Annotated bibliography of the Arthurian legend in modern English-language fiction, not only in literary texts, but in television, music, and art. The legend of Arthur has been a source of fascination for writers and artists in English since the fifteenth century, when Thomas Malory drew together for the first time in English a variety of Arthurian stories from a number of sources to form the Morte Darthur. It increased in popularity during the Victorian era, when after Tennyson's treatment of the legend, not only authors and dramatists, but painters, musicians, and film-makers found a sourceof inspiration in the Arthurian material. This interdisciplinary, annotated bibliography lists the Arthurian legend in modern English-language fiction, from 1500 to 2000, including literary texts, film, television, music, visual art, and games. It will prove an invaluable source of reference for students of literary and visual arts, general readers, collectors, librarians, and cultural historians--indeed, by anyone interested in the history of the waysin which Camelot has figured in post-medieval English-speaking cultures. ANN F. HOWEY is Assistant Professor at Brock University, Canada; STEPHEN R. REIMER is Associate Professor at the University of Alberta, Canada

A full and provocative reappraisal of the Bayeux "Tapestry", its origins, design and patronage. Aspects of the Bayeux Tapestry (in fact an embroidered hanging) have always remained mysterious, despite much scholarly investigation, not least its design and patron. Here, in the first full-length interdisciplinary approach to the subject, the authors (an art historian and a historian) consider these and other issues. Rejecting the prevalent view that it was commissioned by Odo, the bishop of Bayeux and half-brother of William the Conqueror, or by some other comparable patron, they bring new evidence to bear on the question of its relationship to the abbey of St Augustine's, Canterbury. From the study of art-historical, archeological, literary, historical and documentary materials, they conclude that the monks of St Augustine's designed the hanging for display in their abbey church to tell their own story of how England was invaded and conquered in 1066. Elizabeth Carson Pastan is a Professor of Art History at Emory University; Stephen D. White is Asa G. Candler Professor of Medieval History (emeritus), Emory University, and an Honorary Professor of Mediaeval History at the University of St Andrews.

This collection examines the production and recreation of religious ideas and images in different times and locations, achieving a comparative perspective on the transmission of religious influences. The essayists look at contact and conflict between insiders and outsiders, centers and margins, Jews and Christians, Slavs and Greeks, and ancient ritual behaviors and modern television broadcasting, as part of the negotiation of new identity positions, relationships, and accommodations. The book combines the disciplines of literary studies, cultural studies, art history, religion, history, and critical theory, making it an important resource to a range of scholars as well as nonspecialists.

A series which is a model of its kind. Edmund King, History The contributions collected in this volume demonstrate the full range and vitality of current work on the Anglo-Norman period in a variety of disciplines. Subjects include the fables on the Bayeux Tapestry, the piety of Earl Godwine, the feudal quota of the pre-1066 Archbishops of Canterbury, Geoffrey Malaterra's treatment of Roger the Great Count, mints and money in Anglo-Norman England, the church of Lastingham, and a reappraisal of Lanfranc as theologian. David Bates is Professorial Fellow, University of East Anglia. Contributors: Martin Allen, Henry Bainton, Nicholas Brooks, Jonathan Grove, Toivo Holopainen, Chris Lewis, Tom Licence, Marie-Agnes Lucas-Avenel, Christopher Norton and Stuart Harrison, Rebecca Slitt, Stephen D. White, Ann Williams.

This catalogue showcases some of the treasures of the University of Alberta's Map and Special Collections, as well as other U of A Libraries, particularly in terms of resources to aid in the study of the cultures of Medieval and Early Modern Europe. The curators have focused on "facsimiles," and one of the ways to view the exhibit is in terms of the art of the facsimile, from early twentieth-century black-and-white photographs to twenty-first-century colour, digital photographs on CD-ROM. A second theme is ancient book production, from the papyrus roll through the medieval parchment codex, down to the modern printed book. The curators have also considered representations of the world and its inhabitants: humans in their many activities and occupations, animals wild and tame, and monsters that dwelled in those parts of the world just beyond the boundary of the known.