'Fantastic ... the most important book on Black British history' - Akala Black People in the British Empire is a challenge to the official version of British history. It tells the story of Britain's exploitation and oppression of its subject peoples in its colonies, and in particular the people of Africa, Asia and Australasia Peter Fryer reveals how the ideology of racism was used as justification for acquiring and expanding the Empire; how the British Industrial Revolution developed out of profits from the slave trade; and how the colonies were deliberately de-industrialised to create a market for British manufacturers. In describing the frequency and the scale of revolts by subject peoples against slavery and foreign domination - and the brutality used in crushing them - Peter Fryer exposes the true history of colonialism, and restores to Black people their central role in Britain's past.

Do you love your natural hair? Some of the world's most inspiring black women tell us about their attitudes to, and struggles with, their crowning glory. Kinky, wavy, straight or curly, this book will help you celebrate your natural beauty, however you choose to style your hair. With an overview of the politics and history of black hair, the book explores how black hairstyles have played a part in the fight for social justice and the promotion of black culture while inspiring us to challenge outdated notions of beauty, gender and sexuality for young women and girls everywhere. The power is in our hair. And we've come to tell the world what ours can do! Interviewees include: Annika Allen, co-founder Black Magic Awards and podcaster, UK; Samantha Allen, arts activist, Singapore/UK; Doreene Blackstock, actor, UK; Sienna Brown, writer and filmmaker, Australia; Dawn Butler, Member of Parliament, UK; Sokari Douglas Camp, artist, Nigeria/UK; Deitra Farr, blues, soul and gospel singer-songwriter, from Chicago, USA; Ruthie Foster, is an American blues singer-songwriter from Texas, USA; Jamelia, singer-songwriter, broadcaster and author, UK; Judith Jacob, actor, radio presenter and fitness instructor, UK; Angie LeMar, comedian, presenter, producer, UK; Lynette Linton, artistic director theatre, UK; Nnenna Okore, artist, Australia; Anita Okunde, climate activist, Ireland; Chi Onwurah, Member of Parliament, UK; Olusola Oyeleye, writer, director and producer, UK; Djamila Ribeiro, feminist philosopher, Brazil; Vivienne Rochester, actor, UK; Kadija George Sesay, writer and curator, UK; Cleo Sylvestre, actor, singer, writer, UK; Carryl Thomas, actor, UK; Nellie Travis, blues singer, USA; Rianna Raymond-Williams, sexual health advisor and social entrepreneur, UK. Photos and illustrations throughout

The story of the enslaved West Indian women in the struggle for freedom The forgotten history of women slaves and their struggle for liberation. Enslaved West Indian women had few opportunities to record their stories for posterity. In this riveting work of historical reclamation, Stella Dadzie recovers the lives of women who played a vital role in developing a culture of slave resistance across the Caribbean. Dadzie follows a savage trail from Elmina Castle in Ghana and the horrors of the Middle Passage, as slaves were transported across the Atlantic, to the sugar plantations of Jamaica and beyond. She reveals women who were central to slave rebellions and liberation. There are African queens, such as Amina, who led a 20,000-strong army. There is Mary Prince, sold at twelve years old, never to see her sisters or mother again. Asante Nanny the Maroon, the legendary obeah sorceress, who guided the rebel forces in the Blue Mountains during the First Maroon War. Whether responding to the horrendous conditions of plantation life, the sadistic vagaries of their captors or the "peculiar burdens of their sex," their collective sanity relied on a highly subversive adaptation of the values and cultures they smuggled from their lost homes. By sustaining or adapting remembered cultural practices, they ensured that the lives of chattel slaves retained both meaning and purpose. A Kick in the Belly makes clear that subtle acts of insubordination and conscious acts of rebellion came to undermine the very fabric of West Indian slavery.

Enslaved West Indian women had few opportunities to record their stories for posterity. Yet from their dusty footprints and the umpteen small clues they left for us to unravel, there's no question that they earned their place in history. Pick any Caribbean island and you'll find race, skin colour and rank interacting with gender in a unique and often volatile way. In A Kick in the Belly, Stella Dadzie follows the evidence, and finds women played a distinctly female role in the development of a culture of slave resistance - a role that was not just central, but downright dynamic. From the coffle-line to the Great House, enslaved women found ways of fighting back that beggar belief. Whether responding to the horrendous conditions of plantation life, the sadistic vagaries of their captors or the 'peculiar burdens of their sex', their collective sanity relied on a highly subversive adaptation of the values and cultures they smuggled with them naked from different parts of Africa. By sustaining or adapting remembered cultural practices, they ensured that the lives of chattel slaves retained both meaning and purpose. A Kick in the Belly makes clear that their subtle acts of insubordination and their conscious acts of rebellion came to undermine the very fabric and survival of West Indian slavery.

'Fantastic ... the most important book on Black British history' - Akala Black People in the British Empire is a challenge to the official version of British history. It tells the story of Britain's exploitation and oppression of its subject peoples in its colonies, and in particular the people of Africa, Asia and Australasia Peter Fryer reveals how the ideology of racism was used as justification for acquiring and expanding the Empire; how the British Industrial Revolution developed out of profits from the slave trade; and how the colonies were deliberately de-industrialised to create a market for British manufacturers. In describing the frequency and the scale of revolts by subject peoples against slavery and foreign domination - and the brutality used in crushing them - Peter Fryer exposes the true history of colonialism, and restores to Black people their central role in Britain's past.

Heart of the Race is a powerful corrective to a version of Britain's history from which black women have long been excluded. It reclaims and records black women's place in that history, documenting their day-to-day struggles, their experiences of education, work and health care, and the personal and political struggles they have waged to preserve a sense of identity and community. First published in 1985 and winner of the Martin Luther King Memorial Prize that year, Heart of the Race is a testimony to the collective experience of black women in Britain, and their relationship to the British state throughout its long history of slavery, empire and colonialism. This new edition includes an introduction by Lola Okolosie and an interview with the authors, chaired by Heidi Mirza, focusing on the impact of their book since publication, and its continuing relevance today.