All families have stories and all families have secrets. Some stories can be hidden forever. Others come out over time, or suddenly through revelation. With the advent of easy to obtain and cheap DNA kits, more and more people are stumbling across biological secrets they never suspected, sometimes with happy outcomes, but sometimes with shocking results. In this book, the author provides a real-life example of the shocking revelations and aftermath of DNA investigation. Growing up as one of nine children, Stephen Anderson suspected from a young age that something was amiss. A chance accident, and a small crack in the history of his family broke open. More would come to be revealed as the author sets out on a journey to find answers to his questions. Any reader wondering what a DNA test might reveal will find here one extreme example of family secrets gone awry. As each member learns more about his or her own identity, new family members pop up, fade out, or pass away before relationships can be established or even revealed. More and more people are undergoing DNA tests and seeking to find long lost relatives though ancestry searches. What they find might upturn all their shared assumptions about family, identity, belonging, and history. Join Stephen as he uncovers his own family’s secrets, the impact they’ve had on his life and his family’s, and what they are all doing now to heal fresh wounds.

All families have stories and all families have secrets. Some stories can be hidden forever. Others come out over time, or suddenly through revelation. With the advent of easy to obtain and cheap DNA kits, more and more people are stumbling across biological secrets they never suspected, sometimes with happy outcomes, but sometimes with shocking results. In this book, the author provides a real-life example of the shocking revelations and aftermath of DNA investigation. Growing up as one of nine children, Stephen Anderson suspected from a young age that something was amiss. A chance accident, and a small crack in the history of his family broke open. More would come to be revealed as the author sets out on a journey to find answers to his questions. Any reader wondering what a DNA test might reveal will find here one extreme example of family secrets gone awry. As each member learns more about his or her own identity, new family members pop up, fade out, or pass away before relationships can be established or even revealed. More and more people are undergoing DNA tests and seeking to find long lost relatives though ancestry searches. What they find might upturn all their shared assumptions about family, identity, belonging, and history. Join Stephen as he uncovers his own family’s secrets, the impact they’ve had on his life and his family’s, and what they are all doing now to heal fresh wounds.

Editors Marsha Kinder and Tara McPherson present an authoritative collection of essays on the continuing debates over medium specificity and the politics of the digital arts. Comparing the term “transmedia” with “transnational,” they show that the movement beyond specific media or nations does not invalidate those entities but makes us look more closely at the cultural specificity of each combination. In two parts, the book stages debates across essays, creating dialogues that give different narrative accounts of what is historically and ideologically at stake in medium specificity and digital politics. Each part includes a substantive introduction by one of the editors. Part 1 examines precursors, contemporary theorists, and artists who are protagonists in this discursive drama, focusing on how the transmedia frictions and continuities between old and new forms can be read most productively: N. Katherine Hayles and Lev Manovich redefine medium specificity, Edward Branigan and Yuri Tsivian explore nondigital precursors, Steve Anderson and Stephen Mamber assess contemporary archival histories, and Grahame Weinbren and Caroline Bassett defend the open-ended mobility of newly emergent media. In part 2, trios of essays address various ideologies of the digital: John Hess and Patricia R. Zimmerman, Herman Gray, and David Wade Crane redraw contours of race, space, and the margins; Eric Gordon, Cristina Venegas, and John T. Caldwell unearth database cities, portable homelands, and virtual fieldwork; and Mark B.N. Hansen, Holly Willis, and Rafael Lozano-Hemmer and Guillermo Gómez-Peña examine interactive bodies transformed by shock, gender, and color. An invaluable reference work in the field of visual media studies, Transmedia Frictions provides sound historical perspective on the social and political aspects of the interactive digital arts, demonstrating that they are never neutral or innocent.

Editors Marsha Kinder and Tara McPherson present an authoritative collection of essays on the continuing debates over medium specificity and the politics of the digital arts. Comparing the term "transmedia" with "transnational," they show that the movement beyond specific media or nations does not invalidate those entities but makes us look more closely at the cultural specificity of each combination. In two parts, the book stages debates across essays, creating dialogues that give different narrative accounts of what is historically and ideologically at stake in medium specificity and digital politics. Each part includes a substantive introduction by one of the editors.
Part 1 examines precursors, contemporary theorists, and artists who are protagonists in this discursive drama, focusing on how the transmedia frictions and continuities between old and new forms can be read most productively: N. Katherine Hayles and Lev Manovich redefine medium specificity, Edward Branigan and Yuri Tsivian explore nondigital precursors, Steve Anderson and Stephen Mamber assess contemporary archival histories, and Grahame Weinbren and Caroline Bassett defend the open-ended mobility of newly emergent media.
In part 2, trios of essays address various ideologies of the digital: John Hess and Patricia R. Zimmerman, Herman Gray, and David Wade Crane redraw contours of race, space, and the margins; Eric Gordon, Cristina Venegas, and John T. Caldwell unearth database cities, portable homelands, and virtual fieldwork; and Mark B.N. Hansen, Holly Willis, and Rafael Lozano-Hemmer and Guillermo Gomez-Pena examine interactive bodies transformed by shock, gender, and color.
An invaluable reference work in the field of visual media studies, "Transmedia Frictions" provides sound historical perspective on the social and political aspects of the interactive digital arts, demonstrating that they are never neutral or innocent.