Bestiality, battered babies and bucket loads of bodily fluids are the order of the day in this gross-out comedy horror sequel. The flesh-hungry monsters are on the rampage once again, this time in a neighbouring town, and the locals must join forces with the survivors from the first film to figure out how they can possibly survive their indiscriminately vicious onslaught.

Steven Seagal plays tough mercenary John Seeger in this action movie. When Seeger is blackmailed into leading a highly dangerous rescue attempt to free a billionaire's kidnapped son in South Africa, he goes along with the mission. But when Seeger finds out that he's been double-crossed the gloves come off - and now there's going to be hell to pay.

Horror starring Stephen Baldwin. While searching for his father, who has recently disappeared, David (Baldwin) stumbles across a cryptic trail which leads to the long-lost fortune of the Medici. When David's girlfriend Laura (Vanessa Johansson) is kidnapped by the Mafia, who want to claim the treasure for themselves, David is plunged into a desperate race against time and in order to rescue Laura, he must enter the deadly waters.

A major study on the theology of Beloved Community. This long-awaited work by the church's top clergy, scholars, and thought leaders examines the theological foundation of Beloved Community and its threats. It addresses such important topics as the legacy and sin of white supremacy, economic disparity, racial healing, and the call for reparations. The committee's work sheds light on the societal and cultural implications of the largest obstacle to the core mission of Presiding Bishop Michael Curry and outlines what is necessary for the future of racial justice. "I am so grateful for the... work of the theologians and bishops who have spent the last five years working on [this study] . . . This is hard and holy work, not to hurt or harm, but to help and heal." -Michael B. Curry, the presiding bishop of the Episcopal Church

Transcultural Images in Hollywood Cinema discusses how cinema, particularly Hollywood, impacts the cultural identities we construct for ourselves in order to make sense of who we are in the world. The politics of representation in cinema influence the boundaries of ethnic and racial characteristics and invent cultural and symbolic meanings that create a conventional image throughout the world. The transnational perspective, dissolves, fragments, and decentralizes this image, leaving the nationalist understanding of identity to a hybrid form. Cultures and identities that are expanded across borders form a mosaic by combining their local characteristics with those of the host cultures. This book examines the transnational and transcultural characteristics of Hollywood cinema. The narrative, cinematographic, and aesthetic structures of Hollywood cinema are turned upside down as chapters analyze gender, social, cultural, and economic-political contexts. Scholars of international communication, film, and social sciences will find this book particularly interesting.

Traditional semantic description of Ancient Greek prepositions has struggled to synthesize the varied and seemingly arbitrary uses into something other than a disparate, sometimes overlapping list of senses. The Cognitive Linguistic approach of prototype theory holds that the meanings of a preposition are better explained as a semantic network of related senses that radially extend from a primary, spatial sense. These radial extensions arise from contextual factors that affect the metaphorical representation of the spatial scene that is profiled. Building upon the Cognitive Linguistic descriptions of Bortone (2009) and Luraghi (2009), linguists, biblical scholars, and Greek lexicographers apply these developments to offer more in-depth descriptions of select postclassical Greek prepositions and consider the exegetical and lexicographical implications of these findings. This volume will be of interest to those studying or researching the Greek of the New Testament seeking more linguistically-informed description of prepositional semantics, particularly with a focus on the exegetical implications of choice among seemingly similar prepositions in Greek and the challenges of potentially mismatched translation into English.

A major study on the theology of Beloved Community. This long-awaited work by the church's top clergy, scholars, and thought leaders examines the theological foundation of Beloved Community and its threats. It addresses such important topics as the legacy and sin of white supremacy, economic disparity, racial healing, and the call for reparations. The committee's work sheds light on the societal and cultural implications of the largest obstacle to the core mission of Presiding Bishop Michael Curry and outlines what is necessary for the future of racial justice. "I am so grateful for the... work of the theologians and bishops who have spent the last five years working on [this study] . . . This is hard and holy work, not to hurt or harm, but to help and heal." -Michael B. Curry, the presiding bishop of the Episcopal Church

On the outskirts of a small religious village near London in 1865, Arman Shaw lives alone. He hasn't seen another soul in 441 days. Not since the death of his wife. He longs to return to the congregation, but every day spent in isolation makes it harder to go back. Then Violet Walker turns up on his doorstep to tell him that her husband, an old friend of Arman's, has been murdered. The local congregation wants to execute the man responsible, but Violet wants the murderer to have a trial, and she wants Arman to defend him…

Stephen Thrower takes a kaleidoscopic journey through the heyday of horror and exploitation cinema in America.

In Scripture, a number of individuals are raised from the dead prior to Jesus Christ. Whereas these were once interpreted as prefigurations of that climactic event, a series of challenges in the modern period led to the dismissal of the accounts of the widow's son at Nain, Lazarus, and others as irrelevant to a theology of resurrection. For "they would die again," as scholars as diverse as Karl Barth and N. T. Wright have argued. With Refiguring Resurrection, Steven Edward Harris contests this position by drawing on recent literary and theological interpretation of the Bible, as well as the deep wells of premodern exegesis and theology, to demonstrate how Scripture itself views these events as dialectical signs, shadows, or figures of Christ's resurrection--and humanity's own future. Furthermore, Harris develops a comprehensive eschatology in which the figural character of these earlier resurrections is taken into account while considering the four last things of Christ's return, final resurrection, last judgment, and new creation. An eschatology thus emerges that sets a new direction for theology in several areas of recent discussion: inaugurated eschatology, the figural reading of Scripture, puzzle cases regarding resurrection in analytic theology, whether believers can properly be said to "go to heaven" when they die, and the debate between narratival and apocalyptic interpretations of the apostle Paul.  Refiguring Resurrection offers a robust, canonically holistic "figural eschatology" that has not been defended in three centuries. By being more faithful to Christian Scripture, this is an approach more theologically promising than any offered in the modern era, including the twentieth century "rediscovery of eschatology.