A study of the use of history as political ammunition and literature as historical counterdiscourse in Mongane Serote's Gods of Our Time, Mike Nicol's The Ibis Tapestry, and Zakes Mda's Ways of Dying. Moslund shows how literary engagement with the past seeks to rupture the continuity of a strongly dichotomised epistemology and through that dissolve the inherited polarisation of society. Falsification of history is exposed as constructed discourse and past simplifications of reality as sharply demarcated into homogenous self-justifying, Categorisations of, Us against Them, are challenged with paradox, doubt and introspection.

An interdisciplinary encounter between new materialist and object-oriented studies and literary criticism. Through a rethinking of the relationship between the subject and object, the human and the nonhuman, this volume shows how literature and post-anthropocentric theory can illuminate each other in mutually productive ways. Focusing on how the study of literature is an underdeveloped field within 'the material turn', the introduction and each of the eleven chapters examine ways in which new materialist and object-oriented theory opens the study of literature in new ways just as they demonstrate the deep entanglements in literature of human and nonhuman realities. The collection includes an Afterword by Timothy Morton and hands-on analyses and close readings of individual works by such diverse writers as Hans Christian Andersen, Djuna Barnes, Sylvia Plath, Georges Perec, Ayi Kwei Armah, Jeanette Winterson and Paolo Bacigalupi.

Through a rethinking of the relationship between the subject and object, the human and the nonhuman, this volume shows how literature and post-anthropocentric theory can illuminate each other in mutually productive ways. Focusing on how the study of literature is an underdeveloped field within 'the material turn', the introduction and each of the eleven chapters examine ways in which new materialist and object-oriented theory opens the study of literature in new ways just as they demonstrate the deep entanglements in literature of human and nonhuman realities. The collection includes an Afterword by Timothy Morton and hands-on analyses and close readings of individual works by such diverse writers as Hans Christian Andersen, Djuna Barnes, Sylvia Plath, Georges Perec, Ayi Kwei Armah, Jeanette Winterson and Paolo Bacigalupi.

This book offers a compelling study of contemporary developments in European migration studies and the representation of migration in the arts and cultural institutions. It introduces scholars and students to the new concept of 'postmigration', offering a review of the origin of the concept (in Berlin) and how it has taken on a variety of meanings and works in different ways within different national, cultural and disciplinary contexts. The authors explore postmigrant theory in relation to the visual arts, theater, film and literature as well as the representation of migration and cultural diversity in cultural institutions, offering case studies of postmigrant analyses of contemporary works of art from Europe (mainly Denmark, Germany and Great Britain).