This ambitious, highly theoretical book provides a capstone for the careers of two very distinguished scholars. It begins with an analysis of what functions and systems must exist for any organism or machine to perform an unlearned act, that is, with an analysis of what must be "wired into" the organism or machine. Once the basics of unlearned responding have been established, the authors then systematically show how learning mechanisms can be layered onto that foundation in ways that account for the performance of new, learned operations that eventually culminate in the acquisition of higher-order operations that involve concepts and language. This work is of interest to various practitioners engaged in analyzing and creating behavior: the ethnologist, the instructional designer, the learning psychologist, the physiologist-neurobiologist, and particularly the designer of intelligent machines.

From Dallas–Fort Worth to El Paso, Goodnight to Marfa to Langtry, and scores of places in between, the second of two towering volumes assembled by Gerald Moorhead and a team of dedicated authors offers readers a definitive guide to the architecture of the Lone Star State. Canvassing Spanish and Mexican buildings in the south and southwest and the influence of Anglo- and African American styles in the east and north, the latest book in the Buildings of the United States series serves both as an accessible architectural and cultural history and a practical guide. More than 1,000 building entries survey the most important and representative examples of forts, courthouses, houses, churches, commercial buildings, and works by internationally renowned artists and architects, from the Kimbell Art Museum's Louis Kahn Building to Donald Judd's art installations at La Mansana de Chinati/The Block. Brief essays highlight such topics as the history and construction of federal forts, the growth and spread of Harvey House restaurants, and the birth of Conrad Hilton's hotel empire. Enlivened by 350 illustrations and 45 maps, Buildings of Texas: East, North Central, Panhandle and South Plains, and West affords local and out-of-state visitors, as well as more distant readers, a compelling journey filled with countless discoveries.

The Pass In Review features 82 pages of full color artwork, moving poetry and deeply personal prose fiction, all created by military veterans. Accompanying the selected works of art, is an in-depth interview with infantryman and photographer, Chase Steely. A full color gallery of selected photographs taken by Mr. Steely during his most recent deployment to Afghanistan follows the interview. WITH SELECTED ARTWORK BY Edward Santos William Medina Hugo Gonzalez Claude Freaner Kimberly De Liz Apolinar Anthony Peralta SELECTED POETRY BY Randy Brown Phillip Smith Anthony L. Haskins Brett Perry John M. Koelsch Michael Fredson SELECTED SHORT FICTION BY Micah Reel T. Mazzara Keith Ryan Kappel Gerald Nutini Brad Drake

When one engages in a discussion of film, a great many avenues for analysis are available. Character development, set design, wardrobe, and musical score are but a few surface possibilities. One may also choose to focus on the director's message, political implications, historical accuracy, or a specific film theory. With this in mind, it is at least somewhat surprising that little analysis of contemporary Chinese film is available. This work provides an analysis of the notion of the virtual as laid out in works by Massumi, Deleuze, and Guattari. Through an exploration of the virtual across Chinese films of the last two decades, it investigates the dangers of the virtual in performance and the difficulty in recognizing the line between role and real. It then compares this to the notion of disguise in order to demonstrate the differences in effect when one's performance is undisclosed to his audience. Finally, it examines identity and the virtual through cinematic doublings. These theories are a means by which to supplement more typical examinations of film and contribute depth to an academic understanding of contemporary Chinese film for China scholars and film enthusiasts alike.

This volume, first published in German in 1976, still stands as the most definitive, comprehensive treatment of John Wesley's social ethics.

John Wesley's Social Ethics offers a balanced treatment that dispels notions that Wesley can easily be categorized as only an evangelist or only a social reformer. It demonstrates that Wesley's theological and spiritual concerns were catalytic in his social program. It encourages a rethinking of the importance of theology for social ethics in the Methodist tradition.

At the turn of the twentieth century, a group of famed scholars at the University of GAttingen founded a movement that came to be known as the "History of Religions School." In their approach to Christian origins and early Christian belief about Jesus they emphasized the degree to which Christianity was a product of its time. Christians borrowed and adapted ideas already in wide circulation to craft their claims about Christ. In his now classic Hellenistic Mystery-Religions (first published in 1910), Richard Reitzenstein seeks to establish the direct dependence of early Christianity on Hellenistic, Mandaean, and Iranian mythology and ritual. While written before the discoveries of Qumran and Nag Hammadi, Reitzenstein's knowledge of ancient texts still warrants careful reading. Even if one rejects his claim that the Apostle Paul was "the greatest of all Gnostics," Reitzenstein's rigorous attempt to root Christianity in its historical context and demonstrate the genetic development of religious belief and practice merits both commendation and careful attention.

State parks across Texas offer a world of opportunities for recreation and education. Yet few park visitors or park managers know the remarkable story of how this magnificent state park system came into being during the depths of the Great Depression in the 1930s. Drawing on archival records and examining especially the political context of the New Deal, James Wright Steely here provides the first comprehensive history of the founding and building of the Texas state park system.

Steely's history begins in the 1880s with the movement to establish parks around historical sites from the Texas Revolution. He follows the fits-and-starts progress of park development through the early 1920s, when Governor Pat Neff envisioned the kind of park system that ultimately came into being between 1933 and 1942.

During the Depression an amazing cast of personalities from Franklin D. Roosevelt to Lyndon Johnson led, followed, or obstructed the drive to create this state park system. The New Deal federal-state partnerships for depression relief gave Texas the funding and personnel to build 52 recreational parks under the direction of the National Park Service. Steely focuses in detail on the activities of the Civilian Conservation Corps, whose members built parks from Caddo Lake in the east to the first park improvements in the Big Bend out west. An appendix lists and describes all the state parks in Texas through 1945, while Steely's epilogue brings the parks' story up to the present.

This ambitious, highly theoretical book provides a capstone for the careers of two very distinguished scholars. It begins with an analysis of what functions and systems must exist for any organism or machine to perform an unlearned act, that is, with an analysis of what must be "wired into" the organism or machine. Once the basics of unlearned responding have been established, the authors then systematically show how learning mechanisms can be layered onto that foundation in ways that account for the performance of new, learned operations that eventually culminate in the acquisition of higher-order operations that involve concepts and language.
This work is of interest to various practitioners engaged in analyzing and creating behavior: the ethnologist, the instructional designer, the learning psychologist, the physiologist-neurobiologist, and particularly the designer of intelligent machines.

Everything Must Gois Steely Dan's follow up to their 2000 multi-Grammy winner Two Against Nature.