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"First we shape things, then they shape us," was Churchill's view.
What kind of architecture can be said to shape? Who does it shape?
And by what means does it shape? The author's answers to these
questions are a surprise in this diverting manifesto.
Elements of Architecture focuses on the fragments of the rich and
complex architectural collage. Window, facade, balcony, corridor,
fireplace, stair, escalator, elevator: the book seeks to excavate
the micro-narratives of building detail. The result is no single
history, but rather the web of origins, contaminations,
similarities, and differences in architectural evolution, including
the influence of technological advances, climatic adaptation,
political calculation, economic contexts, regulatory requirements,
and new digital opportunities. It's a guide that is long overdue-in
Koolhaas's own words, "Never was a book more relevant-at a moment
where architecture as we know it is changing beyond recognition."
Derived, updated, and expanded from Koolhaas's exhaustive and
much-lauded exhibition at the 2014 Venice Architecture Biennale,
this is an essential toolkit to understanding the fundamentals that
comprise structure around the globe. Designed by Irma Boom and
based on research from the Harvard Graduate School of Design, the
2,600-page monograph contains essays from Rem Koolhaas, Stephan
Trueby, Manfredo di Robilant, and Jeffrey Inaba; interviews with
Werner Sobek and Tony Fadell (of Nest); and an exclusive photo
essay by Wolfgang Tillmans. In addition to comprehensively updated
texts and new images, this edition is designed and produced to
visually (and physically) embody the immense scope of its subject
matter: Custom split-spine binding: our printer modified their
industrial binding machine to allow for the flexible,
eight-centimeter thick spine Contains a new introductory chapter
with forewords, table of contents, and an index, located in the
middle of the book (where it naturally opens due to its unique
spine) Printed on 50g Opakal paper, allowing for the ideal level of
opacity needed to realize Boom's palimpsest-like design Translucent
overlays and personal annotations by Koolhaas and Boom are woven in
each chapter to create an alternative, faster route through the
book Printed at the originally intended 100% size for full
readability
"First we shape things, then they shape us," wusste Winston
Churchill. Was sind wahrhaft pragende Architekturen? Wen pragen
sie? Und womit pragen sie? Der Autor gibt folgende uberraschende
Antwort auf diese Fragen: durch Kriegs- bzw. Stressnahe. Nach einer
Tour d'horizon durch romische Tempelbauten, Washingtons Korridore
der Macht und Mekkas Anti-Panikarchitekturen wird deutlich: die
Architektur ist alles andere als Background. Sie steht mitten auf
dem heissen Pol der Transmissionsdynamik und vermag Kulturen,
Imperien, ja Religionen zu andern."
Editorship Elisabeth Blum, Jesko Fezer, Gunther Fischer, Angelika
Schnell Not unjustly referred to as legendary, this series of books
on the history and theory of architecture and urban development was
founded in 1963 by Ulrich Conrads, who was joined by Peter Neitzke
as a co-editor of the series in the early 1980s. Now numbering over
150 titles, it is the most comprehensive German-language book
series covering these fields. Following the deaths of the two
longtime editors Ulrich Conrads (2013) and Peter Neitzke (2015), a
new editorial committee was formed to continue their work:
Elisabeth Blum, Jesko Fezer, Gunther Fischer and Angelika Schnell.
As the future editors of this series, it is our aim to maintain the
course set by our forerunners. The series has fulfilled its
original aim of taking stock of the constructional and urban
planning ideas and realizations formulated and achieved over the
twentieth century in exemplary fashion. The Bauwelt Fundament
series actually represents a history of ideas in the fields of
planning and building that extends from the beginning of the
twentieth century into the present. The second objective of the
series, one that is anchored in its very name, will also continue
to guide the development of the series, namely the publication of
foundational thought - authoritative and fundamental - rather than
passing opinion, of theses and polemics relating to the burning
architectural and urban planning themes of the time. Penetrating
complex interrelationships and probing them with systematic
analysis provides the prerequisite for fruitful discourse and
ongoing debate. As a forum for such discourses and contributions,
the Bauwelt Fundamente series is maintaining its focus on the areas
of architecture and urbanism, supplementing it with the always
necessary historical investigation of important questions and texts
and its extension into other cultural and social fields. A strong
international orientation and the desire for more female authors
are self-evident in such a context. The original graphic design
approach taken by Helmut Lortz to the series is being maintained.
As is fitting for a working library, Bauwelt Fundamente titles
remain simply designed, using black and white for the logo, the
images on the front and back, and the eleven-line summary of the
volume's contents. This is indicative of the broad orientation of
Bauwelt Fundamente to all those interested in the cultural and
social development that provides the context for the creation of
cities, houses and other objects, which in turn create contexts for
the world. "Architects, it is said - or hoped - have always been
interested in the world beyond the boundaries of their profession."
(1) (1) Peter Neitzke, manuscript of his address Nicht mit dem
Rucken zur Gesellschaft (Not with one's back to society) given to
mark the fiftieth anniversary of Bauwelt Fundamente in Berlin,
2013.
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