A six-man crew crash-lands on Eden, fourth planet from another sun. The men find a strange world that grows ever stranger, and everywhere there are images of death. The crew's attempt to communicate with this civilization leads to violence and to a cruel truth-cruel precisely because it is so human. Translated by Marc E. Heine. A Helen and Kurt Wolff Book

The year is 3149, and a vast paper destroying blight-papyralysis-has obliterated much of the planet's written history. However, these rare memoirs, preserved for centuries in a volcanic rock, record the strange life of a man trapped in a hermetically sealed underground community. Translated by Michael Kandel and Christine Rose.

Bringing his twin gifts of scientific speculation and scathing satire to bear on that hapless planet, Earth, Lem sends his unlucky cosmonaut, Ijon Tichy, to the Eighth Futurological Congress. Caught up in local revolution, Tichy is shot and so critically wounded that he is flashfrozen to await a future cure. Translated by Michael Kandel.

The planet Quinta is pocked by ugly mounds and covered by a spiderweb-like network. It is a kingdom of phantoms and of a beauty afflicted by madness. In stark contrast, the crew of the spaceship Hermes represents a knowledge-seeking Earth. As they approach Quinta, a dark poetry takes over and leads them into a nightmare of misunderstanding. Translated by Michael Kandel. A Helen and Kurt Wolff Book

Ijon Tichy, Lem's Candide of the Cosmos, encounters bizarre civilizations and creatures in space that serve to satirize science, the rational mind, theology, and other icons of human pride. Line drawings by the Author. Translated by Michael Kandel. A Helen and Kurt Wolff Book

When Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface he is forced to confront a painful, hitherto unconscious memory embodied in the physical likeness of a long-dead lover. Others suffer from the same affliction and speculation rises among scientists that the Solaris ocean may be a massive brain that creates incarnate memories, but its purpose in doing so remains a mystery . . . Solaris raises a question that has been at the heart of human experience and literature for centuries: can we truly understand the universe around us without first understanding what lies within?

Journey into space with Polish scifi master Stanislaw Lem. The whimsical time-loops of Ijon Tichy’s cosmic adventure ‘The Seventh Voyage’ are reminiscent of Douglas Adams, while the spectral whispers haunting Pirx the Pilot as he navigates his spaceship to Mars in ‘Terminus’, echo the author’s masterpiece Solaris. Then ‘The Mask’ introduces a perfect robot assassin and asks, can AI fall in love or refuse its programming? What if the target of its affections is also its prey?

Who's testing whom? When Kris Kelvin arrives at the planet Solaris to study the ocean that covers its surface, he is forced to confront a painful, hitherto unconscious memory embodied in the living physical likeness of a long-dead lover. Others examining the planet, Kelvin learns, are plagued with their own repressed and newly corporeal memories. Scientists speculate that the Solaris ocean may be a massive brain that creates these incarnate memories, its purpose in doing so unknown.
The first of Lem's novels to be published in America and now considered a classic, SOLARIS raises a question: Can we truly understand the universe around us without first understanding what lies within?

'A giant of twentieth-century science fiction' Guardian One of the world's most beloved science fiction writers, Stanislaw Lem was famed for his wryly comic, outlandish imaginings of the relationship between humans and technology. In this playful cosmic fantasia, two 'constructors' compete to dream up ever-more ingenious inventions in a universe beyond reality. 'A Jorge Luis Borges for the Space Age, who plays with every concept of philosophy and physics' The New York Times

A space cruiser, in search of its sister ship, encounters beings descended from self-replicating machines. In the grand tradition of H. G. Wells and Jules Verne, Stanislaw Lem's The Invincible tells the story of a space cruiser sent to an obscure planet to determine the fate of a sister spaceship whose communication with Earth has abruptly ceased. Landing on the planet Regis III, navigator Rohan and his crew discover a form of life that has apparently evolved from autonomous, self-replicating machines-perhaps the survivors of a "robot war." Rohan and his men are forced to confront the classic quandary: what course of action can humanity take once it has reached the limits of its knowledge? In The Invincible, Lem has his characters confront the inexplicable and the bizarre: the problem that lies just beyond analytical reach.

A Jorge Luis Borges for the Space Age - The New York Times Stanislaw Lem's set of short stories, written over a period of twenty years, all feature the adventures of space traveller Ijon Tichy and recount him spinning in time-warps, spying on robots, encountering bizarre civilizations and creatures in space and being hopelessly lost in a forest of supernovae. This is a philosophical satire on technology, theology, intelligence and human nature from one of the greatest of science fiction writers

'A giant of twentieth-century science fiction' Guardian 'This Room Guaranteed BOMB-FREE. From the Management' Hapless cosmonaut Ijon Tichy has been sent back to earth to attend the Eighth Futurological Congress in smog-bound, overpopulated Costa Rica, holed up with an assortment of scientists in a luxury hotel (fully equipped with tear gas sprinklers in case things get out of hand). But when an unfortunate incident occurs involving a revolution and hallucinogenic drugs in the water supply, Tichy finds himself shot, frozen and thawed out in a future beyond anything he could ever have imagined.

A charming, mind-bending and anarchic book of imagined civilizations 'Most cosmic civilizations long for things, in the depths of their souls, they would never openly admit to...' Trurl and Klapaucius are 'constructors' - they travel around the universe creating machines of astonishing inventiveness and power and visiting a bewildering variety of violent, peculiar and morose civilizations. The Cyberiad is oddly reminiscent of Gulliver's Travels, The Hitchhiker's Guide to the Galaxy, The Phantom Tollbooth and Alice in Wonderland. Charming, mind-bending and anarchic, it is perhaps Lem's greatest work. This edition includes all of Daniel Mroz's hallucinatory original illustrations.

'A virtuoso storyteller ... a Jorge Luis Borges for the Space Age' The New York Times 'He was a robot-hypochondriac. On his squeaking cart he carried a complete set of spare parts.' A freighter pilot leads a manhunt across the Moon for a robot gone berserk; a shapeshifting assassin falls in love with the man she's programmed to kill; a paranoid King converts his kingdom into his artificial mind, but his dreams rebel. These stories range from surreal fables that satirically turn the fairy tale on its head, to longer works including the man vs. robot thriller, 'The Hunt', and possibly fiction's strangest love story, 'The Mask'. InMortal Engines Stanislaw Lem lays bare humanity's clash with machines, masterfully exploring science fiction's furthest frontiers.

The travels of Ijon Tichy, a Gulliver of the space age, who encounters faulty time machines, intelligent washing machines, suicidal potatoes, and other puzzling phenomena. Memoirs of a Space Traveler follows the adventures of Ijon Tichy, a Gulliver of the space age, who leads readers through strange experiments involving, among other puzzling phenomena, faulty time machines, intelligent washing machines, and suicidal potatoes. The scientists Tichy encounters make plans that are grandiose, and strike bargains that are Faustian. They pursue humanity's greatest and most ancient obsessions: immortality, artificial intelligence, and top-of-the-line consumer items. By turns satirical, philosophical, and absurd, these stories express the most starkly original and prescient notions of a master of speculative fiction.

Scientists attempt to decode what may be a message from intelligent beings in outer space. By pure chance, scientists detect a signal from space that may be communication from rational beings. How can people of Earth understand this message, knowing nothing about the senders-even whether or not they exist? Written as the memoir of a mathematician who participates in the government project (code name: His Master's Voice) attempting to decode what seems to be a message from outer space, this classic novel shows scientists grappling with fundamental questions about the nature of reality, the confines of knowledge, the limitations of the human mind, and the ethics of military-sponsored scientific research.

'There were two kinds of landscape characteristic of the inner planets of the Sun: the purposeful and the desolate.' The planet Quinta is pocked with ugly mounds and covered by a spiderweb-like network draped from spindly poles. It is a kingdom of phantoms and of a beauty afflicted by madness. The Earth spaceship Hermes arrives on Quinta with the best of intentions towards the humans' 'brothers in intelligence'. But something on the planet has gone terribly wrong...

A playful, witty, reflective memoir of childhood by the science fiction master Stanislaw Lem. With Highcastle, Stanislaw Lem offers a memoir of his childhood and youth in prewar Lvov. Reflective, artful, witty, playful-"I was a monster," he observes ruefully-this lively and charming book describes a youth spent reading voraciously (he was especially interested in medical texts and French novels), smashing toys, eating pastries, and being terrorized by insects. Often lonely, the young Lem believed that he could communicate with household objects-perhaps anticipating the sentient machines in the adult Lem's novels. Lem reveals his younger self to be a dreamer, driven by an unbridled imagination and boundless curiosity. In the course of his reminiscing, Lem also ponders the nature of memory, innocence, and the imagination. Highcastle (the title refers to a nearby ruin) offers the portrait of a writer in his formative years.

From 'A giant of twentieth-century science fiction' (Guardian), the adventures of Pirx, a hapless everyman in outer space 'By now he fancied himself something of a rocket jockey, a space ace, whose real home was among the planets' In a future where space travel has become routine and unremarkable, Pirx the pilot bumbles and daydreams his way through the solar system. These endearing tales follow his progress from cadet to captain. But, whether he is wrestling with a misbehaving spacesuit, feeling uncomfortable on a luxury space cruise ship or encountering a mysterious malfunctioning robot on a mission to Mars, the hapless Pirx just can't stop things from going terribly wrong. Translated by Louis Iribarne

An astronaut returns to Earth after a ten-year mission and finds a society that he barely recognizes. Stanislaw Lem's Return from the Stars recounts the experiences of Hal Bregg, an astronaut who returns from an exploratory mission that lasted ten years-although because of time dilation, 127 years have passed on Earth. Bregg finds a society that he hardly recognizes, in which danger has been eradicated. Children are "betrizated" to remove all aggression and violence-a process that also removes all impulse to take risks and explore. The people of Earth view Bregg and his crew as "resuscitated Neanderthals," and pressure them to undergo betrization. Bregg has serious difficulty in navigating the new social mores. While Lem's depiction of a risk-free society is bleak, he does not portray Bregg and his fellow astronauts as heroes. Indeed, faced with no opposition to his aggression, Bregg behaves abominably. He is faced with a choice: leave Earth again and hope to return to a different society in several hundred years, or stay on Earth and learn to be content. With Return from the Stars, Lem shows the shifting boundaries between utopia and dystopia.

A young officer at Scotland Yard is assigned to investigate a puzzling and eerie case of missing-and apparently resurrected-bodies. To unravel the mystery, Lt. Gregory consults scientific, philosophical, and theological experts, who supply him with a host of theories and clues.

These wickedly authentic introductions to twenty-first-century books preface tomes on teaching English to bacteria, using animated X-rays to create "pornograms," and analyzing computer-generated literature through the science of "bitistics." "Lem, a science fiction Bach, plays in this book a googleplex of variations on his basic themes" (New York Times Book Review). Translated by Marc E. Heine. A Helen and Kurt Wolff Book