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Programs, tours and exhibits are the meat-and-potatoes of what most
museums do to meet their missions to educate the public.
Interpretation helps make small museums compelling so that the
public understands that they are more than a repository of dusty
objects. This book considers researching and designing exhibits and
best practices for sharing the stories with your audiences. It
explores how to orient your organization to be effective
interpreters of what you collect, including how to tell engaging
stories and how to address difficult issues you may have ignored in
the past, like slavery, prejudice and privilege. For the
non-historian, it also offers a step-by-step primer on good
historical research.
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Big Blue Ball CD (2008) (CD)
Big Blue Ball; Contributions by Marco Migliari, David Bottrill, Paul Grady, Richard Chappell, …
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R81
Discovery Miles 810
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Ships in 10 - 20 working days
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Big Blue Ballis the long-awaited, much-anticipated collection of
stand-out tracks culled from the all-star, pan-global
collaborations that took place over three years of Peter Gabriel’s
legendary “Recording Week” gatherings at his state-of-the-art Real
World Studios in the English countryside. Produced by Peter
Gabriel, Karl Wallinger(of World Party, Waterboys) and Stephen
Hague( Pet Shop Boys, OMD), it’s a nonstop stream of poignant,
sterling performances by a truly stellar lineup of artists--
including Gabriel, Wallinger, Sinead O’Connor, Natacha Atlas, Iarla
O’Lionairdand James McNally(both of Afro Celt Sound System), Papa
Wemba, Joseph Arthur, Tanzania’s late music legend Hukwe Zawose,
Hungary’s Marta Sebestyen, Tim Finn, Cameroonian starFrancis Bebey,
Vernon Reid, Justin Adams, Jah Wobble, Billy Cobham, Rupert Hine,
gospel group the Holmes Brothers, flamenco guitarist Juan
Canizares, Japanese percussionist Joji Hirota, and many more…in all
totaling 75 artists from over 20 countries.Big Blue Ball’s songs
were created and recorded between 1991 and 1995, but the album has
been an active work-in-progress at Real World ever since, a labor
of love with ace producer Stephen Hague working closely with Peter
Gabriel and Karl Wallinger. Holding the disparate elements in place
is the powerful backbone of big drum tracks underpinning many of
the songs. Wallinger says, “Everyone was in orbit around this
groove, and there is a universal language of dance, of dance
grooves. That groove is the one bit that’s non-denominational on
the album.”
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