The relationship between America and Christianity has never been so hotly contested as it is today. September 11, 2001 and the war on terror have had an almost schismatic impact on the Church. American Christians have been forced to ask the really hard questions about faith and politics. While some Christians would rather not ask these questions at all, they are unavoidable for a religion that seeks to speak to the whole world, with the expectation of nothing less than global transformation. Like it or not, Christians have to take a stand on the issue of America's alleged imperialism, not only because America is largely a product of the Christian imagination but also because the converse is true - the growth of Christianity worldwide is largely shaped by American values and ideals. American Providence makes the case that American Christianity is not an oxymoron. It also makes the case for a robust doctrine of providence - a doctrine that has been frequently neglected by American theologians due to their reluctance to claim any special status for the United States. Webb goes right to the heart of this reluctance, by defending the idea that American foreign policy should be seen as a vehicle of God's design for history.

In this groundbreaking study, Stephen H. Webb offers a new theological understanding of the material and spiritual: that, far from being contradictory, they unite in the very stuff of the eternal Jesus Christ.
Accepting matter as a perfection (or predicate) of the divine requires a rethinking of the immateriality of God, the doctrine of creation out of nothing, the Chalcedonian formula of the person of Christ, and the analogical nature of religious language. It also requires a careful reconsideration of Augustine's appropriation of the Neo-Platonic understanding of divine incorporeality as well as Origen's rejection of anthropomorphism. Webb locates his position in contrast to evolutionary theories of emergent materialism and the popular idea that the world is God's body. He draws on a little known theological position known as the ''heavenly flesh'' Christology, investigates the many misunderstandings of its origins and relation to the Monophysite movement, and supplements it with retrievals of Duns Scotus, Caspar Scwenckfeld and Eastern Orthodox reflections on the transfiguration. Also included in Webb's study are discussions of classical figures like Barth and Aquinas as well as more recent theological proposals from Bruce McCormack, David Hart, and Colin Gunton. Perhaps most provocatively, the book argues that Mormonism provides the most challenging, urgent, and potentially rewarding source for metaphysical renewal today.
Webb's concept of Christian materialism challenges traditional Christian common sense, and aims to show the way to a more metaphysically sound orthodoxy.

Theories of generosity, or gift giving, are becoming increasingly important in recent work in philosophy and religion. Stephen Webb seeks to build on this renewed interest by surveying a distinctively modern and postmodern approach to the issue of generosity, and then developing a theological framework for it.

"Freedom begins in the ear before it reaches the mouth." Every once in a while a book comes along that profoundly makes the most original thoughts immediately familiar. The Divine Voice is such a book. Stephen Webb challenges readers to take sound seriously. Not only did God's first "sounds" speak the world into being, but sound and voice have also played an undeniably central role in biblical revelation, prophetic proclamation, and the New Testament call to verbal witness. Webb goes on to make the surprising claim that the obligation of all Christians to witness to their faith is "inseparable from the need to acquire and practice the rhetorical skills of public speaking." While the very words "public speaking" might strike terror in many readers' hearts, Webb confronts the issues of stage fright and speaking disabilities head-on, pointing his readers to the biblical narratives concerning difficult speaking. The Divine Voice performs its own significant insight: the life of the pilgrim is not just a spatial journey, but is an audition of sorts, in which we take the Bible's words as our own. As Webb points out, the good news is that we've already been cast in the play. Now, we can embrace a life of witness by rehearsing and "inhabiting the sounds of faith." An indispensable book for preachers, students of homiletics, and all concerned to see (and hear) sound in new ways.

What could Roman Catholicism and Mormonism possibly have to learn from each other? On the surface, they seem to diverge on nearly every point, from their liturgical forms to their understanding of history. With its ancient roots, Catholicism is a continuous tradition, committed to the conservation of the creeds, while Mormonism teaches that the landscape of Christian history is riddled with sin and apostasy and is in need of radical revision and spiritual healing. Moreover, successful proselyting efforts by Mormons in formerly Catholic strongholds have increased opportunities for misunderstanding, polemic, and prejudice. However, in this book a Mormon theologian and a Catholic theologian in conversation address some of the most significant issues that impact Christian identity, including such central doctrines as authority, grace, Jesus, Mary, and revelation, demonstrating that these traditions are much closer to each other than many assume. Both Catholicism and Mormonism have ambitiously universal views of the Christian faith, and readers will be surprised by how close Catholics and Mormons are on a number of topics and how these traditions, probed to their depths, shed light on each other in fascinating and unexpected ways. Catholic-Mormon Dialogue is an invitation to the reader to engage in a discussion that makes understanding the goal, and marks a beginning for a dialogue that will become increasingly important in the years to come.

In this engaging and thought-provoking book, Stephen Webb brings a Christian perspective to bear on the subject of our responsibility to animals, looked at through the lens of our relations with pets - especially dogs. Webb argues that the emotional bond with companion animals should play a central role in the way we think about animals in general, and - against the more extreme animal liberationists - defends the intermingling of the human and animal worlds. He tries to imagine what it would be like to treat animals as a gift from God, and indeed argues that not only are animals a gift for us, but they give to us; we need to attend to their giving and return their gifts appropriately. Throughout the book he insists that what Christians call grace is present in our relations with animals just as it is with humans.

Description: What would biology look like if it took the problem of natural evil seriously? This book argues that biological descriptions of evolution are inherently moral, just as the biblical story of creation has biological implications. A complete account of evolution will therefore require theological input. The Dome of Eden does not try to harmonize evolution and creation. Harmonizers typically begin with Darwinism and then try to add just enough religion to make evolution more palatable, or they begin with Genesis and pry open the creation account just wide enough to let in a little bit of evolution. By contrast, Stephen Webb provides a theory of how evolution and theology fit together, and he argues that this kind of theory is required by the internal demands of both theology and biology. The Dome of Eden also develops a theological account of evolution that is distinct from the intelligent design movement. Webb shows how intelligent design properly discerns the inescapable dimension of purpose in nature but, like Darwinism itself, fails to make sense of the problem of natural evil. Finally, this book draws on the work of Karl Barth to advance a new reading of the Genesis narrative and the theology of Duns Scotus to provide the necessary metaphysical foundation for evolutionary thought. Endorsements: ""The ongoing, critical re-evaluation of Darwinian evolution by theologians has revived an interest in the problem of natural evil. Stephen Webb must be counted as one of the most imaginative and adventurous contributors to this literature, someone who at once reasserts the significance of Satan in nature and the person of Christ as the archetype for the human condition. In Webb one encounters a close reader of the Bible who manages to render a providential view of divine creation compatible with recent convergent approaches to evolution that suggest, on scientific grounds, a more purposeful view of humanity than Darwin would ever have allowed."" --Steve Fuller Professor of Sociology University of Warwick ""Classic Webb--a take-no-prisoners assault on complacent assumptions, sharp-taloned critiques, a rip-roaring theological voice, Formula One urgency, and smart, rat-tat-tat prose."" --Russell R. Reno Professor of Theological Ethics Creighton University About the Contributor(s): Stephen H. Webb is Professor of Religion and Philosophy at Wabash College, Crawfordsville, Indiana. He is the author of nine previous books, including Dylan Redeemed (2006).

Webb defends the idea that American foreign policy should be seen as a vehicle of God's design. He maintains that American Christianity is not an oxymoron, and Christians should not be ashamed to display their American identity.

Many of us keep pet animals; we rely on them for companionship and unconditional love. For some people their closest relationships may be with their pets. In the wake of the animal rights movement, some ethicists have started to re-examine this relationship, and to question the rights of humans to "own" other sentient beings in this way.

Bob Dylan's earth-shattering performance at Newport in 1965 changed the face of rock and roll and the face of folk music forever. Dylan broke the musical equivalent of the sound barrier. He had to teach his audience how to hear sounds that had never before been heard. Dylan did the same for religion when he converted to Christianity in late 1978. Rock and religion have become intertwined in contemporary culture. Does rock gain its power from the decline of religious authority? Is rock a neutral medium that churches can appropriate with little or no danger to spiritual truths? Do rock and religion have the same ancient roots? Or is rock essentially at odds with Christianity? No contemporary musician presents a better test case than Bob Dylan. He played a key role in the fusion of rock and religion when he converted to Christianity. Dylan was ahead of the contemporary Christian music trend. Although he helped legitimize Christian rock in the late seventies, even his early music had deeply spiritual undertones. From the beginning of his career, Dylan talked about his music in terms of a spiritual calling. He imbued rock with something oracular and otherworldly - a supersonic rendition of the supernatural - which gave popular music enough weight to convey something of the mystery of religious ritual. Webb focuses on Dylan's religious period in this book, but convincingly shows that this religious period cannot be understood apart from a rereading of his entire career. Webb reevaluates Dylan's early career in light of Dylan's Christian period and shows that Dylan's Christian period was a natural development in his musical and spiritual journey.