer and editor, was sent to Daoxian, Mao's home county, to report on the official investigation into the massacre that took place there during the Cultural Revolution. In The Killing Wind, Tan recounts how over the course of 66 days in 1967, over 9,000 Chinese "class enemies" were massacred in the Daoxian, in the Hunan Province. The killings were unprovoked and carried out with incredible, stomach-churning brutality, which is documented here in excruciating detail. But although this could easily be just a compendium of horrors, it's also a meditation on memory, moral culpability, and the failure of the Chinese government to come to terms with the crimes of the Maoist era. Tan interweaves the story of his research with the recollections of survivors and reflections on the long-term consequences of the Cultural Revolution. Akin to Jan Gross's Neighbors, about the Holocaust in a Polish town, The Killing Wind likewise paints a single episode in extraordinary detail in order to make a broader argument about the long term consequences flowing from one of the twentieth century's greatest human tragedies.