A groundbreaking collection of writings that place queer ritual at the center of the theological conversation. In this collection of essays, leading scholars in queer theology and liturgical studies explore the ways in which the distinctive theological voices of LGBTQIA+ Christians challenge and expand thinking and practice around worship in new directions. This challenge has expanded in the past decades, as obstacles to the full participation of queer Christians—particularly in marriage and ordination—have fallen. Organized into three main parts, the volume begins with an introduction to queer engagement with ritual practices, continues with a series of case studies that examine queer texts and contexts, and concludes with an examination of the horizons of queer liturgical theology and practice. Throughout the volume, Queering Christian Worship provides new imagination and tools to those who study and curate Christian worship across traditions.

This assemblage of feminist theologies represents a series of vital entanglements. Chapters are written from different cultures, geographies and discourses and brought together around themes as specific and wide-ranging as immigration detention, hate crime, discrimination, rites of marriage and partnership, and artistic and religious imagination. The contributors variously echo, celebrate, question and contradict each other. Despite the complexity and allied as they are with liberation, decolonial, ecological, queer and other theologies, these perspectives seek not only to confront and resist the problems, oppressions, and omissions of hegemonic theologies but also to realize better worlds.

A groundbreaking collection of writings that place queer ritual at the center of the theological conversation. In this collection of essays, leading scholars in queer theology and liturgical studies explore the ways in which the distinctive theological voices of LGBTQIA+ Christians challenge and expand thinking and practice around worship in new directions. This challenge has expanded in the past decades, as obstacles to the full participation of queer Christians—particularly in marriage and ordination—have fallen. Organized into three main parts, the volume begins with an introduction to queer engagement with ritual practices, continues with a series of case studies that examine queer texts and contexts, and concludes with an examination of the horizons of queer liturgical theology and practice. Throughout the volume, Queering Christian Worship provides new imagination and tools to those who study and curate Christian worship across traditions.

In Vulnerability and Resilience, vulnerability is not the final word. Rather, resilience provides the cutting edge and living breath in the stories of subjects who are vulnerable. And they have many stories: stories of being trapped in bodies, teachings, and/or situations that make them (and others like them) vulnerable to discrimination, hatred, and rejection; stories of being trapped because of their bodies, theologies, and/or cultures; and stories of being trapped for no-good reason. For subjects who are vulnerable, life is like a maze of traps, and stories of resilience keep them going. The contributors to Vulnerability and Resilience refuse to be trapped. At the intersection of body and liberation theologies, they tell their stories in the hope that they will expose cultures that make individuals and communities vulnerable, and that those stories will encourage vulnerable subjects to be resilient and bring change to theological institutions that conserve vulnerability. Because of the location of the contributors-the Americas, Africa, Asia, Europe, Caribbean, and Oceania-this book is a testimony that vulnerability is present all over the world, and that resilience is a liberating alternative.

This book presents theological, cultural, ecclesial and hermeneutical explorations from a specific context-Australia-and invites reimagining of theology and hermeneutics. The horizons of contextuality explored in this book include indigeneity and sovereignty, contingencies of context, feminist theology, multiculturalism and intercultural theologies, sexual abuse and ecclesial coverups, suicide and worship, tradition(ing)s and betrayal, art and popular culture, climate effect and climate justice, disability theories, Islamic insights, migration and the images of home, and heaps of contextual matters in between. The chapters are organized into three sections: (1) Roots presents some of the starting points for contextual thinking in Australia and yonder; (2) Wounds attends to the demands of "bodies on the line" upon theological, biblical and ecclesial engagements; (3) Shifts pokes at thinkers and critics.

Of particular interest to scholars and practitioners across the Anglican Communion with contributions from a wide breadth of scholars. Liturgical Spirituality is a collection of Anglican reflections on the spirituality of the liturgy, inviting readers into the Church s patterns of prayer, seasons of the year, and sacramental action. With contributions from all over the world, from the North Atlantic to Australia, the collection helps develop a comprehensive understanding of contemporary Anglican spirituality."

What does it mean to be engaged in Christian ministry in a shifting spiritual and religious landscape? Stephen Burns invites readers to think anew about the distinctiveness of public practices of pastoral presence. Rather than narrowly defining pastoral care and pastoral theology (pastoral counseling, preaching, youth groups, visits to elders, etc.) and theological academic categories (history, pastoral theology, liturgy, ethics and contemporary sociology), he argues for a new imagination and practice of pastoral presence - a presence that is representative, public, integrated, and expansive. Study guide included.

Postcolonial studies has challenged the Eurocentric frameworks and methodologies in the fields of biblical studies and theology. Postcolonial Practice of Ministry is a groundbreaking anthology that enables a new engagement between postcolonial and practical theologies, focused on three key areas of the practice of ministry: pastoral leadership, liturgical celebration, and interfaith engagement. Postcolonial Practice of Ministry will make an impact in at least two areas of theological reflection: first, among postcolonial scholars, it will stretch postcolonial theology into an area where it has been neglected; second, it will provide a comprehensive resource for rethinking the practice of ministry. Contributors to this volume are well-known scholars from different racial, national, and denominational backgrounds, bringing with them experiences of hybrid identities and multicultural churches. Many of them are pioneers in introducing postcolonial discourse to their fields.

Public Theology is a rapidly growing international field of study which focuses on how Christian belief and practice engage with wider social issues. Yet, whilst the ultimate concern of public theology is the well-being of society, this body of theology has largely developed without integrating the thinking of feminist theology and its insights into womens' lives and experience. Public Theology and the Challenge of Feminism argues that public theology risks re-inscribing traditional constructs of public and private, civic and domestic, and uncritical notions of gender and the work and worth of people. The book brings together both theory and case material to expose how public theology has actively downplayed or ignored feminist perspectives and to reveal how constructive feminism can be for the future of public theology.

Christian Worship: Postcolonial Perspectives critically surveys and scrutinizes the terrain of liturgical theology through postcolonial optics. In doing so, it breaks new ground by bringing together for the first time liturgical studies and postcolonial criticism. This book provides an important enrichment - and long overdue corrective - to literature on the liturgical ordo, which has not yet learned to engage postcolonial perspectives. The volume also offers useful resources to those familiar with the more established field of postcolonial biblical/theological criticism by expanding the burgeoning academic debate about postcolonialism into the environment of worship. It therefore seeks to be a resource that will bring postcolonial perspectives to a wider audience: the church, much of which has been bypassed by the academic trajectory postcolonial criticism in theology has so far taken. Because of its inter-disciplinary nature, this book advances significant innovative material. The particular ways that material from each discipline is juxtaposed is itself highly original, and the challenges of appropriating postcolonial theological perspectives in Christian worship and liturgical practice will be met by the provision of strategies and resources to face this task. This important work of theology is, therefore, crafted to praxis in assemblies of the church as well as suitable for study in universities and seminary classrooms.

Ludwig Wittgenstein loved movies, and based on his remarks on watching them, there is a strong connection between his experience of watching films and his thoughts on aesthetics. Furthermore, however, Wittgenstein himself has been invoked in recent cinema. Wittgenstein at the Movies is centered on in-depth explorations of two intriguing experimental films on Wittgenstein: Derek Jarman's Wittgenstein and Peter Forgacs' Wittgenstein Tractatus. The featured essays look at cinematic interpretations of Wittgenstein's life and philosophy in a manner bound to provoke the lively interest of Wittgenstein scholars, film theorists, and students of film aesthetics. As well, the book engages a broader audience concerned with philosophical issues about film and Wittgenstein's cultural significance, with the world of fin-de-siecle Vienna, of Cambridge in the first half of the twentieth century, of artistic modernism.

Christian Worship: Postcolonial Perspectives critically surveys and scrutinizes the terrain of liturgical theology through postcolonial optics. In doing so, it breaks new ground by bringing together for the first time liturgical studies and postcolonial criticism. This book provides an important enrichment - and long overdue corrective - to literature on the liturgical ordo, which has not yet learned to engage postcolonial perspectives. The volume also offers useful resources to those familiar with the more established field of postcolonial biblical/theological criticism by expanding the burgeoning academic debate about postcolonialism into the environment of worship. It therefore seeks to be a resource that will bring postcolonial perspectives to a wider audience: the church, much of which has been bypassed by the academic trajectory postcolonial criticism in theology has so far taken. Because of its inter-disciplinary nature, this book advances significant innovative material. The particular ways that material from each discipline is juxtaposed is itself highly original, and the challenges of appropriating postcolonial theological perspectives in Christian worship and liturgical practice will be met by the provision of strategies and resources to face this task. This important work of theology is, therefore, crafted to praxis in assemblies of the church as well as suitable for study in universities and seminary classrooms.

Public Theology is a rapidly growing international field of study which focuses on how Christian belief and practice engage with wider social issues. Yet, whilst the ultimate concern of public theology is the well-being of society, this body of theology has largely developed without integrating the thinking of feminist theology and its insights into womens' lives and experience. Public Theology and the Challenge of Feminism argues that public theology risks re-inscribing traditional constructs of public and private, civic and domestic, and uncritical notions of gender and the work and worth of people. The book brings together both theory and case material to expose how public theology has actively downplayed or ignored feminist perspectives and to reveal how constructive feminism can be for the future of public theology.

Photoshop is the cornerstone of the graphics industry and understanding its 3D capabilities is becoming a requirement for graphic designers, photographers, and creatives alike. Starting with the fundamental tools and ending with advanced resources, Adobe Community Professional Stephen Burns guides you with a clear voice and creative exercises that encourage you to work as you read. Accompanied by a free app that includes video tutorials, interactive models to compare your activity work from the book against, and on-going updates about the latest Photoshopreleases, this book will elevate your art off the page and into a new world of possibilities. (The app is available for the iPad and iPhone in the iTunes App Store, and Android users can find it through Google Play. Just search for 3D Photoshop on either of these platforms and download it to your device.)

In Vulnerability and Resilience, vulnerability is not the final word. Rather, resilience provides the cutting edge and living breath in the stories of subjects who are vulnerable. And they have many stories: stories of being trapped in bodies, teachings, and/or situations that make them (and others like them) vulnerable to discrimination, hatred, and rejection; stories of being trapped because of their bodies, theologies, and/or cultures; and stories of being trapped for no-good reason. For subjects who are vulnerable, life is like a maze of traps, and stories of resilience keep them going. The contributors to Vulnerability and Resilience refuse to be trapped. At the intersection of body and liberation theologies, the contributors tell their stories in the hope that they will expose cultures that make individuals and communities vulnerable, and that those stories will encourage vulnerable subjects to be resilient and bring change to theological institutions that conserve vulnerability. Because of the location of the contributors-in the Americas, Africa, Asia, Europe, Caribbean, and Oceania-this book is testimony that vulnerability is present all over the world, and that resilience is a liberating alternative.

Photoshop is the cornerstone of the graphics industry and understanding its 3D capabilities is becoming a requirement for graphic designers, photographers, and creatives alike. Starting with the fundamental tools and ending with advanced resources, Adobe Community Professional Stephen Burns guides you with a clear voice and creative exercises that encourage you to work as you read. Accompanied by a free app that includes video tutorials, interactive models to compare your activity work from the book against, and on-going updates about the latest Photoshopreleases, this book will elevate your art off the page and into a new world of possibilities. (The app is available for the iPad and iPhone in the iTunes App Store, and Android users can find it through Google Play. Just search for 3D Photoshop on either of these platforms and download it to your device.)

Feminist practical theology has emerged in the gap between wider feminist and wider practical theology. It celebrates distinctive concerns, arguments, emphases, and questions – unafraid to re-form practical theology in shape and substance, and to guide feminist theology towards the silences and stories of human lives that some professional theologies (including those shaped by feminist commitments) sometimes overlooks. Feminist practical theology is bold in exploration of doctrinal themes in poetic and prayerful modes, characteristically collaborative and in search of alliances with other advocacy perspectives. In the UK, such commitments have been exemplified by Nicola Slee, whom this volume honours. Chapters invite readers into wide ranging conversations that flow from young women’s experiences at university, poetic practice as theology, queer priesthood, theologies of critical masculinities, women presiding in worship, Black and decolonial theologies adjacent to feminist convictions, confrontations with sexual violence, rest and rewilding, and a post-menopausal Mary. Contributors are: Al Barrett, Gavin D’Costa, Deborah Kahn-Harris, Michael N. Jagessar, Sharon Jagger, Rachel Mann, Jenny Morgans, Eleanor Nesbitt, Karen O’Donnell, Mark Pryce, Anthony G. Reddie, Ruth Shelton, Anne Phillips and Alison Wooley.

Mary, Mother of Jesus, has been the focus of much piety and theology down the centuries, and whatever it is she represents has been and remains central to the vitality of Christianity in many parts of the world. Grace is Not Faceless collects the essential writings and addresses on Mary by Ann Loades, one of the most important contributors to contemporary feminist Marian theology, especially from an Anglican perspective. Including both rare and original material spanning more than thirty years, this volume traces the trajectories of Loades' distinctive writings on Mary; for example, her emphasis on Mary in the arts, her attention to the iconology of the Rabbula Gospels, and the key she finds to approaching the Mother of Jesus in Cornelius Ernst's memorable phrase 'grace is not faceless'. It is prefaced with a substantial introduction by Stephen Burns, providing significant context both for the chapters and the wider work of Ann Loades herself.