An insider's glimpse into how the natural environment, energy, the economics of construction, and the processes of collaboration inform KieranTimberlake's celebrated practice. "KieranTimberlake: A Manual of Work" comprehensively documents the beauty and relevance of KieranTimberlake's unique and celebrated vision. By undertaking a path of research into potential technologies that alter fabrication and delivery methods, and that influence the way we live in our environments, KieranTimberlake endeavors to reshape our expectations of architecture. Nineteen residential, commercial, academic, and civic projects are featured here, including the firm's own dynamic studio; buildings for such prestigious institutions as Yale University, Cornell University, and the University of Pennsylvania; and the new U.S. Embassy in London.

Publisher's Note: Products purchased from Third Party sellers are not guaranteed by the publisher for quality, authenticity, or access to any online entitlements included with the product. Preoccupation with image and a failure to look at process has led entire generations of architects to overlook transfer technologies and transfer processes. Kieran and Timberlake argue that the time has come to re-evaluate and update the basic design and construction methods that have constrained the building industry throughout its history. They skillfully demonstrate that contemporary architectural construction is a linear process, in both design and construction, where segregation of intelligence and information is the norm. They convince the reader to look at the automobile, shipbuilding, and aerospace industries to learn how to incorporate collective intelligence and nonhierarchical production structures. Those industries have proven to be progressively economic, efficient, and they yield a higher quality product while the production of buildings stagnates in the methods and practices of the nineteenth century. The transfer they envision is the complete integration of design with the craft of assembly supported by the materials scientist, the product engineer, and the process engineer, all using the tools of present information science as the central enabler. The new architecture will not be about style, but rather about substance -- about the very methods and processes that underlie making.