This book investigates the troubled relationship between medieval studies and medievalism. Acknowledging that the medieval and medievalism are mutually constitutive, and that their texts can be read using similar strategies, it argues that medieval writers offer powerful models for the ways in which contemporary desire determines the constitution of the past. This desire can not only connect us with the past but can reconnect readers in the present with the lost history of what may be called the 'medievalism of the medievals'. In other words, to come to terms with the history of the medieval is to understand that it already offers us a model of how to relate to the past. -- .

"It's a nice piece of pageantry. . . . Rationally it's lunatic, but in practice, everyone enjoys it, I think."-HRH Prince Philip, Duke of Edinburgh Founded by Edward III in 1348, the Most Noble Order of the Garter is the highest chivalric honor among the gifts of the Queen of England and an institution that looks proudly back to its medieval origins. But what does the annual Garter procession of modern princes and politicians decked out in velvets and silks have to do with fourteenth-century institutions? And did the Order, in any event, actually originate in the wardrobe malfunction of the traditional story, when Edward held up his mistress's dropped garter for all to see and declared it to be a mark of honor rather than shame? Or is this tale of the Order's beginning nothing more than a vulgar myth? With steady erudition and not infrequent irreverence, Stephanie Trigg ranges from medieval romance to Victorian caricature, from imperial politics to medievalism in contemporary culture, to write a strikingly original cultural history of the Order of the Garter. She explores the Order's attempts to reform and modernize itself, even as it holds onto an ambivalent relationship to its medieval past. She revisits those moments in British history when the Garter has taken on new or increased importance and explores a long tradition of amusement and embarrassment over its formal processions and elaborate costumes. Revisiting the myth of the dropped garter itself, she asks what it can tell us about our desire to seek the hidden sexual history behind so venerable an institution. Grounded in archival detail and combining historical method with reception and cultural studies, Shame and Honor untangles 650 years of fact, fiction, ritual, and reinvention.

"It's a nice piece of pageantry. . . . Rationally it's lunatic, but in practice, everyone enjoys it, I think."--HRH Prince Philip, Duke of EdinburghFounded by Edward III in 1348, the Most Noble Order of the Garter is the highest chivalric honor among the gifts of the Queen of England and an institution that looks proudly back to its medieval origins. But what does the annual Garter procession of modern princes and politicians decked out in velvets and silks have to do with fourteenth-century institutions? And did the Order, in any event, actually originate in the wardrobe malfunction of the traditional story, when Edward held up his mistress's dropped garter for all to see and declared it to be a mark of honor rather than shame? Or is this tale of the Order's beginning nothing more than a vulgar myth?With steady erudition and not infrequent irreverence, Stephanie Trigg ranges from medieval romance to Victorian caricature, from imperial politics to medievalism in contemporary culture, to write a strikingly original cultural history of the Order of the Garter. She explores the Order's attempts to reform and modernize itself, even as it holds onto an ambivalent relationship to its medieval past. She revisits those moments in British history when the Garter has taken on new or increased importance and explores a long tradition of amusement and embarrassment over its formal processions and elaborate costumes. Revisiting the myth of the dropped garter itself, she asks what it can tell us about our desire to seek the hidden sexual history behind so venerable an institution.Grounded in archival detail and combining historical method with reception and cultural studies, "Shame and Honor" untangles 650 years of fact, fiction, ritual, and reinvention.

This edition of the fourteenth-century Middle English alliterative poem "Wynnere and Wastoure" provides a highly useful introduction to the manuscript discussing in detail its date, provenance, and metre. In addition, it offers a concise summary, criticism, a bibliography, a commentary, glossary, and an index of names.

This book investigates the troubled relationship between medieval studies and medievalism. Acknowledging that the medieval and medievalism are mutually constitutive, and that their texts can be read using similar strategies, it argues that medieval writers offer powerful models for the ways in which contemporary desire determines the constitution of the past. This desire can not only connect us with the past but can reconnect readers in the present with the lost history of what may be called the 'medievalism of the medievals'. In other words, to come to terms with the history of the medieval is to understand that it already offers us a model of how to relate to the past. -- .

Chaucer has been a persistently popular subject for editors, scholars and readers. This detailed and often challenging study, parts of which have been published before or presented as lectures, examines the changing nature of Chaucerian studies and the significance of Chaucer's works as a bridge between the medieval and modern worlds. The congenial souls' are Chaucer's readers, a Chaucerian community' from which no one is excluded.