This is an exciting new biography of Thomas Cardinal Wolsey, one of the most powerful men in English history whose impact was as great in Church affairs as those of the State. The accession of Henry VIII provided the catalyst for Wolsey's dramatic rise to power and in 1514 he received first the bishopric of Lincoln and then the archbishopric of York. A month after his receipt of the coveted Cardinal's hat in 1515, Wolsey became lord chancellor, making him the king's principal minister and England's senior judge, despite having no formal education in the law.His greatest diplomatic achievements included the 1518 treaty of London (the 'universal peace'), in which he played the quasi-papal role of engineering an accord between most of the states of Europe and secured the betrothal of Princess Mary with the infant dauphin. Thanks to Wolsey, England enjoyed unprecedented influence among the states of Europe, and never more so than in 1520, when the cardinal masterminded the spectacular Anglo-French summit meeting at the Field of the Cloth of Gold.Wolsey's pan-European vision ensured that he was well aware of the threat posed by Martin Luther's theological revolution and campaign against clerical abuses. He therefore sought to nip English heresy in the bud by taking decisive action against known religious radicals and by founding Cardinal College (now Christ Church), Oxford, with a view to forming well-educated priests who would combat heresy and institute ecclesiastical reform from within the hierarchy. Among England's senior churchmen, only Wolsey might have executed such a strategy, but circumstances were combining to thwart his plans. It was ironic that Wolsey, the arbiter of European interstate relations, was frustrated and ultimately disgraced by the essentially domestic problem of the king's determination that Anne Boleyn should be his wife and the mother of his legitimate heir. Stella Fletcher has written an engaging and dramatic biography of this colossus of the Tudor age.

This new Companion is the ideal reference guide. It fills a gap by providing an authoritative but accessible reference on political, economic, religious, social, as well as cultural developments in this crucial period. It contains information on all major topics including the church, war and diplomacy, civic life, learning and letters, printing, the economy, science and technology, the arts, across Europe and the wider world.

This new Companion is the ideal reference guide. It fills a gap by providing an authoritative but accessible reference on political, economic, religious, social, as well as cultural developments in this crucial period. It contains information on all major topics including the church, war and diplomacy, civic life, learning and letters, printing, the economy, science and technology, the arts, across Europe and the wider world.

Anglo-Italian cultural connections in the eighteenth and nineteenth centuries have been the subject of numerous studies in recent decades. Within that wider body of literature, there has been a growing emphasis on appreciation of the history and culture of Renaissance Italy, especially in nineteenth-century Britain. In 1954 J.R. Hale's England and the Italian Renaissance was a pioneering account of the subject, followed in 1992 by Hilary Fraser's monograph The Victorians and Renaissance Italy and in 2005 by Victorian and Edwardian Responses to the Italian Renaissance, edited by John E. Law and Lene A~stermark-Johansen. There is, however, an obvious gap in the literature concerning the pivotal figure of William Roscoe (1753-1831), the first English-language biographer of Lorenzo de' Medici and of Pope Leo X. The Life of Lorenzo de' Medici called the Magnificent proved to be so popular as to prompt the claim that Roscoe effectively invented the Italian Renaissance as it has become understood by subsequent generations of readers in the English-speaking world. This collection of ten essays redresses the balance by examining Roscoe as biographer, as a connoisseur of Italian literature and as a collector of Italian works of art.

Anglo-Italian cultural connections in the eighteenth and nineteenth centuries have been the subject of numerous studies in recent decades. Within that wider body of literature, there has been a growing emphasis on appreciation of the history and culture of Renaissance Italy, especially in nineteenth-century Britain. In 1954 J.R. Hale's England and the Italian Renaissance was a pioneering account of the subject, followed in 1992 by Hilary Fraser's monograph The Victorians and Renaissance Italy and in 2005 by Victorian and Edwardian Responses to the Italian Renaissance, edited by John E. Law and Lene A~stermark-Johansen. There is, however, an obvious gap in the literature concerning the pivotal figure of William Roscoe (1753-1831), the first English-language biographer of Lorenzo de' Medici and of Pope Leo X. The Life of Lorenzo de' Medici called the Magnificent proved to be so popular as to prompt the claim that Roscoe effectively invented the Italian Renaissance as it has become understood by subsequent generations of readers in the English-speaking world. This collection of ten essays redresses the balance by examining Roscoe as biographer, as a connoisseur of Italian literature and as a collector of Italian works of art.

When the British thought of themselves as a Protestant nation their natural enemy was the pope and they adapted their view of history accordingly. In contrast, Rome's perspective was always considerably wider and its view of Britain was almost invariably positive, especially in comparison to medieval emperors, who made and unmade popes, and post-medieval Frenchmen, who treated popes with contempt. As the twenty-first-century papacy looks ever more firmly beyond Europe, this new history examines political, diplomatic and cultural relations between the popes and Britain from their vague origins, through papal overlordship of England, the Reformation and the process of repairing that breach.