This multidisciplinary study of Scientology examines the organization and the controversies around it through the lens of popular culture, referencing movies, television, print, and the Internet-an unusual perspective that will engage a wide range of readers and researchers. For more than 60 years, Scientology has claimed alternative religious status with a significant number of followers, despite its portrayals in popular culture domains as being bizarre. What are the reasons for the vital connections between Scientology and popular culture that help to maintain or challenge it as an influential belief system? This book is the first academic treatment of Scientology that examines the movement in a popular-culture context from the perspective of several Western countries. It documents how the attention paid to Scientology by high-profile celebrities and its mention in movies, television, and print as well as on the Internet results in millions of people being aware of the organization-to the religious organization's benefit and detriment. The book leads with a background on Scientology and a discussion of science fiction concepts, pulps, and movies. The next section examines Scientology's ongoing relationship with the Hollywood elite, including the group's use of celebrities in its drug rehabilitation program, and explores movies and television shows that contain Scientology themes or comedic references. Readers will learn about how the Internet and the mainstream media of the United States as well as of Australia, Germany, and the UK have regarded Scientology. The final section investigates the music and art of Scientology. Discusses Scientology within the framework of popular culture, which is how most people outside the religion come in contact with it Approaches the study of Scientology from multiple viewpoints, enabling readers to have an informed, multicultural perspective on the religious group's beliefs and practices from which to form their own opinion Presents information about Scientology derived from one of the largest university archive collections on the subject worldwide, with a number of documents never before having been referenced in scholarship

This book takes a provocative look at the early 1970s - an often overlooked yet colorful period when the Vietnam War and student protests were on the wane as new religious groups grew in size and visibility. Certainly, religious strains were evident through postwar popular culture from the 1950s Beat generation into the 1960s drug counterculture, but the explosion of nontraditional religions during the early 1970s was unprecedented. This phenomenon took place in the United States (and at the edges of American-influenced Canadian society) among young people who had been committed to bringing about what they called ""the revolution"" but were converting to a wide variety of Eastern and Western mystical and spiritual movements. Stephen Kent maintains that the failure of political activism led former radicals to become involved with groups such as the Hare Krishnas, Scientology, Sun Myung Moon's Unification Church, the Jesus movement, and the Children of God. Drawing on scholarly literature, alternative press reportage, and personal narratives, Kent shows how numerous activists turned from psychedelia and political activism to guru worship and spiritual quest as a response to the failures of social protest - and as a new means of achieving societal change.