Meticulously edited, full of tactful annotations that set the stage for his work and his times, this Modern Library edition brings Milton, as a poet and a thinker, vividly alive before us.--Robert Hass, winner of the 2007 National Book Award.

John Milton is, next to William Shakespeare, the most influential English poet, a writer whose work spans an incredible breadth of forms and subject matter. "The Complete Poetry and Essential Prose of John Milton "celebrates this author's genius in a thoughtfully assembled book that provides new modern-spelling versions of Milton's texts, expert commentary, and a wealth of other features that will please even the most dedicated students of Milton's canon. Edited by a trio of esteemed scholars, this volume is the definitive Milton for our time.
In these pages you will find all of Milton's verse, from masterpieces such as Paradise Lost-widely viewed as the finest epic poem in the English language-to shorter works such as the "Nativity Ode, Lycidas, ," A Masque and "Samson Agonistes." Milton's non-English language sonnets, verses, and elegies are accompanied by fresh translations by Gordon Braden. Among the newly edited and authoritatively annotated prose selections are letters, pamphlets, political tracts, essays such as "Of Education" and "Areopagitica," and a generous portion of his heretical "Christian Doctrine." These works reveal Milton's passionate advocacy of controversial positions during the English Civil War and the Commonwealth and Restoration periods.
With his deep learning and the sensual immediacy of his language, Milton creates for us a unique bridge to the cultures of classical antiquity and medieval and Renaissance Christianity. With this in mind, the editors give careful attention to preserving the vibrant energy of Milton's verse and prose, while making the relatively unfamiliar aspects of his writing accessible to modern readers. Notes identify the old meanings and roots of English words, illuminate historical contexts-including classical and biblical allusions-and offer concise accounts of the author's philosophical and political assumptions. This edition is a consummate work of modern literary scholarship.
Praise
"Over the coming months, John Milton's] 400th anniversary will be celebrated in many different ways, but it is highly unlikely that any of the tributes he receives will do as much for him as the appearance of the Modern Library edition of his collected poetry and selected prose. The edition is a model of its kind, well designed and attractively produced. There are scholarly but unintimidating footnotes and helpful introductions to the major works. Spelling and punctuation have been modernized -- a difficult decision but the right one....A great deal has been packed in, but Milton has still been left room to breathe. The whole enterprise is meant to be reader-friendly, and it succeeds." -- "The Wall Street Journal"
"This magnificent edition gives us everything we need to read Milton intelligently and with fresh perception. You could take it to a desert island, or just stay home and further your education in a great writer."
-William H. Pritchard, Amherst College
"For generations of readers Milton has been the measure of both eloquence and nobility of mind. For the next generation this new Modern Library volume will be the standard: it is meticulously edited, full of tactful annotations that set the stage for his work and his times, and it brings Milton, as a poet and a thinker, vividly alive before us."
-Robert Hass
"Years ago I began a series of poems about Milton and his daughters. Ever since, I have been combing through Milton's poems and prose for those moments when the poet would turn and speak to the poet in me. It is in the new Kerrigan-Rumrich-Fallon edition that I now find prompt rejoinders to questions, ready clarifications of problems, and a more intimate dimension of that formidable adjective Miltonic."
-Richard Howard
"A superb edition of the great poet, with modernized spelling, lucid introductions to each work, illuminating footnotes, and fresh prose translations of poems in Latin, Greek, and Italian. This will surely be the edition of choice for teachers, students, and general readers too."
-Leo Damrosch, Harvard University
"The introductions alone constitute a fine new book on Milton, beautifully written, challenging and balanced, with equal care and insight given to textual, biographical, historical, literary-historical and literary-critical concerns. It is a book to last a lifetime."
-James Earl, University of Oregon
"In this landmark edition, teachers will discover a powerful ally in bringing the excitement of Milton's poetry and prose to new generations of students. In the clarity of its overall conception, its thoroughness, and its never-faltering attention to literary and historical detail, the Modern Library Milton serves almost as another teacher-patient, thoughtful, endlessly concerned with genuine comprehension."
-William C. Dowling, Rutgers University
"The editors display a remarkable combination of scholarly rigor and sensitivity to literary values, expressed in prose of exemplary clarity and extraordinary grace; even the notes, concise as well as precise, approach a kind of epigrammatic brilliance. A superb edition."
-Edward W. Tayler, Columbia University
"The editors succeed gloriously, meeting the needs of the whole spectrum, from general readers to advanced students. A modernized text, one sensitive to Milton' s poetic rhythm, illuminates both the author's meaning and artistry. It's a beautiful edition-a home worthy of its subject."
-Marina Favila, James Madison University

Seventeenth-century England teemed with speculation on body and its relation to soul. Descartes' dualist certainty was countered by materialisms, whether mechanist or vitalist. The most important and distinctive literary reflection of this ferment is John Milton's vitalist or animist materialism, which underwrites the cosmic worlds of Paradise Lost. In a time of philosophical upheaval and innovation, Milton and an unusual collection of fascinating and diverse contemporary writers, including John Donne, Margaret Cavendish, John Bunyan, and Hester Pulter, addressed the potency of the body, now viewed not as a drag on the immaterial soul or a site of embarrassment but as an occasion for heroic striving and a vehicle of transcendence. This collection addresses embodiment in relation to the immortal longings of early modern writers, variously abetted by the new science, print culture, and the Copernican upheaval of the heavens.

Seventeenth-century England teemed with speculation on body and its relation to soul. Descartes' dualist certainty was countered by materialisms, whether mechanist or vitalist. The most important and distinctive literary reflection of this ferment is John Milton's vitalist or animist materialism, which underwrites the cosmic worlds of Paradise Lost. In a time of philosophical upheaval and innovation, Milton and an unusual collection of fascinating and diverse contemporary writers, including John Donne, Margaret Cavendish, John Bunyan, and Hester Pulter, addressed the potency of the body, now viewed not as a drag on the immaterial soul or a site of embarrassment but as an occasion for heroic striving and a vehicle of transcendence. This collection addresses embodiment in relation to the immortal longings of early modern writers, variously abetted by the new science, print culture, and the Copernican upheaval of the heavens.

Despite writing about himself extensively and repeatedly, John Milton, the archetypal Puritan author, resolutely avoids the obligatory Augustinian narrative of sinfulness, conviction of sin, reception of the Word, regeneration of the spirit, and sanctification. The doctrine of fall, grace, and regeneration, so well illustrated in Paradise Lost, has no discernible effect on Milton's overt self-representations. Exploring this anomaly in his new book, Stephen M. Fallon contends that Milton, despite his deep engagement with theology, is not a religious writer. Why, Fallon asks, does Milton write about himself so compulsively? Why does he substitute, for the otherwise universal theological script, a story of precocious and continued virtue, even, it seems, a narrative of sinlessness? What pressures does this decision to reject the standard narrative exert on his work? In Milton's Peculiar Grace, Fallon argues that Milton writes about himself to gain immortality, secure authority for his arguments, and exert control over his readers' interpretations. He traces the return of the repressed narrative of fallenness in the author's unacknowledged and displaced self-representations, which in turn account for much of the power of the late poems. Fallon's book, based on close readings of Milton's "self-constructions" in prose and poetry throughout his career, provides a new view of Milton's life and his importance for contemporary literary theory-in particular for continued questions about authorial intention. To listen to a radio interview with Stephen Fallon discussing Milton's enduring significance, on the Australian Broadcasting Company's "Late Night Live," click here.

While Johnson charged that Milton "unhappily perplexed his poetry with his philosophy," Stephen M. Fallon argues that the relationship between Milton's philosophy and the poetry of Paradise Lost is a happy one. The author examines Milton's thought in light of the competing philosophical systems that filled the vacuum left by the repudiation of Aristotle in the seventeenth century. In what has become the classic account of Milton's animist materialism, Fallon revises our understanding of Milton's philosophical sophistication. The book offers a new interpretation of the War in Heaven in Paradise Lost as a clash of metaphysical systems, with free will hanging in the balance.

In 'Milton's Peculiar Grace', Fallon argues that John Milton writes about himself to gain immortality, secure authority for his arguments, and exert control over his readers' interpretations.

Edited by William Kerrigan, John Rumrich, and Stephen M. Fallon
The legendary author of "Paradise Lost" and other poems was also a superb and provocative prose writer. Culled from Modern Library's definitive "The Complete Poetry and Essential Prose of John Milton," this indispensable collection, authoritatively annotated and updated for this new volume, now includes selections from Milton's "Commonplace Book" and the complete text of "The Tenure of Kings and Magistrates" in addition to Milton's letters, pamphlets, political tracts, and essays. Milton tackles diverse subjects and takes controversial positions, including notorious defenses of divorce and protests against censorship. With expert analysis, a chronology of the author's life, clean layouts, and a comprehensive index, "The Essential Prose of John Milton" is an invaluable keepsake--a book bound to be a revelation for all readers of this monumental author.
"Meticulously edited, full of tactful annotations that set the stage for his work and his times, and bringing Milton, as a poet and a thinker, vividly alive before us."--Robert Hass, former Poet Laureate of the United States