North America has rarely produced a theologian as creative and productive as Robert W. Jenson. A truly ecumenical thinker, Jenson consistently demonstrates the way that the church's confession of the triune God of scripture restructures Christian thinking. Jenson's work on the nature of theology has focused on the category of "promise": a way with language that opens up new possibilities. At the heart of Jenson's theology of the gospel is the conviction that, in Christ, God discloses a word of pure promise to us, enabling new patterns of life. Just as the gospel opens up new ways of living, good theology unfolds into new interpretations and articulations. Engaging Jenson's work across vital areas, this volume lays out the contours and key contributions of Jenson's thought for modern Christology, theological interpretation of Scripture, the doctrine of the Trinity in light of the recent Trinitarian revival, and ecumenical theological relations. This volume gathers together essays by some of contemporary theology's most capable thinkers, such as Oliver Crisp, Stephen Holmes, Joseph Mangina, Peter Leithart, Telford Work, Eugene Rogers, R. Kendall Soulen, and Peter Ochs, to examine the ways in which Jenson's own theology functions as "promise," enabling further theological visions and articulations.

The identification of God with beauty is one of the most aesthetically rich notions within Christian thought. However, this claim is often at risk of becoming untethered from core Christian theological confessions. To avoid a theological account of beauty becoming a mere projection of our wildest desires, it must be reined in by dogmatics. To make this case, this book employs the thought of Robert W. Jenson to construct a dogmatic aesthetics. Jenson's whole theological program is directed by exploring the systematic potential of the core doctrines of the faith that finally opens out into a vast vision of the beauty of God and creatures: "God is a great fugue...the rest is music." Taking Jenson's cue, the account of beauty presented in this book is propelled by a core conviction of Jenson's theology: the sole analogue between God and creatures is not "being" or any other metaphysical concept, but Jesus Christ.