Europe Dancing examines the dance cultures and movements which have developed in Europe since the Second World War. Nine countries are represented in this unique collaboration between European dance scholars. The contributors chart the art form, and discuss the outside influences which have shaped it.
This comprehensive book explores:
* questions of identity within individual countries, within Europe, and in relation to the USA
* the East/West cultural division
* the development of state subsidy for dance
* the rise of contemporary dance as an 'alternative' genre
* the implications for dance of political, economic and social change.
Useful historical charts are included to trace significant dance and political events throughout the twentieth century in each country.
Never before has this information been gathered together in one place. This book is essential reading for everyone interested in dance and its growth and development in recent years.

eBook available with sample pages: PB:0415171032 EB:0203448715

Europe Dancing examines the dance cultures and movements which have developed in Europe since the Second World War. Nine countries are represented in this unique collaboration between European dance scholars. The contributors chart the art form, and discuss the outside influences which have shaped it.
This comprehensive book explores:
* questions of identity within individual countries, within Europe, and in relation to the USA
* the East/West cultural division
* the development of state subsidy for dance
* the rise of contemporary dance as an 'alternative' genre
* the implications for dance of political, economic and social change.
Useful historical charts are included to trace significant dance and political events throughout the twentieth century in each country.
Never before has this information been gathered together in one place. This book is essential reading for everyone interested in dance and its growth and development in recent years.

When Igor Stravinsky's ballet Le Sacre du printemps (The Rite of Spring) premiered during the 1913 Paris season of Sergei Diaghilev's Ballets Russes, its avant-garde music and jarring choreography scandalized audiences. Today it is considered one of the most influential musical works of the twentieth century. In this volume, the ballet finally receives the full critical attention it deserves, as distinguished music and dance scholars discuss the meaning of the work and its far-reaching influence on world music, performance, and culture. Essays explore four key facets of the ballet: its choreography and movement; the cultural and historical contexts of its performance and reception in France; its structure and use of innovative rhythmic and tonal features; and the reception of the work in Russian music history and theory.