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Showing 1 - 14 of 14 matches in All Departments
Touching on the work of philosophers including Richardson, Kant, Hume, Wittgenstein, Nietzsche, and Dewey, this study examines the history of what philosophers have had to say about "Shakespeare" as a subject of philosophy, from the seventeenth-century to the present. Stewart's volume will be of interest to Shakespeareans, literary critics, and philosophers.
Touching on the work of philosophers including Richardson, Kant, Hume, Wittgenstein, Nietzsche, and Dewey, this study examines the history of what philosophers have had to say about "Shakespeare" as a subject of philosophy, from the seventeenth-century to the present. Stewart's volume will be of interest to Shakespeareans, literary critics, and philosophers.
First published in 1993. Routledge is an imprint of Taylor and Francis, an informa company.
'Mongolia looked like God's preliminary sketch for Earth, not so much a country as the ingredients out of which a country is made – grass, rock, water and wind… The only signs of habitation were the occasional encampments of round white tents.' In this remarkable book Stanley Stewart sets off across the old Mongolian Empire, from Istanbul to the distant homeland of the Mongol Hordes. The heart of his odyssey is a thousand-mile ride, travelling by horse among nomads for whom travel is a way of life, through a trackless land governed by winds and patterns of migration. On a journey full of bizarre characters and unexpected encounters, he crosses the desert and mountains of Central Asia, battles through the High Altay and the fringes of the Gobi, to the wind-swept grasslands of the steppes and the birthplace of Genghis Khan. Vivid, hilarious and compelling this eagerly-awaited book will take its place among travel classics – a thrilling tale of adventure and an evocative portrait of a medieval land marooned in the modern world. "Elegantly written." "Entertaining and resourceful." "He has a sharp eye for the incongruous… Stewart's wry sense of humour is never far away." "Stewart writes with knowledge and insight."
"Nietzsche's Case" combines the multiple perspectives of Bernd Magnus, a philosopher and Nietzsche scholar, Jean-Pierre Mileur, a critical theorist/Romanticist, and Stanley Stewart, a Renaissance literary scholar. Conceptually, it occupies the interface of philosophy and literature. Nietzsche's texts are brought into dialogue with the New Testament and texts by Sidney, Bacon, Spenser, Milton, Shakespeare, Browning, Coleridge, Wordsworth, Blake, Carlyle and Lawrence, as well as with the standard texts of the philosophical and critical traditions from Plato to Derrida. Nietzsche claimed that every great event constitutes "the personal confession of its author and a kind of involuntary and unconscious memoir". Magnus, Mileur and Stewart reveal the greatness of Nietzsche's philosophical achievement and at the same time unravel the unconscious and involuntary memoir it constitutes. "Nietzsche's Case" points beyond the philosopher's brief to the objects the brief interrogates - traditional religion, philosophy, and morality. It also examines the case Nietzsche himself is, interrogating the proper name "Nietzsche".
Emergency is a collection of true stories about events where disaster seems imminent. Yet each situation is concluded without loss of life thanks to the skill of the pilots and their crews, whose bravery and resourcefulness have earned them well deserved commendations.
Title: The Professor's Last Experiment. A novel.]Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The FICTION & PROSE LITERATURE collection includes books from the British Library digitised by Microsoft. The collection provides readers with a perspective of the world from some of the 18th and 19th century's most talented writers. Written for a range of audiences, these works are a treasure for any curious reader looking to see the world through the eyes of ages past. Beyond the main body of works the collection also includes song-books, comedy, and works of satire. ++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Stewart, Stanley; Stewart, Ritson; 1888. 129 p.; 8 . 12627.k.2.
Vivid, hilarious, and compelling, this eagerly awaited book takes
its place among the travel classics. It is a thrilling tale of
adventure, a comic masterpiece, and an evocative portrait of a
medieval land marooned in the modern world. Eight and a half
centuries ago, under Genghis Khan, the Mongols burst forth from
Central Asia in a series of spectacular conquests that took them
from the Danube to the Yellow Sea. Their empire was seen as the
final triumph of the nomadic "barbarians." In this remarkable book
Stanley Stewart sets off on a pilgrimage across the old empire,
from Istanbul to the distant homeland of the Mongol hordes. The
heart of his odyssey is a thousand-mile ride, traveling by horse,
through trackless land.
Ben Jonson is, in many ways, the figure of greatest centrality to literary study of the Elizabethan and Jacobean period. He wrote in virtually every literary genre: in drama, comedy, tragedy and masque; in poetry, epigram, and lyric; in prose, literary criticism and English grammar. This Companion brings together leading scholars from both sides of the Atlantic to provide an accessible, up-to-date introduction to Jonson's life and works. It represents an invaluable guide to current critical perspectives, providing generous coverage not only of his plays but also his non dramatic works.
Ben Jonson is, in many ways, the figure of greatest centrality to literary study of the Elizabethan and Jacobean period. He wrote in virtually every literary genre: in drama, comedy, tragedy and masque; in poetry, epigram, and lyric; in prose, literary criticism and English grammar. This Companion brings together leading scholars from both sides of the Atlantic to provide an accessible, up-to-date introduction to Jonson's life and works. It represents an invaluable guide to current critical perspectives, providing generous coverage not only of his plays but also his non dramatic works.
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