In this remarkable collection of essays, Stephen Harrigan explores, with an unfailing depth of feeling, the human longing to feel at home in the world of nature. In vivid and convincing prose, he evokes the landscape of his home territory, Texas, and his own reactions, sometimes droll, sometimes haunted, to the extraordinary power of place that Texas projects. A Natural State was originally published in hardcover in 1988 by Texas Monthly Press.

History-natural history, human history, and personal history-and place are the cornerstones of The Eye of the Mammoth. Stephen Harrigan's career has taken him from the Alaska Highway to the Chihuahuan Desert, from the casinos of Monaco to his ancestors' village in the Czech Republic. And now, in this new edition, he movingly recounts in "Off Course" a quest to learn all he can about his father, who died in a plane crash six months before he was born. Harrigan's deceptively straightforward voice belies an intense curiosity about things that, by his own admission, may be "unknowable." Certainly, we are limited in what we can know about the inner life of George Washington, the last days of Davy Crockett, the motives of a caged tiger, or a father we never met, but Harrigan's gift-a gift that has also made him an award-winning novelist-is to bring readers closer to such things, to make them less remote, just as a cave painting in the title essay eerily transmits the living stare of a long-extinct mammoth.

STEPHEN HARRIGAN is the author of nine books of fiction and nonfiction, including the award-winning novels The Gates of the Alamo and Remember Ben Clayton and the critically acclaimed essay collection The Eye of the Mammoth. He lives in Austin, Texas, where he is a writer-at-large for Texas Monthly and a faculty fellow at the University of Texas's Michener Center for Writers.

"Moving, intelligent and, in the best sense, literary.... Stephen Harrigan is anchored in reality; he knows that the environment he's describing is in serious jeopardy. At the same time, he has made this book sparkle with his remarkable ability to discuss the metaphysical and spiritual aspects of underwater exploration without ever sounding saccharine or murky." -- New York Times Book Review "[Harrigan] tells us about the people who live on Grand Turk, or come there on business, and he is given to reflecting on the subtleties of the underwater experience, but his real virtue as a writer is his ability to convey, in precise, lucid, prose, the marvels of the sea bottom." -- New Yorker "Harrigan ...captures the peacefulness of being rocked by salty currents, the massive beauty of the reefs, the exhilaration of the sport, and the mental scramble to retain fast-fading memories of sights almost unimaginable on land. Fellow divers will relish his camaraderie, while those who prefer staying topside will feel as though they've taken the plunge themselves." -- Booklist

This evocative account of the months Stephen Harrigan spent diving on the coral reefs off Grand Turk Island in the Caribbean was originally published by Houghton Mifflin in 1992.

Austin artist David Everett was born and raised in Texas, and his work reflects an organic and wholly original Lone Star State ethos. His stunning vision and exquisite craftsmanship evoke nature's essential grace and harmony in beautiful sculptures, bas-relief carvings, woodcuts, and drawings. Steve Davis, former president of the Texas Institute of Letters, writes of Everett, "David has never been one of those artists-as-marketers who relentlessly hype themselves. Instead, he has let the quality of his work speak for itself. And it does more than speak-it sings." Everett's creations inspire a passionate devotion among his many fans and collectors. He appears in high-profile exhibitions across Texas and the Southwest and his work is found in many public, corporate, and private collections.An introduction by prominent novelist Stephen Harrigan sets the perfect tone for an absorbing consideration of Everett's oeuvre in The Art of David Everett: Another World. Author and editor Becky Duval Reese, respected art curator, writer, and retired director of the El Paso Museum of Art, contributes an insightful essay on Everett and his place in Texas art, followed by an absorbing interview with curator, author, and teacher Richard Holland, both offering revealing and satisfying insights into the shaping and development of the artist's unique viewpoint and methods. The heart of the book is the abundant collection of breathtaking, full-color reproductions of Everett's work. Here, the reader gains a vivid view of how Everett's artistic instincts have been nurtured by life experiences and a maturing aesthetic rooted in tradition.

2020 Philosophical Society of Texas Nonfiction Book Prize 2019 Nonfiction Book Award Finalist, Writers' League of Texas 2021 Citation from the San Antonio Conservation Society "Harrigan, surveying thousands of years of history that lead to the banh mi restaurants of Houston and the juke joints of Austin, remembering the forgotten as well as the famous, delivers an exhilarating blend of the base and the ignoble, a very human story indeed. [ Big Wonderful Thing is] as good a state history as has ever been written and a must-read for Texas aficionados."-Kirkus, Starred Review The story of Texas is the story of struggle and triumph in a land of extremes. It is a story of drought and flood, invasion and war, boom and bust, and the myriad peoples who, over centuries of conflict, gave rise to a place that has helped shape the identity of the United States and the destiny of the world. "I couldn't believe Texas was real," the painter Georgia O'Keeffe remembered of her first encounter with the Lone Star State. It was, for her, "the same big wonderful thing that oceans and the highest mountains are." Big Wonderful Thing invites us to walk in the footsteps of ancient as well as modern people along the path of Texas's evolution. Blending action and atmosphere with impeccable research, New York Times best-selling author Stephen Harrigan brings to life with novelistic immediacy the generations of driven men and women who shaped Texas, including Spanish explorers, American filibusters, Comanche warriors, wildcatters, Tejano activists, and spellbinding artists-all of them taking their part in the creation of a place that became not just a nation, not just a state, but an indelible idea. Written in fast-paced prose, rich with personal observation and a passionate sense of place, Big Wonderful Thing calls to mind the literary spirit of Robert Hughes writing about Australia or Shelby Foote about the Civil War. Like those volumes, it is a big book about a big subject, a book that dares to tell the whole glorious, gruesome, epically sprawling story of Texas.

Originally published in 1984, Stephen Harrigan's passionate, emotionally intense second novel takes readers deep into the mysterious passageways of a Central Texas aquifer--and of the human heart. This edition includes a new afterword by the author.

La vida brinca--life jumps--and yet we strive to capture its passing moments by creating images. One of the simplest yet most evocative techniques for image-making is pinhole photography. Using a tiny aperture without a lens to shine light on a piece of film, pinhole cameras accumulate light until an image forms. Bill Wittliff calls the cameras he makes tragaluces, "light swallowers." By controlling only the size of the aperture, the distance to the film, and the length of the exposure, he makes images that forsake the documentary realism of traditional photography to disclose instead the presence of the mystical in the everyday world.

The tragaluz photographs in La Vida Brinca record iconic images of Hispanic life. Wittliff photographed fiestas, religious observances, street scenes, people's faces, and enduring rural landscapes. But with the soft focus and surprise elements that typify his tragaluz photographs, these images become dreamlike--scenes from a world where, as Stephen Harrigan says, "reassuring touchstones are likely to dissolve, and where the unseen is always startlingly on view." The accompanying essays by Harrigan and Elizabeth Ferrer discuss the history and techniques of pinhole photography, as well as Bill Wittliff's artistic choice to work in this medium. As a work of art, La Vida Brinca reveals that pinhole photography is an ideal vehicle for finding profound meaning in the commonplace, for seeing beyond what the eye can see.