Media and Entertainment Law is a fast growing sector of practice in the EC, and in the UK in particular. The emergence of multi-media law has raised a large number of novel conceptual and practical difficulties for lawyers specialising in the area. The Yearbook is designed to respond to these practical difficulties while also making a serious contribution to media law as an area of serious academic study. It contains high quality analyses of topical issues, as well as thorough surveys of key areas of practice. Up to date and informative, the Yearbook is now well-established as a key source of information and analysis for all media and entertainment law professionals.

The Anglican Communion is in turmoil. One of the great historic pillars of Christianity, embraced by 70 million people in 164 countries, faces the real and immediate possibility of dismberment, as the spectre of schism looms ever closer. Yet why is gay sexuality the tinderbox that could rip the Anglican Communion apart, and put an end to a century-old and hugely-prized international unity, when such contentious issues as the ordination of women, or unity discussions with other churches, failed to cause a split? In answering this question, Stephen Bates will show that unity has been coveted by some above integrity, and has been the cause of vicious infighting and internal politics. In the run-up to publication of A Church At War the author will be in the front line, as he files regular reports on the twists and turns of battle. His eagerly awaited book will be the only one to assess the current state and historical context of the row, the strengths and weaknesses of the protagonists' positions, and the tactics that they are employing to win the day. A Church At War promises compelling insights into a power struggle between factions seemingly united only by their mutual antipathy, and conducted, paradoxically, in the name of true communion.'

Up to date and informative, the Yearbook of Copyright and Media Law is now well established as a key source of information and analysis for all copyright, media and entertainment law professionals. It is is designed to respond to practical developments and problem areas such as the Internet and Multimedia while also making a serious contribution to copyright and media law as a legal discipline. The central feature of the Yearbook is the range of annual surveys prepared by expert practising lawyers. Covering all issues from copyright, trademarks, licensing societies and new technology to libel, contempt of court and music contracts, the surveys contain considered and thorough analysis of the most recent developments in the UK, the EC, and beyond. The special survey in this yearbook focuses on definitions of film and there are in-depth articles on topical subjects such as the Microsoft judgment and the impact of The Human Rights Act and the Data Protection Act.

'METICULOUSLY RESEARCHED ... A GLORIOUSLY ENGAGING ROMP' JANICE HALLETT, THE SUNDAY TIMES 'IMMERSIVE AND COMPELLING' DAVID KYNASTON 'A PAGE-TURNER' ROBERT LACEY A brilliant narrative investigation into the 1920s case that inspired Agatha Christie, Dorothy Sayers and Margery Allingham. On a bleak Tuesday morning in February 1921, 48-year-old Katharine Armstrong died in her bedroom on the first floor of an imposing Edwardian villa overlooking the rolling hills of the isolated borderlands between Wales and England. Within fifteen months of such a sad domestic tragedy, her husband, Herbert Rowse Armstrong, would be arrested, tried and hanged for poisoning her with arsenic, the only solicitor ever to be executed in England. Armstrong's story was retold again and again, decade after decade, in a thousand newspaper articles across the world, and may have also inspired the new breed of popular detective writers seeking to create a cunning criminal at the centre of their thrillers. With all the ingredients of a classic murder mystery, the case is a near-perfect whodunnit. But who, in fact, did it? Was Armstrong really a murderer? One hundred years after the execution, Agatha-Award shortlisted Stephen Bates examines and retells the story of the case, evoking the period and atmosphere of the early 1920s, and questioning the fatal judgement. 'CAREFUL AND COMPELLING' KATE MORGAN 'YOU WILL READ IT IN ONE SITTING' MARC MULHOLLAND 'A REAL-LIFE GOLDEN-AGE CRIME NOVEL' SEAN O'CONNOR

Media and entertainment law is one of the fastest growing sectors of practice in the UK and European Community. Practising lawyers are hungry for information and informed analysis of the latest developments in this fast-moving field. This Yearbook spans the traditional concerns of media lawyers such as free speech and freedom of the press generally, including libel law and contempt of court as well as the core areas of entertainment law practice such as copyright, contracts, licensing and competition. In addition it covers the emerging fields of new technologies, the impact of the much heralded `information highway' upon media law, the effects of European Community initiatives in this area and the ever changing subject of broadcasting regulation. The Yearbook consists of high-quality analytical articles, important annual surveys of developments in all these fields and reviews of recent publications, all of which will be of interest to the practising and academic lawyer.

'METICULOUSLY RESEARCHED ... A GLORIOUSLY ENGAGING ROMP' JANICE HALLETT, THE SUNDAY TIMES 'IMMERSIVE AND COMPELLING' DAVID KYNASTON 'A PAGE-TURNER' ROBERT LACEY 'CAREFUL AND COMPELLING' KATE MORGAN 'YOU WILL READ IT IN ONE SITTING' MARC MULHOLLAND 'A REAL-LIFE GOLDEN-AGE CRIME NOVEL' SEAN O'CONNOR A brilliant narrative investigation into the 1920s case that inspired Agatha Christie, Dorothy Sayers and Margery Allingham. On a bleak Tuesday morning in February 1921, 48-year-old Katharine Armstrong died in her bedroom on the first floor of an imposing Edwardian villa overlooking the rolling hills of the isolated borderlands between Wales and England. Within fifteen months of such a sad domestic tragedy, her husband, Herbert Rowse Armstrong, would be arrested, tried and hanged for poisoning her with arsenic, the only solicitor ever to be executed in England. Armstrong's story was retold again and again, decade after decade, in a thousand newspaper articles across the world, and may have also inspired the new breed of popular detective writers seeking to create a cunning criminal at the centre of their thrillers. With all the ingredients of a classic murder mystery, the case is a near-perfect whodunnit. But who, in fact, did it? Was Armstrong really a murderer? One hundred years after the execution, Agatha-Award shortlisted Stephen Bates examines and retells the story of the case, evoking the period and atmosphere of the early 1920s, and questioning the fatal judgement.

A set of antique photographic plates is the key to uncovering hidden truths of the Civil War, Great Depression, and 9/11 eras in this “unflinching” novel (Publishers Weekly). A teenage boy and his grandfather travel across America to attend that last great reunion of Civil War veterans at Gettysburg in 1938, where secrets and lies are revealed about the old man’s past. Perhaps he was not the hero his grandson thought, but he still has a valuable treasure to reveal, which will shed intriguing light on the war and his part in it. Interweaving three periods of crisis in American history—the Civil War, the Depression, and 9/11—The Photographer’s Boy explores the power of photography and journalism to inform or mislead; raises questions about love; and offers “an unflinching but sympathetic, often touching, look at the comforting fictions people wrap themselves in to protect themselves from the cold of reality” (Publishers Weekly).