Americans in the World War II era bought the novels of African American writers in unprecedented numbers. But the names on the books lining shelves and filling barracks trunks were not the now-familiar Richard Wright and Ralph Ellison, but Frank Yerby, Chester Himes, William Gardner Smith, and J. Saunders Redding.

In this book, Stephanie Brown recovers the work of these innovative novelists, overturning conventional wisdom about the writers of the period and the trajectory of African American literary history. She also questions the assumptions about the relations between race and genre that have obscured the importance of these once-influential creators.

Wright's "Native Son" (1940) is typically considered to have inaugurated an era of social realism in African-American literature. And Ellison's "Invisible Man" (1952) has been cast as both a high mark of American modernism and the only worthy stopover on the way to the Black Arts Movement of the 1960s. But readers in the late 1940s purchased enough copies of Yerby's historical romances to make him the best-selling African American author of all time. Critics, meanwhile, were taking note of the generic experiments of Redding, Himes, and Smith, while the authors themselves questioned the obligation of black authors to write protest, instead penning campus novels, war novels, and, in Yerby's case, "costume dramas." Their status as "lesser lights" is the product of retrospective bias, Brown demonstrates, and their novels established the period immediately following World War II as a pivotal moment in the history of the African American novel.

Collected essays on aspects of daily life at the Israelite site of Tell en-Nasbeh (biblical Mizpah of Benjamin). These include: trade and economy, death and burial, metals, cooking, water management, curation of the site's materials, and a site bibliography.

Dr. Stephanie Brown, a pioneering addiction researcher and therapist, offers women a map to find their way through the rocky spots in sobriety. For many women, newfound sobriety--with its hard-won joys and accomplishments--is often a lonely and unsatisfying experience. Here, pioneering therapist Stephanie Brown, Ph.D., helps readers understand that leaving behind the numbing comfort of alcohol or other drugs means you must face yourself, perhaps for the first time. With personal stories and gentle guidance, Brown helps readers unravel painful truths and confusing feelings in the process of creating a new, true sense of self. EXCERPT: "Recovery is not a move from bad to good, but from false to real. This is the transformation. The point of surrender and new abstinence represents a letting go of the old self. . . By accepting her loss of control, the woman in recovery opens the door to finding her real, authentic self, the woman she is underneath the layers of defense that have protected her -- her false self -- perhaps for her entire life."

In Body Language physicians and medical students chronicle their challenging, often harrowing experiences. The anthology is broken into six sections: Medical Student, First Year; Second Year; Clinical Years; Intern; Resident; and Attending. Other anthologies have featured poems about medicine and healthcare, but the approach of this collection-poems written by doctors-in-training proceeding step-by-step through the medical training experience-is unique in medical literature. By presenting physicians who are also skilled poets addressing a diverse range of medical situations, Body Language offers fascinating insights into the inner world of people who regularly face life-and-death decisions.

Americans in the World War II era bought the novels of African American writers in unprecedented numbers. But the names on the books lining shelves and filling barracks trunks were not the now-familiar Richard Wright and Ralph Ellison, but Frank Yerby, Chester Himes, William Gardner Smith, and J. Saunders Redding.

In this book, Stephanie Brown recovers the work of these innovative novelists, overturning conventional wisdom about the writers of the period and the trajectory of African American literary history. She also questions the assumptions about the relations between race and genre that have obscured the importance of these once-influential creators.

Wright's "Native Son" (1940) is typically considered to have inaugurated an era of social realism in African American literature. And Ellison's "Invisible Man" (1952) has been cast as both a high mark of American modernism and the only worthy stopover on the way to the Black Arts Movement of the 1960s. But readers in the late 1940s purchased enough copies of Yerby's historical romances to make him the best-selling African American author of all time. Critics, meanwhile, were taking note of the generic experiments of Redding, Himes, and Smith, while the authors themselves questioned the obligation of black authors to write protest, instead penning campus novels, war novels, and, in Yerby's case, "costume dramas." Their status as "lesser lights" is the product of retrospective bias, Brown demonstrates, and their novels established the period immediately following World War II as a pivotal moment in the history of the African American novel.

MORE, BETTER...SLOWER.
Feeling rushed, out of control, and overwhelmed?
Feeling like you can't keep up...and can't stop?
It's not just you.
From the need to be constantly connected and the changing definition of "work hours," to unrealistic expectations of instant gratification, our bodies and brains are being harmed by habits that, as with any kind of addiction, promise short-term satisfaction while doing long-term damage.
As a psychologist and addiction expert who practices in Silicon Valley, Stephanie Brown sees firsthand the impact of ever-faster technology and the culture it has spawned. She knows it's affecting us mentally, physically, and spiritually. In this groundbreaking book, she explores how our beliefs and behaviors are being shaped by the seemingly limitless new world we've entered in recent years--and why faster doesn't always equal better. Dr. Brown offers a step-by-step plan for breaking out of the speed trap. With practical guidelines, she shows us how to ease up on the gas pedal and reconnect with ourselves, learning to accept--and value--our limitations as human beings, reduce our stress levels, and free ourselves from our counterproductive obsession with speed.

A supportive, practical guide for the recovering addict's family - From the author of Treating the Alcoholic, and Treating Adult Children of Alcoholics - A supportive, helpful, practical book for family members of recovering addicts - Offers both practical, immediate assistance, and a long-term perspective - Includes progress charts and exercises for each family member to record experiences of the recovery program ADDITIONAL INFORMATION: Successful recovery from drug and alcohol addiction is not only a harrowing journey for the addict, but for the addict's family as well. Even though recovery often places a severe stress on recovering families, they are rarely encouraged to go outside to find the support they need. If outside help is unavailable, families are left to struggle with an unhealthy system of relating that's often all wrong for recovery. This guide seeks to help and support recovering families.

Historical biography of Drs. John Romano and George Engel, pioneers of mind-body medicine at the University of Rochester Medical Center. John Romano and George Engel: Their Lives and Work is a historical biography of two distinguished physicians who were members of the University of Rochester's medical school faculty from 1946 until their deaths in the 1990s. The authors here narrate the personal histories of these two figures from their births through their medical education and postgraduate training and their activities as members of the faculties at Harvard and Cincinnati before they came to Rochester. For each phase of their lives and work, the book explores those factors -- family influences, mentors, institutional and other forces -- that shaped the development of their philosophies of medical education and their views regarding the care of the sick. The book also examines in detail those factors that led Romano and Engel to Rochester, their work together and separately in research and medical education, and the nature of their complex personal relationship over the years. Drawing from recorded interviews with colleagues and family members, archival materials, and published research, including the subjects' own papers, the authors round out their examination of the lives and work of two figures who had a transforming influence -- nationally and globally -- on the education of physicians, the care of patients, and research into mind-body interactions. Dr. Jules Cohen was Professor of Medicine and Cardiology at the University of Rochester Medical Center. Stephanie Brown Clark is Associate Professor and Director of Medical Humanities Programs, University of Rochester Medical Center.

Engaging Tradition, Making It New offers a rich collection of fresh scholarly and pedagogical approaches to new African American literature. Organized around the theme of transgression, the collection focuses on those writers who challenge the reading habits and expectations of students and instructors, whether by engaging themes and literary forms not usually associated with African American literature or by departing from traditional modes of approaching historical, social, or legal struggles. Each chapter offers a specific reading of a particular novel, memoir, or poetry collection, sometimes in concert with a second, related text, and suggests both a useful critical context and one or more pedagogical approaches. Engaging Tradition, Making It New points the way toward exciting new methods of teaching and researching authors in this dynamic field.