Assyrian pottery of the Iron Age is a very special topic in Near Eastern archaeology: it is widely diffused, related to the expansion of the first real "empire" in Western Asia, and it is well-characterized as far as its typology, manufacturing and decoration are concerned. Especially from the VIII Century BC, the Assyrian policy of settlement in the conquered regions led to a capillary occupation of most of the available landscapes in the provinces: the result is a large amount of excavations with materials dating to this period. The Atlas aims to develop a global typology that can be applied to the whole Assyrian repertory, in order to highlight the main types and to define their precise chronology and diffusion in the various regions conquered by Assyrians.

Keppel Archibald Cameron Creswell (1879-1974) developed an early interest in Islamic architecture, which became his main area of research at the time of his military posting in Egypt, in 1916. His publications are still fundamental research tools for scholars in the field. Creswell considered photography as an essential tool for recording architectural artefacts, and this volume deals with the photographs that concern Mesopotamia, Syria and Jordan, kept today at the Biblioteca Berenson, of the Villa I Tatti, Harvard University Center for Italian Renaissance Studies, in Florence. On the whole, they can be dated between 1919 and 1930. Many of the sites and monuments photographed by Creswell are still standing, but there are many others that no longer exist, or have been significantly modified. Geolocations for all the photographed monuments can also be viewed on Google My Maps. For this reason, the Creswell photo collection is an exceptional resource for the study of ancient monuments, especially for any conservation and restoration project.

Building between the Two Rivers aims to supply university students and scholars of Near Eastern archaeology with an introduction to 'Building archaeology' methods as applied to the context of Ancient Mesopotamia. It helps the reader understand the principles underlying the discipline, which deals with the registration and analysis of all building materials and techniques involved in the assembly and erection of a construction, and to outline what knowledge and skills are needed, beyond those that are specific to archaeologists. The in-depth registration and analysis of building materials and techniques requires professional skills and experience, which cannot be achieved with only a standard university training in archaeology. However, archaeologists need to know the basics of the classification of building materials, their physical properties, the main techniques of their finishing, as well as the basic principles of statics. They should also be able to let architects understand how to better tune the registration of data to ensure a fruitful archaeological interpretation. Due to the introductory nature of the book, contents are organised in didactic chapters, trying to cover all the main topics and displaying them by means of selected examples. Particular attention is given to the methods of the 'stratigraphic reading', which are discussed in a dedicated appendix authored by Piero Gilento. A thematic bibliography and a technical glossary complete the book, helping readers enhance their understanding of the subject.

This volume - in Italian, with an English summary - presents the 1930s archaeological photo-albums of John Alfred Spranger (1889-1968). Engineer, topographer, mountain climber, archaeologist, art collector and photographer, Spranger traveled extensively - in the Balkans, Greece, Egypt and the Near East, Canada, Central Asia - and left several photo albums detailing archaeological explorations as well as travel memories. In the 1920s-1930s, he took part in a number of Etruscan excavations in Tuscany, together with Harry Burton, the photographer of the Tomb of Tutankhamun. With a pioneering approach, they used the photo-camera to document the excavation work in progress. The albums are dedicated to a trip to Egypt in 1929, a trip to Mesopotamia (Iraq) in 1936 and some surveys and excavations carried out in Etruria (Tuscany, Italy) in 1929-1935. Spranger's photos are particularly meaningful, especially because he combined his skills in using the camera with a great expertise in archaeology and topography. His photos make it possible to understand, after almost a century, how many Egyptian, Mesopotamian and Etruscan sites appeared at the time of their first excavations | Il volume - in italiano con riassunto in inglese - e dedicato agli album fotografici realizzati negli anni Trenta del Novecento da John Alfred Spranger (1889-1968): fu ingegnere, topografo, alpinista, archeologo, collezionista e fotografo. Viaggio molto - nei Balcani, in Grecia, in Egitto e nel Vicino Oriente, in Canda e in Asia centrale - lasciandoci molti album fotografici dedicati ai suoi viaggi e alle sue ricerche archeologiche. Negli anni Venti e Trenta partecipo a ricognizioni e scavi archeologici in Toscana, assieme a Harry Burton, il fotografo della Tomba di Tutankhamun. Con un approccio pionieristico, ambedue sperimentarono l'uso della macchina fotografica per documentare lo scavo archeologico. Gli album presentati sono dedicati a due viaggi, uno in Egitto nel 1929 e l'altro in Mesopotamia (Iraq) nel 1936, e a ricognizioni e scavi condotti in siti etruschi della Toscana tra 1929 e 1935. Le fotografie di Spranger sono particolarmente significative perche riflettono sia la competenza del fotografo che quella del topografo e dell'archeologo, e ci permettono di capire, a quasi un secolo di distanza, quale fosse l'aspetto di numerosi siti egizi, mesopotamici ed etruschi, al momento della loro prima indagine archeologica.

This volume presents the results of the Italian excavations and surveys carried out in Transjordan between 1927 and 1938. After a first excavation campaign conducted in 1927 on the Amman Citadel by Giacomo Guidi, the excavations were resumed in 1929 by Renato Bartoccini (Rome 1893-Rome 1963), who carried out four campaigns on the Citadel in 1929, 1930, 1933 and 1938. He also travelled across modern Jordan, Syria and Lebanon, taking photos and writing reports on several archaeological sites. Bartoccini published a few notes and reports, but almost all the original documentation of his work was still unpublished at the time this study was conducted. The main source of data is the Fondo Renato Bartoccini, i.e. the private archive of Bartoccini, today held by the University of Perugia, while other useful documents are kept in other archives in Macerata and in Rome. Furthermore, some decorated Islamic pottery from the excavations on the Citadel is held at the Museo Internazionale delle Ceramiche in Faenza. The retrieved photos, excavation journals, letters, and administrative documents make it possible to understand, after almost a century, how the Citadel of Amman appeared at the time of its first excavation.

This volume - in Italian, with an English summary - illustrates the Popolani Collection, that was donated to the Archaeological Museum of Florence by Carlo Popolani, a physician who lived in Damascus in the early 20th century. The collection consists of ancient pottery vessels, terracotta oil-lamps, glazed Islamic tiles, Romano-Byzantine glassware, as well as various objects from the Damascene antique market. In particular, the rich group of glazed tiles is very representative of the typical Mamluk and Ottoman production that flourished in Damascus between the XV and XVIII century.