A local biker-gang leader (Mickey Rourke), despite reforming his ways, is still the hero of local adolescents. His younger brother (Matt Dillon) idolises him, even though his mentor strives to persuade him that he has done nothing to be proud of. Shot in black and white (with occasional touches of colour), this is an atmospheric rites-of-passage tale with a musical score by Stewart Copeland and featuring many members of the so-called eighties 'Brat Pack'.

A local biker-gang leader (Mickey Rourke), despite reforming his ways, is still the hero of local adolescents. His younger brother (Matt Dillon) idolises him, even though his mentor strives to persuade him that he has done nothing to be proud of. Shot in black and white (with occasional touches of colour), this is an atmospheric rites-of-passage tale with a musical score by Stewart Copeland and featuring many members of the so-called eighties 'Brat Pack'.

From its basic chapter on cinematographic principles to the actual tables, charts and formulas used by professional cinematographers, this slim volume gives the film student authoritative facts, clearly presented. The American Cinematographer Manual is a professional resource that is used by cinematographers around the world. Conceived by Hollywood feature-film cinematographers over 70 years ago, the manual is designed to be a complete reference source on the set.

This newly revised edition of the American Cinematographer Film Manual, edited by Stephen Burum, ASC, continues to be the standard, providing fully updated, comprehensive coverage of cinematography from production to post.

This newly revised edition of the American Cinematographer Film Manual, edited by Stephen Burum, ASC, continues to be the standard, providing fully updated, comprehensive coverage of cinematography from production to post.