The relationship between language, thought and culture is of concern to anyone with an interest in what it means to be human. The Language Puzzle explains how the invention of words at 1.6 million years ago began the evolution of human language from the ape-like calls of our earliest ancestors to our capabilities of today, with over 6000 languages in the world and each of us knowing over 50,000 words. Drawing on the latest discoveries in archaeology, linguistics, psychology, and genetics, Steven Mithen reconstructs the steps by which language evolved; he explains how it transformed the nature of thought and culture, and how we talked our way out of the Stone Age into the world of farming and swiftly into today's Digital Age. While this radical new work is not shy to reject outdated ideas about language, it builds bridges between disciplines to forge a new synthesis for the evolution of language that will find widespread acceptance as a new standard account for how humanity began.

As an archaeologist, Steven Mithen has worked on the Hebridean island of Islay over a period of many years. In this book he introduces the sites and monuments and tells the story of the island's people from the earliest stone age hunter-gatherers to those who lived in townships and in the grandeur of Islay House. He visits the tombs of Neolithic farmers, forts of Iron Age chiefs and castles of medieval warlords, discovers where Bronze Age gold was found, treacherous plots were made against the Scottish crown, and explores the island of today, which was forged more recently by those who mined for lead, grew flax, fished for herring and distilled whisky - the industry for which the island is best known today. Although an island history, this is far from an insular story: Islay has always been at a cultural crossroads, receiving a constant influx of new people and new ideas, making it a microcosm for the story of Scotland, Britain and beyond.

We live in a world surrounded by remarkable cultural achievements of human kind. Almost every day we hear of new innovations in technology, in medicine and in the arts which remind us that humans are capable of remarkable creativity. But what is human creativity? The modern world provides a tiny fraction of cultural diversity and the evidence for human creativity, far more can be seen by looking back into prehistory. The book examines how our understanding of human creativity can be extended by exploring this phenomenon during human evolution and prehistory.
The book offers unique perspectives on the nature of human creativity from archaeologists who are concerned with long term patterns of cultural change and have access to quite different types of human behaviour than that which exists today. It asks whether humans are the only creative species, or whether our extinct relatives such as Homo habilis and the Neanderthals also displayed creative thinking. It explores what we can learn about the nature of human creativity from cultural developments during prehistory, such as changes in the manner in which the dead were buried, monuments constructed, and the natural world exploited. In doing so, new light is thrown on these cultural developments and the behaviour of our prehistoric ancestors.
By examining the nature of creativity during human evolution and prehistory these archaeologists, supported by contributions from psychology, computer science and social anthropology, show that human creativity is a far more diverse and complex phenomena than simply flashes of genius by isolated individuals. Indeed they show that unless perspectives from prehistory are taken into account, our understanding of human creativity will be limited and incomplete.

Historians bound by their singular stories and archaeologists bound by their material evidence don t typically seek out broad comparative theories of religion. But recently Harvey Whitehouse 's modes of religiosity theory has been attracting many scholars of past religions. Based upon universal features of human cognition, Whitehouse 's theory can provide useful comparisons across cultures and historical periods even when limited cultural data is present. In this groundbreaking volume, scholars of cultures from prehistorical hunter-gatherers to 19th century Scandinavian Lutherans evaluate Whitehouse 's hypothesis that all religions tend toward either an imagistic or a doctrinal mode depending on how they are remembered and transmitted. Theorizing Religions Past provides valuable insights for all historians of religion and especially for those interested in a new cognitive method for studying the past.

We live in a world surrounded by remarkable cultural achievements of human kind. Almost every day we hear of new innovations in technology, in medicine and in the arts which remind us that humans are capable of remarkable creativity. But what is human creativity? The modern world provides a tiny fraction of cultural diversity and the evidence for human creativity, far more can be seen by looking back into prehistory. The book examines how our understanding of human creativity can be extended by exploring this phenomenon during human evolution and prehistory. The book offers unique perspectives on the nature of human creativity from archaeologists who are concerned with long term patterns of cultural change and have access to quite different types of human behaviour than that which exists today. It asks whether humans are the only creative species, or whether our extinct relatives such as Homo habilis and the Neanderthals also displayed creative thinking. It explores what we can learn about the nature of human creativity from cultural developments during prehistory, such as changes in the manner in which the dead were buried, monuments constructed, and the natural world exploited. In doing so, new light is thrown on these cultural developments and the behaviour of our prehistoric ancestors. By examining the nature of creativity during human evolution and prehistory these archaeologists, supported by contributions from psychology, computer science and social anthropology, show that human creativity is a far more diverse and complex phenomena than simply flashes of genius by isolated individuals. Indeed they show that unless perspectives from prehistory are taken into account, our understanding of human creativity will be limited and incomplete.

Award-winning science writer Steven Mithen explores how an understanding of our ancestors and their development can illuminate our brains and behaviour today How do our minds work? When did language and religious beliefs first emerge? Why was there a cultural explosion of art and creativity with the arrival of modern humans? This ground-breaking book brings the insight of archaeology to our understanding of the development and history of the human mind, combining them with ideas from evolutionary psychology in a brilliant and provocative synthesis.

A fascinating and incisive examination of our language instinct from award-winning science writer Steven Mithen. Along with the concepts of consciousness and intelligence, our capacity for language sits right at the core of what makes us human. But while the evolutionary origins of language have provoked speculation and impassioned debate, music has been neglected if not ignored. Like language it is a universal feature of human culture, one that is a permanent fixture in our daily lives. In THE SINGING NEANDERTHALS, Steven Mithen redresses the balance, drawing on a huge range of sources, from neurological case studies through child psychology and the communication systems of non-human primates to the latest paleoarchaeological evidence. The result is a fascinating and provocative work and a succinct riposte to those, like Steven Pinker, who have dismissed music as a functionless and unimportant evolutionary byproduct.

Steven Mithen's unique history of water and society in the ancient world has never been told before and is particularly relevant today in the face of global climate change. The planet faces a 21st-century global water crisis - but to what extent is this really new? Past societies and ancient civilisations have always faced climate change and been dependent on their ability to harness and manage a water supply. This has often been a key driver of historical change, leading to some of the most remarkable engineering projects of antiquity. In THIRST, renowned archaeologist and prehistorian Steven Mithen examines the history of water management in the ancient world. From the first flushing toilets at Knossos on Minoan Crete to the aqueducts of Petra and the Incas, from the bath houses of Rome to the canals of ancient China and the vast reservoirs of the Khmer and Maya civilisations, water management is shown to have been not only essential for human survival but a source of political power. It will remain so as we face global climate change, population growth and mega-urbanisation on a massive scale. So, does the past give us reason for hope or for despair?

A unique interdisciplinary study of the relationships between climate, hydrology and human society from 20,000 years ago to the present day within the Jordan Valley. It describes how state-of-the-art models can simulate the past, present and future climates of the Near East, reviews and provides new evidence for environmental change from geological deposits, builds hydrological models for the River Jordan and associated wadis and explains how present day urban and rural communities manage their water supply. The volume provides a new approach and new methods that can be applied for exploring the relationships between climate, hydrology and human society in arid and semi-arid regions throughout the world. It is an invaluable reference for researchers and advanced students concerned with the impacts of climate change and hydrology on human society, especially in the Near East.