NATIONAL BESTSELLER December 12th, 2019, Jade returns to the rural lake town of Proofrock the same day as convicted Indigenous serial killer Dark Mill South escapes into town to complete his revenge killings, in this "superb" (Publishers Weekly) sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones. Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho. Dark Mill South's Reunion Tour began on December 12th, 2019, a Thursday. Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over. Don't Fear the Reaper is the "adrenaline-filled" (Library Journal, starred review) sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones.

Jade Daniels faces down a brutal serial killer in his pulse-punding tribute to the golden era of horror cinema and Friday the 13th from the New York Times-bestselling, multiple-award winning Jones. Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho. Dark Mill South's Reunion Tour began on December 12th, 2019, a Thursday. Thirty-six hours and twenty bodies later, on Friday the 13th, it would be over. Don't Fear the Reaper is the page-turning sequel to My Heart Is a Chainsaw from New York Times bestselling author Stephen Graham Jones.

These thirteen stories are our own lives, inside out. A boy's summer romance doesn't end in that good kind of heartbreak, but in blood. A girl on a fishing trip makes a friend in the woods who's exactly what she needs, except then that friend follows her back to the city. A father hears a voice through his baby monitor that shouldn't be possible, but now he can't stop listening. A woman finds out that the shipwreck wasn't the disaster, but who she's shipwrecked with. A big brother learns just what he will, and won't, trade for one night of sleep. From prison guards making unholy alliances to snake-oil men in the Old West doling out justice, these stories carve down into the body of the mind, into our most base fears and certainties, and there's no anesthetic. Turn the light on if you want, but that just makes for more shadows.

The Jordan Peele of horror fiction turns his eye to classic slasher films: Jade is one class away from graduating high-school, but that's one class she keeps failing local history. Dragged down by her past, her father and being an outsider, she's composing her epic essay series to save her high-school diploma. Jade's topic? The unifying theory of slasher films. In her rapidly gentrifying rural lake town, Jade sees the pattern in recent events that only her encyclopedic knowledge of horror cinema could have prepared her for. And with the arrival of the Final Girl, Letha Mondragon, she's convinced an irreversible sequence of events has been set into motion. As tourists start to go missing, and the tension grows between her community and the celebrity newcomers building their mansions the other side of the Indian Lake, Jade prepares for the killer to rise. She dives deep into the town's history, the tragic deaths than occurred at camp years ago, the missing tourists no one is even sure exist, and the murders starting to happen, searching for the answer. As the small and peaceful town heads towards catastrophe, it all must come to a head on 4th July, when the town all gathers on the water, where luxury yachts compete with canoes and inflatables, and the final showdown between rich and poor, past and present, townsfolk and celebrities slasher and Final Girl.

Twelve chilling and thrilling stories from the darkest stars of modern horror including Josh Malerman, Caroline Kepnes, Stephen Graham Jones, Ramsay Campbell and more... Created as an homage to the 1980 classic horror anthology, Dark Forces, this collection contains 12 original novelettes showcasing today's top horror talent edited by John F.D. Taff. Within these pages you'll find tales of dead men walking, an insidious secret summer fling, an island harbouring unspeakable power, and a dark hallway that beckons. You'll encounter terrible monsters-both human and supernatural-and be forever changed. These stories run the gamut from traditional to modern, from dark fantasy to neo-noir, from explorations of beloved horror tropes to the unknown-possibly unknowable-threats. ALL-NEW TERRIFYING TALES FROM: CHESYA BURKE RAMSEY CAMPBELL GEMMA FILES STEPHEN GRAHAM JONES ALMA KATSU CAROLINE KEPNES JOHN LANGAN LIVIA LLEWELLYN JOSH MALERMAN USMAN T. MALIK PRIYA SHARMA JOHN F.D. TAFF

Adam Nevill's The Ritual meets Liane Moriarty's Big Little Lies in this atmospheric gothic literary horror. Ten years ago, four young men shot some elk then went on with their lives. It happens every year; it's been happening forever; it's the way it's always been. But this time it's different. Ten years after that fateful hunt, these men are being stalked themselves. Soaked with a powerful gothic atmosphere, the endless expanses of the landscape press down on these men - and their children - as the ferocious spirit comes for them one at a time. The Only Good Indians, charts Nature's revenge on a lost generation that maybe never had a chance. Cleaved to their heritage, these parents, husbands, sons and Indians, men live on the fringes of a society that has rejected them, refusing to challenge their exile to limbo.

A spellbinding and surreal coming-of-age story about a young boy living on the fringe with his family - who are secretly werewolves - and struggling to survive in a contemporary America that shuns them. He was born an outsider, like the rest of his family. Poor yet resilient, he lives in the shadows with his aunt Libby and uncle Darren, folk who stubbornly make their way in a society that does not understand or want them. They are mongrels, mixed blood, neither this nor that. The boy at the centre of Mongrels must decide if he belongs on the road with his aunt and uncle, or if he fits with the people on the other side of the tracks. For ten years, he and his family have lived a life of late-night exits and narrow escapes - always on the move across the South to stay one step ahead of the law. But the time is drawing near when Darren and Libby will finally know if their nephew is like them or not. And the close calls they've been running from for so long are catching up fast now. Everything is about to change. A compelling and fascinating journey, Mongrels alternates between past and present to create an unforgettable portrait of a boy trying to understand his family and his place in a complex and unforgiving world.

"My hat is off to Stephen Graham Jones, because he is the kind of author that makes the frustrated writer inside every book reviewer cringe with self-doubt."--PopMatters

"So there's video footage of me not washing my hands in the bathroom at work. My dad says it's the kind of the thing that can tank his whole business. That he has to be extra careful. Don't I understand?"

"Usually when he's spewing all this, I just stand there."

"Last week I was his show-and-tell for Sunday school class. We wore matching ties, and I was under strict orders not to smile or look sly. Some of those people were his customers, after all."

"I don't know."

"Anyway, bam, yeah, the camera caught me: I ran the water but didn't wash my hands."

Over the course of one shift working the window of his father's drive-through urinal, our sixteen-year-old "Flushboy "will have to not only juggle gallons of warm pee and deal with the worst flood ever (it's not water), but he'll also have to fend off the urine mafia, solve the citywide mystery of Chickenstein, and win his girlfriend back.

Stephen Graham Jones is the author of ten novels, three collections, and one novella. He is a full professor at the University of Colorado at Boulder, and in the low-residency program for University of California Riverside--Palm Desert. Stephen is forty-one, and married with children.

Winner of the FC2 Catherine Doctorow Innovative Fiction Prize A darkly comical horror lurks beneath the surface of everyday events in Refrigerated Music for a Gleaming Woman, a seductively poetic story collection of unusual brilliance and rare humor. In Aimee Parkison’s Refrigerated Music for a Gleaming Woman, lovers find unexpected romance in cramped spaces, fast food addicts struggle through cheeseburger addiction, and the splendor of nature competes with the violence of television. All the while, a complicated and precarious present dawns onto a new world where wealthy women wear children’s eyes as jewelry and those in need of money hawk their faces only to forever mourn what parts of themselves they have sold to survive. Open the refrigerator door. Inside are antique jars. Open them to hear the music: Beethoven playing piano; slaves singing for freedom in plantation fields; mothers humming lullabies through the night to smallpox babies, knowing this song is the last sound their children will ever hear. As Stephen Graham Jones notes in his foreword to this prize-winning collection, “The best books . . . fold you into a darkness sparkling with life. They lock you in the refrigerator but they also pipe in some music that never repeats, and when the door starts to open, you cling tight to it, so you can have just a few minutes more. This book, it’ll be over far too fast for you, yes. But even were it five times as thick as it is now, it would still be too short. Remember, though, the best books, they’re loops. They never stop. This one still hasn’t, for me.”